Bob Neufeld
13 books read for LibriVox
- Mostly it's clever people lounging in a house shaped like a ship, talking circles around each other while old Captain Shotover mutters prophecies from the corner, and somehow that's the fun. If you like Shaw's talk more than plot, this is him at his strangest, with a jolt at the end.
- Hoffmann at his oddest, and that's saying something: a shy recluse who buys himself Christmas gifts gets tangled up with the king of the fleas, feuding microscope-wizards, and a lens that shows him what people are really thinking. Go in loose; logic isn't the point, the giddy strangeness is.
- Fair warning, almost nothing happens except talk, but the talk is so good you won't mind: an airplane crashes into a rich underwear magnate's greenhouse mid-argument, and out steps a Polish acrobat who upends everyone. If you like watching smug people get dismantled in conversation, this is a treat.
- Magdalen Vanstone loses her whole inheritance on a legal technicality and decides to scheme it back, disguises and sham marriage included, and you spend the whole book rooting for someone doing genuinely dubious things. Captain Wragge, her con-artist accomplice, nearly steals it.
- You get a fiercely intelligent, deeply unpleasant narrator who argues himself into knots about free will, spite, and the need to remain irrational. The later Petersburg scenes, especially his humiliating encounter with former schoolmates, make the book’s grim comedy painfully recognizable, though its bitterness takes some patience.
- Poe's poems are best read aloud at night, when the hypnotic drumbeat of The Raven and the sad chime of Annabel Lee can really work on you. It's a small body of work, moody and musical, and if gothic melancholy isn't your thing, skip it.
- You follow Nekhlyudov as his comfortable life is unsettled by Maslova’s trial, then watch him confront the damage hidden inside respectable society. Tolstoy can be sermon-heavy here, but the prison scenes and Nekhlyudov’s uneasy moral awakening give the book a stern, searching force.
- You get a wonderfully playable comedy here, with Tony Lumpkin stirring up trouble and Kate Hardcastle disguising herself as a barmaid to find out what Marlow is really like. The plotting is deliberately tangled and theatrical, but the dialogue stays bright, mischievous, and surprisingly sharp about shyness and social performance.
- The Humbugs of the World non-fictionYes, the great showman himself grousing about frauds, and the irony lands better than you'd expect. He goes after spirit mediums, quack medicines, the Moon Hoax, all in chatty anecdotes, and half the fun is watching him carefully separate his kind of humbug from the cruel kind.
- Grim little book, and it sticks with you: Prendick washes up on an island where Moreau's surgically altered creatures chant their Law about not walking on all fours, and you slowly realize whose side you're on. Short, unsettling, best read when you want to be disturbed.
- Wilde gives every character his best one-liners, so you'll laugh even as the whole thing curdles into something genuinely creepy. Lord Henry's lazy, poisonous charm is the real draw; you'll catch yourself agreeing with him and then feeling slightly guilty about it.
- Every character is named for exactly what they are (Mr. Worldly Wiseman, Giant Despair), which sounds heavy-handed until you're stuck in the Slough of Despond yourself and it lands.