tale.fyi

É assim que a leitura vai ficar.

Last Poems by A. E. Housman

A. E. Housman

grátis · 6.512 palavras · audiolivro de 50 min, lido por Foon para LibriVox

texto de Project Gutenberg

role, por favor ↓continuar ↓

(começar de novo)

I publish these poems, few though they are, because it is not likely that I shall ever be impelled to write much more. I can no longer expect to be revisited by the continuous excitement under which in the early months of 1895 I wrote the greater part of my first book, nor indeed could I well sustain it if it came; and it is best that what I have written should be printed while I am here to see it through the press and control its spelling and punctuation. About a quarter of this matter belongs to the April of the present year, but most of it to dates between 1895 and 1910.

September 1922






     We'll to the woods no more,
     The laurels are all cut,
     The bowers are bare of bay
     That once the Muses wore;
     The year draws in the day
     And soon will evening shut:
     The laurels all are cut,
     We'll to the woods no more.
     Oh we'll no more, no more
     To the leafy woods away,
     To the high wild woods of laurel
     And the bowers of bay no more.






CONTENTS


I.   THE WEST

II.   

III.   

IV.   ILLIC JACET

V.   GRENADIER

VI.   LANCER

VII.   

VIII.   

IX.   

X.   

XI.   

XII.   

XIII.   THE DESERTER

XIV.   THE CULPRIT

XV.   EIGHT O'CLOCK

XVI.   SPRING MORNING

XVII.   ASTRONOMY

XVIII.   

XIX.   

XX.   

XXI.   

XXII.   

XXIII.   

XXIV.   EPITHALAMIUM

XXV.   THE ORACLES

XXVI.   

XXVII.   

XXVIII.   

XXIX.   

XXX.   SINNER'S RUE

XXXI.   HELL'S GATE

XXXII.   

XXXIII.   

XXXIV.   

XXXV.   

XXXVI.   REVOLUTION

XXXVII.   EPITAPH ON AN ARMY OF MERCENARIES

XXXVIII.   

XXXIX.   

XL.   

XLI.   FANCY'S KNELL






I. THE WEST

     Beyond the moor and the mountain crest
     —Comrade, look not on the west—
     The sun is down and drinks away
     From air and land the lees of day.

     The long cloud and the single pine
     Sentinel the ending line,
     And out beyond it, clear and wan,
     Reach the gulfs of evening on.

     The son of woman turns his brow
     West from forty countries now,
     And, as the edge of heaven he eyes,
     Thinks eternal thoughts, and sighs.

     Oh wide's the world, to rest or roam,
     With change abroad and cheer at home,
     Fights and furloughs, talk and tale,
     Company and beef and ale.

     But if I front the evening sky
     Silent on the west look I,
     And my comrade, stride for stride,
     Paces silent at my side,

     Comrade, look not on the west:
     'Twill have the heart out of your breast;
     'Twill take your thoughts and sink them far,
     Leagues beyond the sunset bar.

     Oh lad, I fear that yon's the sea
     Where they fished for you and me,
     And there, from whence we both were ta'en,
     You and I shall drown again.

     Send not on your soul before
     To dive from that beguiling shore,
     And let not yet the swimmer leave
     His clothes upon the sands of eve.

     Too fast to yonder strand forlorn
     We journey, to the sunken bourn,
     To flush the fading tinges eyed
     By other lads at eventide.

     Wide is the world, to rest or roam,
     And early 'tis for turning home:
     Plant your heel on earth and stand,
     And let's forget our native land.

     When you and I are split on air
     Long we shall be strangers there;
     Friends of flesh and bone are best;
     Comrade, look not on the west.





II.

     As I gird on for fighting
         My sword upon my thigh,
     I think on old ill fortunes
         Of better men than I.

     Think I, the round world over,
         What golden lads are low
     With hurts not mine to mourn for
         And shames I shall not know.

     What evil luck soever
         For me remains in store,
     'Tis sure much finer fellows
         Have fared much worse before.

     So here are things to think on
         That ought to make me brave,
     As I strap on for fighting
         My sword that will not save.





III.

     Her strong enchantments failing,
         Her towers of fear in wreck,
     Her limbecks dried of poisons
         And the knife at her neck,

     The Queen of air and darkness
         Begins to shrill and cry,
     'O young man, O my slayer,
         To-morrow you shall die.'

     O Queen of air and darkness,
         I think 'tis truth you say,
     And I shall die to-morrow;
         But you will die to-day.





voltando para onde você parou…

carregando o resto…

Leia a seguir

  • The Great Gatsby F. Scott Fitzgerald
    You watch Gatsby stare at that green light across the bay and slowly realize the whole glittering party is built on wanting one thing he can't have. It's short, sad, and gorgeous sentence by sentence, best read in a couple of quiet sittings.
  • Crime and Punishment Fyodor Dostoevsky, traduzido por Constance Garnett
    You spend the novel inside Raskolnikov’s feverish, self-justifying mind, then watch Porfiry unravel him through oddly playful conversations. It’s bleak, morally serious, and sometimes deliberately repetitive, but the pressure feels real, especially beside Sonia’s quiet compassion.
  • The Time Machine H. G. Wells
    The Time Traveller lands in the year 802,701 expecting a paradise, and what he finds among the childlike Eloi and the pale Morlocks underground gets stranger and sadder the longer he stays. It's short, brisk Victorian science fiction with a genuinely bleak streak, especially that final beach.

—

obrigado pela leitura

Last Poems by A. E. Housman, de A. E. Housman. O texto está em domínio público nos EUA, digitalizado pelos voluntários do Project Gutenberg; esta é a nossa própria cópia.

Narrado por Foon para LibriVox, também em domínio público.

tale.fyi

ouvir