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Wessex Poems and Other Verses

Thomas Hardy

grátis · 15.758 palavras · audiolivro de 2 h 11 min, lido por Libby Gohn para LibriVox

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PREFACE TO WESSEX POEMS

Of the miscellaneous collection of verse that follows, only four pieces have been published, though many were written long ago, and other partly written.  In some few cases the verses were turned into prose and printed as such, it having been unanticipated at that time that they might see the light.

Whenever an ancient and legitimate word of the district, for which there was no equivalent in received English, suggested itself as the most natural, nearest, and often only expression of a thought, it has been made use of, on what seemed good grounds.

The pieces are in a large degree dramatic or personative in conception; and this even where they are not obviously so.

The dates attached to some of the poems do not apply to the rough sketches given in illustration, which have been recently made, and, as may be surmised, are inserted for personal and local reasons rather than for their intrinsic qualities.

T. H.

September 1898.

THE TEMPORARY THE ALL

Change and chancefulness in my flowering youthtime,
Set me sun by sun near to one unchosen;
Wrought us fellow-like, and despite divergence,
   Friends interlinked us.

“Cherish him can I while the true one forthcome—
Come the rich fulfiller of my prevision;
Life is roomy yet, and the odds unbounded.”
   So self-communed I.

Thwart my wistful way did a damsel saunter,
Fair, the while unformed to be all-eclipsing;
“Maiden meet,” held I, “till arise my forefelt
   Wonder of women.”

Long a visioned hermitage deep desiring,
Tenements uncouth I was fain to house in;
“Let such lodging be for a breath-while,” thought I,
   “Soon a more seemly.

“Then, high handiwork will I make my life-deed,
Truth and Light outshow; but the ripe time pending,
Intermissive aim at the thing sufficeth.”
   Thus I . . . But lo, me!

Mistress, friend, place, aims to be bettered straightway,
Bettered not has Fate or my hand’s achieving;
Sole the showance those of my onward earth-track—
   Never transcended!

AMABEL

I marked her ruined hues,
Her custom-straitened views,
And asked, “Can there indwell
   My Amabel?”

I looked upon her gown,
Once rose, now earthen brown;
The change was like the knell
   Of Amabel.

Her step’s mechanic ways
Had lost the life of May’s;
Her laugh, once sweet in swell,
   Spoilt Amabel.

I mused: “Who sings the strain
I sang ere warmth did wane?
Who thinks its numbers spell
   His Amabel?”—

Knowing that, though Love cease,
Love’s race shows undecrease;
All find in dorp or dell
   An Amabel.

—I felt that I could creep
To some housetop, and weep,
That Time the tyrant fell
   Ruled Amabel!

I said (the while I sighed
That love like ours had died),
“Fond things I’ll no more tell
   To Amabel,

“But leave her to her fate,
And fling across the gate,
‘Till the Last Trump, farewell,
   O Amabel!’”

1865.

HAP

If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love’s loss is my hate’s profiting!”

Then would I bear, and clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.

But not so.  How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan . . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.

1866.

“IN VISION I ROAMED”
TO —

In vision I roamed the flashing Firmament,
So fierce in blazon that the Night waxed wan,
As though with an awed sense of such ostent;
And as I thought my spirit ranged on and on

In footless traverse through ghast heights of sky,
To the last chambers of the monstrous Dome,
Where stars the brightest here to darkness die:
Then, any spot on our own Earth seemed Home!

And the sick grief that you were far away
Grew pleasant thankfulness that you were near?
Who might have been, set on some outstep sphere,
Less than a Want to me, as day by day
I lived unware, uncaring all that lay
Locked in that Universe taciturn and drear.

1866.

AT A BRIDAL
TO —

When you paced forth, to wait maternity,
A dream of other offspring held my mind,
Compounded of us twain as Love designed;
Rare forms, that corporate now will never be!

Should I, too, wed as slave to Mode’s decree,
And each thus found apart, of false desire,
A stolid line, whom no high aims will fire
As had fired ours could ever have mingled we;

And, grieved that lives so matched should mis-compose,
Each mourn the double waste; and question dare
To the Great Dame whence incarnation flows.
Why those high-purposed children never were:
What will she answer?  That she does not care
If the race all such sovereign types unknows.

1866.

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Mais de Thomas Hardy

  • A Pair of Blue Eyes
    Early Hardy, before he got so heavy, though the sadness is already creeping in at the edges. You get Elfride torn between two very different men, the Cornish cliffs (including the scene that supposedly gave us the word cliffhanger), and an ending that plays fair but still stings.
  • Far from the Madding Crowd
    You get Bathsheba Everdene, proud, impulsive, and fiercely determined to run her own life, alongside Gabriel Oak’s steady, unsentimental devotion. The rural setting feels vivid, but Hardy lets the weather, accidents, and bad judgment turn romance into something painful and morally complicated.
  • Jude the Obscure
    Fair warning, this one hurts: Jude the stonemason teaching himself Greek at night, aching toward a university that will never let him in, and Sue Bridehead, restless and contradictory and painfully real. Read it when you can handle Hardy at his darkest and most tender.

—

obrigado pela leitura

Wessex Poems and Other Verses, de Thomas Hardy. O texto está em domínio público nos EUA, digitalizado pelos voluntários do Project Gutenberg; esta é a nossa própria cópia.

Narrado por Libby Gohn para LibriVox, também em domínio público.

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