Susanna
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- Wilde lets his idle aristocrats trade epigrams for two acts, and Lord Illingworth is horribly quotable, then the play turns serious when Mrs Arbuthnot's old secret surfaces. If you want pure froth you might resist the melodrama, but the wit alone earns the evening.
- You get Shakespeare at his strangest here: Leontes’ jealousy makes the early scenes painfully claustrophobic, then Paulina’s fierce intelligence and a sudden pastoral brightness change the air. It’s uneven and openly theatrical, but its movement from damage toward forgiveness stays with you.