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Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces

Thomas Hardy

free · 24,552 words · 3 h 42 m audiobook, read by volunteers for LibriVox

text from Project Gutenberg

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LYRICS AND REVERIES

IN FRONT OF THE LANDSCAPE

Plunging and labouring on in a tide of visions,
   Dolorous and dear,
Forward I pushed my way as amid waste waters
   Stretching around,
Through whose eddies there glimmered the customed landscape
   Yonder and near,

Blotted to feeble mist.  And the coomb and the upland
   Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
   Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
   Meadow or mound.

What were the infinite spectacles bulking foremost
   Under my sight,
Hindering me to discern my paced advancement
   Lengthening to miles;
What were the re-creations killing the daytime
   As by the night?

O they were speechful faces, gazing insistent,
   Some as with smiles,
Some as with slow-born tears that brinily trundled
   Over the wrecked
Cheeks that were fair in their flush-time, ash now with anguish,
   Harrowed by wiles.

Yes, I could see them, feel them, hear them, address them—
   Halo-bedecked—
And, alas, onwards, shaken by fierce unreason,
   Rigid in hate,
Smitten by years-long wryness born of misprision,
   Dreaded, suspect.

Then there would breast me shining sights, sweet seasons
   Further in date;
Instruments of strings with the tenderest passion
   Vibrant, beside
Lamps long extinguished, robes, cheeks, eyes with the earth’s crust
   Now corporate.

Also there rose a headland of hoary aspect
   Gnawed by the tide,
Frilled by the nimb of the morning as two friends stood there
   Guilelessly glad—
Wherefore they knew not—touched by the fringe of an ecstasy
   Scantly descried.

Later images too did the day unfurl me,
   Shadowed and sad,
Clay cadavers of those who had shared in the dramas,
   Laid now at ease,
Passions all spent, chiefest the one of the broad brow
   Sepulture-clad.

So did beset me scenes miscalled of the bygone,
   Over the leaze,
Past the clump, and down to where lay the beheld ones;
   —Yea, as the rhyme
Sung by the sea-swell, so in their pleading dumbness
   Captured me these.

For, their lost revisiting manifestations
   In their own time
Much had I slighted, caring not for their purport,
   Seeing behind
Things more coveted, reckoned the better worth calling
   Sweet, sad, sublime.

Thus do they now show hourly before the intenser
   Stare of the mind
As they were ghosts avenging their slights by my bypast
   Body-borne eyes,
Show, too, with fuller translation than rested upon them
   As living kind.

Hence wag the tongues of the passing people, saying
   In their surmise,
“Ah—whose is this dull form that perambulates, seeing nought
   Round him that looms
Whithersoever his footsteps turn in his farings,
   Save a few tombs?”

CHANNEL FIRING

That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day

And sat upright.  While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,

The glebe cow drooled.  Till God called, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:

“All nations striving strong to make
Red war yet redder.  Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.

“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening . . .

“Ha, ha.  It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”

So down we lay again.  “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”

And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”

Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.

April 1914.

THE CONVERGENCE OF THE TWAIN

(Lines on the loss of the “Titanic”)

I

   In a solitude of the sea
   Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

II

   Steel chambers, late the pyres
   Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

III

   Over the mirrors meant
   To glass the opulent
The sea-worm crawls—grotesque, slimed, dumb, indifferent.

IV

   Jewels in joy designed
   To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.

V

   Dim moon-eyed fishes near
   Gaze at the gilded gear
And query: “What does this vaingloriousness down here?” . . .

VI

   Well: while was fashioning
   This creature of cleaving wing,
The Immanent Will that stirs and urges everything

VII

   Prepared a sinister mate
   For her—so gaily great—
A Shape of Ice, for the time far and dissociate.

VIII

   And as the smart ship grew
   In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.

IX

   Alien they seemed to be:
   No mortal eye could see
The intimate welding of their later history,

X

   Or sign that they were bent
   By paths coincident
On being anon twin halves of one august event,

XI

   Till the Spinner of the Years
   Said “Now!”  And each one hears,
And consummation comes, and jars two hemispheres.

restoring your place…

fetching the rest…

More by Thomas Hardy

  • A Pair of Blue Eyes
    Early Hardy, before he got so heavy, though the sadness is already creeping in at the edges. You get Elfride torn between two very different men, the Cornish cliffs (including the scene that supposedly gave us the word cliffhanger), and an ending that plays fair but still stings.
  • Far from the Madding Crowd
    You get Bathsheba Everdene, proud, impulsive, and fiercely determined to run her own life, alongside Gabriel Oak’s steady, unsentimental devotion. The rural setting feels vivid, but Hardy lets the weather, accidents, and bad judgment turn romance into something painful and morally complicated.
  • Jude the Obscure
    Fair warning, this one hurts: Jude the stonemason teaching himself Greek at night, aching toward a university that will never let him in, and Sue Bridehead, restless and contradictory and painfully real. Read it when you can handle Hardy at his darkest and most tender.

—

thank you for reading

Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces by Thomas Hardy. The text is in the US public domain, digitized by Project Gutenberg’s volunteers and served from our own copy.

Narrated by John Burlinson (1950-2024), Sonia, and Tomas Peter for LibriVox, also public domain.

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