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Poetry ▾
contents
  1. Spirits in Bondage
  2. Prologue
  3. Part I
  4. I
  5. II
  6. III
  7. IV
  8. V
  9. VI
  10. VII
  11. VIII
  12. IX
  13. X
  14. XI
  15. XII
  16. XIII
  17. XIV
  18. XV
  19. XVI
  20. XVII
  21. XVIII
  22. XIX
  23. XX
  24. XXI
  25. Part II
  26. XXII
  27. XXIII
  28. XXIV
  29. Part III
  30. XXV
  31. XXVI
  32. XXVII
  33. XXVIII
  34. XXIX
  35. XXX
  36. XXXI
  37. XXXII
  38. XXXIII
  39. XXXIV
  40. XXXV
  41. XXXVI
  42. XXXVII
  43. XXXVIII
  44. XXXIX
  45. XL
  46. Dymer
  47. Canto I
  48. Canto II
  49. Canto III
  50. Canto IV
  51. Canto V
  52. Canto VI
  53. Canto VII
  54. Canto VIII
  55. Canto IX
English ▾

Poetry

C. S. Lewis

free · 26,651 words · ~2 h read

text from Standard Ebooks

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Spirits in Bondage

A Cycle of Lyrics

Prologue

As of old Phoenician men, to the Tin Isles sailing
Straight against the sunset and the edges of the earth,
Chaunted loud above the storm and the strange sea’s wailing,
Legends of their people and the land that gave them birth—
Sang aloud to Baal-Peor, sang unto the horned maiden,
Sang how they should come again with the Brethon treasure laden,
Sang of all the pride and glory of their hardy enterprise,
How they found the outer islands, where the unknown stars arise;
And the rowers down below, rowing hard as they could row,
Toiling at the stroke and feather through the wet and wary weather,
Even they forgot their burden in the measure of a song,
And the merchants and the masters and the bondsmen all together,
Dreaming of the wondrous islands, brought the gallant ship along;

So in mighty deeps alone on the chainless breezes blown
In my oracle of verses I will sing of lands unknown,
Flying from the scarlet city where a Lord that knows no pity,
Mocks the broken people praying round his iron throne,
—Sing about the Hidden Country fresh and full of quiet green.
Sailing over seas uncharted to a port that none has seen.

Part I

The Prison House

I

Satan Speaks

I am Nature, the Mighty Mother,
I am the law: ye have none other.

I am the flower and the dewdrop fresh,
I am the lust in your itching flesh.

I am the battle’s filth and strain,
I am the widow’s empty pain.

I am the sea to smother your breath,
I am the bomb, the falling death.

I am the fact and the crushing reason
To thwart your fantasy’s new-born treason.

I am the spider making her net,
I am the beast with jaws blood-wet.

I am a wolf that follows the sun
And I will catch him ere day be done.

II

French Nocturne

(Monchy-le-Preux)

Long leagues on either hand the trenches spread
And all is still; now even this gross line
Drinks in the frosty silences divine
The pale, green moon is riding overhead.

The jaws of a sacked village, stark and grim;
Out on the ridge have swallowed up the sun,
And in one angry streak his blood has run
To left and right along the horizon dim.

There comes a buzzing plane: and now, it seems
Flies straight into the moon. Lo! where he steers
Across the pallid globe and surely nears
In that white land some harbour of dear dreams!

False mocking fancy! Once I too could dream,
Who now can only see with vulgar eye
That he’s no nearer to the moon than I
And she’s a stone that catches the sun’s beam.

What call have I to dream of anything?
I am a wolf. Back to the world again,
And speech of fellow-brutes that once were men
Our throats can bark for slaughter: cannot sing.

III

The Satyr

When the flowery hands of spring
Forth their woodland riches fling,
Through the meadows, through the valleys
Goes the satyr carolling.

From the mountain and the moor,
Forest green and ocean shore
All the faerie kin he rallies
Making music evermore.

See! the shaggy pelt doth grow
On his twisted shanks below,
And his dreadful feet are cloven
Though his brow be white as snow—

Though his brow be clear and white
And beneath it fancies bright,
Wisdom and high thoughts are woven
And the musics of delight,

Though his temples too be fair
Yet two horns are growing there
Bursting forth to part asunder
All the riches of his hair.

Faerie maidens he may meet
Fly the horns and cloven feet,
But, his sad brown eyes with wonder
Seeing—stay from their retreat.

IV

Victory

Roland is dead, Cuchulain’s crest is low,
The battered war-rear wastes and turns to rust,
And Helen’s eyes and Iseult’s lips are dust
And dust the shoulders and the breasts of snow.

The faerie people from our woods are gone,
No Dryads have I found in all our trees,
No Triton blows his horn about our seas
And Arthur sleeps far hence in Avalon.

The ancient songs they wither as the grass
And waste as doth a garment waxen old,
All poets have been fools who thought to mould
A monument more durable than brass.

For these decay: but not for that decays
The yearning, high, rebellious spirit of man
That never rested yet since life began
From striving with red Nature and her ways.

Now in the filth of war, the baresark shout
Of battle, it is vexed. And yet so oft
Out of the deeps, of old, it rose aloft
That they who watch the ages may not doubt.

Though often bruised, oft broken by the rod,
Yet, like the phoenix, from each fiery bed
Higher the stricken spirit lifts its head
And higher—till the beast become a god.

restoring your place…

fetching the rest…

More by C. S. Lewis

  • Prince Caspian
    You return to Narnia with the Pevensies, only to find Cair Paravel in ruins and a kingdom that barely remembers them. The story feels stranger and more wistful than the first book, but Trumpkin’s skepticism, Reepicheep’s fierce courtesy, and Lucy’s trust in Aslan give it real heart.
  • The Horse and His Boy
    You get a brisk adventure with Shasta and the gloriously vain talking horse Bree, but the real pleasure is watching courage, pride, and belonging slowly take shape. Aravis gives the story a sharper edge, and the desert roads and gallops into Narnia make this a particularly good fit when you want Lewis at his most playful.
  • The Last Battle
    You get a darker, stranger Narnia here, with the miserable donkey Puzzle manipulated by the ape Shift and King Tirian trying to see clearly through the confusion. It can feel bluntly theological, but if you’re willing to sit with that, the final movement has real emotional weight.

appears in

  • War Poets

—

thank you for reading

Poetry by C. S. Lewis. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

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