CaprishaPage
7 libri letti per LibriVox
- Edward II EnglishMarlowe writes a king who wrecks his kingdom for love of Gaveston and somehow makes you pity him more as he loses everything. It's bleak, cruel in places, and the deposition scenes cut deep.
- Edward III EnglishYou get a rough, episodic history play with flashes of Shakespearean energy, especially in Edward’s pursuit of the Countess of Salisbury and the Black Prince’s battlefield speeches. It’s uneven and not wholly Shakespeare’s, but the mix of courtly temptation, war, and sudden moral seriousness makes it an intriguing afternoon read.
- Heartbreak House EnglishMostly it's clever people lounging in a house shaped like a ship, talking circles around each other while old Captain Shotover mutters prophecies from the corner, and somehow that's the fun. If you like Shaw's talk more than plot, this is him at his strangest, with a jolt at the end.
- Hippolytus EnglishYou get a painfully human tragedy out of Phaedra’s attempt to live honorably while desire and divine spite close in around her. Hippolytus is austere, self-righteous, and oddly moving, and the play’s argument between Aphrodite and Artemis leaves you thinking about purity, shame, and who gets punished for wanting.
- Misalliance EnglishFair warning, almost nothing happens except talk, but the talk is so good you won't mind: an airplane crashes into a rich underwear magnate's greenhouse mid-argument, and out steps a Polish acrobat who upends everyone. If you like watching smug people get dismantled in conversation, this is a treat.
- The School for Scandal EnglishGossip as blood sport, and Sheridan makes every barb land. The screen scene, where Lady Teazle's hiding spot collapses in front of everyone, is still genuinely funny after 250 years.
- Ulysses EnglishYou’re glad you read it for the strange intimacy of spending a day inside Leopold Bloom’s mind, where errands, advertisements, hunger, and memory keep turning unexpectedly funny and tender. It’s demanding and occasionally maddening, but the jokes, wordplay, and Molly Bloom’s closing monologue reward patience.