Arthur Conan Doyle
12 books
- You get the first meeting of observant, irritating Sherlock Holmes and war-weary Dr. Watson, with Holmes showing off through tiny physical clues and chemical experiments. The mystery is briskly atmospheric, though its sudden shift into a long historical backstory feels strange; you read it for the partnership taking shape.
- Holmes is older here, and it shows in the best way; you get him faking a fatal illness in The Dying Detective and, in the title story, coaxed out of beekeeping retirement as war looms. It's a bit wistful, which suits him more than you'd expect.
- Twelve short cases you can dip into anywhere, and half the pleasure is Watson's patient bafflement while Holmes notices the scuffed boot or the dog that didn't bark. Cozy in the best way, though don't expect deep character arcs, just clever puzzles and fog.
- Late, strange Holmes, stories where Doyle gets darker and odder (a supposed vampire in Sussex, Holmes retired among his bees narrating one himself). Uneven if it's your first Holmes, but if you already love Watson's voice, the moment he's wounded in the Garridebs case lands hard.
- Doyle sends Watson off alone to a fog-soaked moor with a family curse and something howling in the dark, and it's genuinely eerie, not cozy. Holmes vanishes for long stretches, which somehow makes it better.
- Professor Challenger alone is worth it, a bearded egomaniac who throws a journalist down the stairs before agreeing to take him to a South American plateau where dinosaurs still roam. Pure boys'-own adventure, cheerfully implausible and very funny, if you're happy to switch your brain to holiday mode.
- You get a wonderfully odd blend of deep-sea adventure and speculative science, with Professor Maracot, Cyrus Headley, and Bill Scanlan trapped far below the Atlantic among the remnants of a lost civilization. It’s brisk, earnest, and occasionally very Victorian in its ideas, but the strange underwater setting gives it a charm that lingers.
- You get Holmes at his most inventive here, from the vanished racehorse in “Silver Blaze” to the eerie family history of “The Musgrave Ritual,” with Watson’s steady affection keeping the eccentricity human. A few stories feel more like clever puzzles than emotional dramas, but the collection is wonderfully varied and easy to dip into.
- Holmes comes back from the dead in the first story, and Watson faints, which tells you everything about how much fun Doyle is having. The cases here are some of his cleverest (the dancing stick figures, the smashed Napoleon busts), easy to read one at a time before bed.
- Holmes at his moodiest here, bored and reaching for the cocaine until a treasure map and a missing father give him something worth chasing. You get a proper Thames boat chase, and Watson quietly falling in love while pretending to take notes.
- Half of this is Holmes at his sharpest, teasing out why a dead man's wedding ring matters, and then it drops you into a grim Pennsylvania coal valley run by a murder society, no Holmes in sight for ages. If that split doesn't bother you, the second half is the best part.
- Doyle loved this more than Sherlock Holmes, and you can feel it: Alleyne leaves his abbey and falls in with Aylward the archer and tiny, half-blind Sir Nigel, who politely begs strangers for a chance to fight them. It ambles, but the company's good all the way to Spain.