The Chink in the Armour

But there is one chink in the chain armour of civilized communities. Society is conducted on the assumption that murder will not be committed.

The Spectator

I

A small, shiny, pink card lay on the round table in Sylvia Bailey’s sitting-room at the Hôtel de l’Horloge in Paris.

She had become quite accustomed to finding one or more cards—cards from dressmakers, cards from corset-makers, cards from hairdressers—lying on her sitting-room table, but there had never been a card quite like this card.

Although it was pink, it looked more like a visiting-card than a tradesman’s advertisement, and she took it up with some curiosity. It was inscribed “Madame Cagliostra,” and underneath the name were written the words “Diseuse de la Bonne Aventure,” and then, in a corner, in very small black letters, the address, “5, Rue Jolie, Montmartre.”

A fortune-teller’s card? What an extraordinary thing!

Like many pretty, prosperous, idle women, Sylvia was rather superstitious. Not long before this, her first visit to Paris, a London acquaintance had taken her to see a noted palmist named “Pharaoh,” in Bond Street. She had paid her guinea willingly enough, but the result had vaguely disappointed her, and she had had the feeling, all the time she was with him, that the man was not really reading her hand.

True, “Pharaoh” had told her she was going abroad, and at that time she had no intention of doing so. The palmist had also told her—and this was really rather curious—that she would meet, when abroad, a foreign woman who would have a considerable influence on her life. Well, in this very Hôtel de l’Horloge Mrs. Bailey had come across a Polish lady, named Anna Wolsky, who was, like Sylvia herself, a young widow, and the two had taken a great fancy to one another.

It was most unlikely that Madame Wolsky would have the slightest influence on her, Sylvia Bailey’s, life, but at any rate it was very curious coincidence. “Pharaoh” had proved to be right as to these two things—she had come abroad, and she had formed a friendship with a foreign woman.

Mrs. Bailey was still standing by the table, and still holding the pink card in her hand, when her new friend came into the room.

“Well?” said Anna Wolsky, speaking English with a strong foreign accent, but still speaking it remarkably well, “Have you yet decided, my dear, what we shall do this afternoon? There are a dozen things open to us, and I am absolutely at your service to do any one of them!”

Sylvia Bailey laughingly shook her head.

“I feel lazy,” she said. “I’ve been at the Bon Marché ever since nine o’clock, and I feel more like having a rest than going out again, though it does seem a shame to stay in a day like this!”

The windows were wide open, the June sun was streaming in, and on the light breeze was borne the murmur of the traffic in the Avenue de l’Opéra, within a few yards of the quiet street where the Hôtel de l’Horloge is situated.

The other woman—Anna Wolsky was some years older than Sylvia Bailey—smiled indulgently.

“Tiens!” she cried suddenly, “what have you got there?” and she took the pink card out of Sylvia’s hand.

“Madame Cagliostra?” she repeated, musingly. “Now where did I hear that name? Yes, of course it was from our chambermaid! Cagliostra is a friend of hers, and, according to her, a marvellous person—one from whom the devil keeps no secrets! She charges only five francs for a consultation, and it appears that all sorts of well-known people go to her, even those whom the Parisians call the Gratin, that is, the Upper Crust, from the Champs Élysées and the Faubourg St. Germain!”

“I don’t think much of fortune-tellers,” said Sylvia, thoughtfully. “I went to one last time I was in London and he really didn’t tell me anything of the slightest interest.”

Her conscience pricked her a little as she said this, for “Pharaoh” had certainly predicted a journey which she had then no intention of taking, and a meeting with a foreign woman. Yet here she was in Paris, and here was the foreign woman standing close to her!

Nay more, Anna Wolsky had become—it was really rather odd that it should be so—the first intimate friend of her own sex Sylvia had made since she was a grown-up woman.

“I do believe in fortune-tellers,” said Madame Wolsky deliberately, “and that being so I shall spend my afternoon in going up to Montmartre, to the Rue Jolie, to hear what this Cagliostra has to say. It will be what you in England call ‘a lark’! And I do not see why I should not give myself so cheap a lark as a five-franc lark!”

“Oh, if you really mean to go, I think I will go too!” cried Sylvia, gaily.

She was beginning to feel less tired, and the thought of a long lonely afternoon spent indoors and by herself lacked attraction.

Linking her arm through her friend’s, she went downstairs and into the barely furnished dining-room, which was so very unlike an English hotel dining-room. In this dining-room the wallpaper simulated a vine-covered trellis, from out of which peeped blue-plumaged birds, and on each little table, covered by an unbleached tablecloth, stood an oil and vinegar cruet and a half-bottle of wine.

The Hôtel de l’Horloge was a typical French hotel, and foreigners very seldom stayed there. Sylvia had been told of the place by the old French lady who had been her governess, and who had taught her to speak French exceptionally well.

Several quiet Frenchmen, who had offices in the neighbourhood, were “en pension” at the Hôtel de l’Horloge, and as the two friends came in many were the steady, speculative glances cast in their direction.

To the average Frenchman every woman is interesting; for every Frenchman is in love with love, and in each fair stranger he sees the possible heroine of a romance in which he may play the agreeable part of hero. So it was that Sylvia Bailey and Anna Wolsky both had their silent admirers among those who lunched and dined in the narrow green and white dining-room of the Hôtel de l’Horloge.

Only a Frenchman would have given a second look at the Polish lady while Sylvia was by, but a Frenchman, being both a philosopher and a logician by nature, is very apt to content himself with the second-best when he knows the best is not for him.

The two friends were in entire contrast to one another. Madame Wolsky was tall, dark, almost swarthy; there was a look of rather haughty pride and reserve on her strong-featured face. She dressed extremely plainly, the only ornament ever worn by her being a small gold horseshoe, in the centre of which was treasured—so, not long ago, she had confided to Sylvia, who had been at once horrified and thrilled—a piece of the rope with which a man had hanged himself at Monte Carlo two years before! For Madame Wolsky—and she made no secret of the fact to her new friend—was a gambler.

Anna Wolsky was never really happy, she did not feel more than half alive, when away from the green cloth. She had only left Monte Carlo when the heat began to make the place unbearable to one of her northern temperament, and she was soon moving on to one of the French watering-places, where gambling of sorts can be indulged in all the summer through.

Different in looks, in temperament, and in tastes were the two young widows, and this, perhaps, was why they got on so excellently well together.

Sylvia Bailey was the foreign ideal of a beautiful Englishwoman. Her hair was fair, and curled naturally. Her eyes were of that blue which looks violet in the sunlight; and she had a delicate, rose leaf complexion.

Married when only nineteen to a man much older than herself, she was now at twenty-five a widow, and one without any intimate duties or close ties to fill her existence. Though she had mourned George Bailey sincerely, she had soon recovered all her normal interest and pleasure in life.