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Dangerous Liaisons ▾
contents
  1. Advertisement from the Editor
  2. Preface
  3. Letter 1
  4. Letter 2
  5. Letter 3
  6. Letter 4
  7. Letter 5
  8. Letter 6
  9. Letter 7
  10. Letter 8
  11. Letter 9
  12. Letter 10
  13. Letter 11
  14. Letter 12
  15. Letter 13
  16. Letter 14
  17. Letter 15
  18. Letter 16
  19. Letter 17
  20. Letter 18
  21. Letter 19
  22. Letter 20
  23. Letter 21
  24. Letter 22
  25. Letter 23
  26. Letter 24
  27. Letter 25
  28. Letter 26
  29. Letter 27
  30. Letter 28
  31. Letter 29
  32. Letter 30
  33. Letter 31
  34. Letter 32
  35. Letter 33
  36. Letter 34
  37. Letter 35
  38. Letter 36 Viscount Valmont to the Presidente de Tourvel (Postmark from Dijon.)
  39. Letter 37
  40. Letter 38
  41. Letter 39
  42. Letter 40
  43. Letter 41
  44. Letter 42
  45. Sequel to the Fortieth Letter
  46. Letter 43
  47. Letter 44
  48. Letter 45
  49. Letter 46
  50. Letter 47
  51. Letter 48 The Viscount de Valmont to the Presidente de Tourvel (Postmark, Paris.)
  52. Letter 49
  53. Letter 50
  54. Letter 51
  55. Letter 52
  56. Letter 53
  57. Letter 54
  58. Letter 55
  59. Letter 56
  60. Letter 57
  61. Letter 58
  62. Letter 59
  63. Letter 60 Chevalier Danceny to the Viscount de Valmont (Enclosed in the preceding.)
  64. Letter 61
  65. Letter 62
  66. Letter 63
  67. Letter 64 The Chevalier Danceny to Madame de Volanges (Annexed to the 66th Letter, from the Viscount to the Marchioness.)
  68. Letter 65 Chevalier Danceny to Cecilia Volanges (Sent open to the Marchioness de Merteuil, in the 66th Letter of the Viscount.)
  69. Letter 66
  70. Letter 67
  71. Letter 68
  72. Letter 69 Cecilia Volanges to the Chevalier Danceny (Wrote with a pencil, and recopied by Danceny.)
  73. Letter 70
  74. Letter 71
  75. Letter 72 Chevalier Danceny to Cecilia Volanges (Delivered only the 14th.)
  76. Letter 73 Viscount de Valmont to Cecilia Volanges (Annexed to the foregoing.)
  77. Letter 74
  78. Letter 75 Cecilia Volanges to Sophia Carnay [In this Letter, Cecilia Volanges gives a most circumstantial account of everything that relates to herself, in the events which the reader has seen at the end of the 59th Letter, and the following; for this reason a repetition was thought unnecessary; at last she speaks of Viscount de Valmont, and thus expresses herself:]
  79. Letter 76
  80. Letter 77
  81. Letter 78
  82. Letter 79
  83. Letter 80
  84. Letter 81
  85. Letter 82
  86. Letter 83
  87. Letter 84
  88. Letter 85
  89. Letter 86 The Marechale de ——— to the Marchioness de Merteuil (Enclosed in the former.)
  90. Letter 87
  91. Letter 88
  92. Letter 89
  93. Letter 90
  94. Letter 91
  95. Letter 92
  96. Letter 93
  97. Letter 94
  98. Letter 95
  99. Letter 96
  100. Letter 97
  101. Letter 98
  102. Letter 99
  103. Letter 100
  104. Letter 101 The Viscount de Valmont to Azolan, His Huntsman (Enclosed in the foregoing.)
  105. Letter 102
  106. Letter 103
  107. Letter 104
  108. Letter 105
  109. Letter 106
  110. Letter 107
  111. Letter 108
  112. Letter 109
  113. Letter 110
  114. Letter 111
  115. Letter 112 Madame de Rosemonde to the Presidente de Tourvel (Dictated only.)
  116. Letter 113
  117. Letter 114
  118. Letter 115
  119. Letter 116
  120. Letter 117 Cecilia Volanges to the Chevalier Danceny (Dictated by Valmont.)
  121. Letter 118
  122. Letter 119
  123. Letter 120 Viscount de Valmont to Father Anselmus, (Of the Feuillant Convent, St. Honoré Street.)
  124. Letter 121
  125. Letter 122
  126. Letter 123
  127. Letter 124
  128. Letter 125
  129. Letter 126
  130. Letter 127
  131. Letter 128
  132. Letter 129
  133. Letter 130
  134. Letter 131
  135. Letter 132
  136. Letter 133
  137. Letter 134
  138. Letter 135
  139. Letter 136
  140. Letter 137
  141. Letter 138
  142. Letter 139
  143. Letter 140
  144. Letter 141
  145. Letter 142
  146. Letter 143
  147. Letter 144
  148. Letter 145
  149. Letter 146
  150. Letter 147
  151. Letter 148
  152. Letter 149
  153. Letter 150
  154. Letter 151
  155. Letter 152
  156. Letter 153
  157. Letter 154
  158. Letter 155
  159. Letter 156 Cecilia Volanges to the Chevalier Danceny (Annexed to the former.)
  160. Letter 157
  161. Letter 158
  162. Letter 159
  163. Letter 160
  164. Letter 161 The Presidente de Tourvel (Dictated by her, and wrote by her waiting maid.)
  165. Letter 162
  166. Letter 163
  167. Letter 164
  168. Letter 165
  169. Letter 166
  170. Letter 167
  171. Letter 168
  172. Letter 169
  173. Letter 170
  174. Letter 171
  175. Letter 172
  176. Letter 173
  177. Letter 174
  178. Letter 175
  179. Endnotes
English ▾

Dangerous Liaisons

Pierre Choderlos de Laclos, translated by Thomas Moore

free · 139,111 words · ~9 h read · first published 1782

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Advertisement from the Editor

We think it incumbent on us to acquaint the Public, notwithstanding the title of this work, and what the Compiler asserts in his preface, that we do not pledge ourselves for the authenticity of this Collection, and that we have even very forcible reasons to believe it a fiction.

Nay, that the author, who seems studiously to have sought nature, has himself awkwardly defeated his intention, by the epocha in which he has placed his events. The morals of several of his personages are so corrupt, that it is impossible they should have existed in this age; an age of philosophy, and in which an extensive diffusion of knowledge has had the happy effect to render the men famed for morality and integrity, and the female sex for reserve and modesty.

We are therefore inclined to think, if the adventures related in this work have any foundation in truth, they must have happened at some other time and place: and we blame the author much, who, probably seduced by the hope of interesting us the more, has dared to modernize and to decorate, with our usages and customs, morals to which we are utter strangers.

To preserve, at least, the too credulous reader, as much as in our power, from all surprise on this subject, we will strengthen our opinion with an unanswerable argument; for though similar causes never fail to produce the same effects, yet we cannot now find a young lady, with an estate of 60,000 livres a year, take the veil, nor a Presidente, in the bloom of youth and beauty, die of grief.

Preface

This Work, or rather Collection, which the Public will, perhaps, still find too voluminous, contains but a small part of the correspondence from which it is extracted. Being appointed to arrange it by the persons in whose possession it was, and who, I knew, intended it for publication, I asked, for my sole recompence, the liberty to reject everything that appeared to me useless, and I have endeavoured to preserve only the letters which appeared necessary to illustrate the events, or to unfold the characters. If to this inconsiderable share in the work be added an arrangement of those letters which I have preserved, with a strict attention to dates, and some short annotations, calculated, for the most part, to point out some citations, or to explain some retrenchments I have made, the Public will see the extent of my labours, and the part I have taken in this publication.

I have also changed, or suppressed, the names of the personages, and if, among those I have substituted, any resemblance may be found which might give offence, I beg it may be looked on as an unintentional error.

I proposed farther alterations, as to purity of style and diction, in both which many faults will be found. I could also have wished to have been authorised to shorten some long letters, several of which treat separately, and almost without transition, of objects totally foreign to one another. This liberty, in which I was not indulged, would not have been sufficient to give merit to the work, but would have corrected part of its defects.

It was objected to me, that the intention was to publish the letters themselves, and not a work compiled from the letters; that it would be as distant from probability as truth, that eight or ten persons, who were concerned in this correspondence, should have wrote with equal purity of style:—And on my representing that there was not one which did not abound with essential faults, and was not very open to criticism, I was answered, that every reasonable reader would undoubtedly expect to find faults in a collection of letters of private persons, since among all those hitherto published by authors of the highest reputation, and even some academicians, there are none totally exempt from censure. Those reasons have not convinced me; and I am still of opinion they are easier to give than likely to obtain assent; but I had not my option, and submitted, reserving only the liberty of entering my protest, and declaring my dissent, as I now do.

As to the merit of this work, perhaps it does not become me to touch upon it; my opinion neither can, or ought, to influence anyone. However, as some wish to know something of a book before they take it in hand, those who are so disposed will proceed with this preface—the rest will do better to pass on to the work itself.

Though inclined to publish those letters, I am yet far from thinking they will meet success; and let not this sincere declaration be construed into the affected modesty of an author: for I declare, with the same frankness, that if I had thought this collection an unworthy offering to the Public, it should not have taken up any part of my time.—Let us try to reconcile this apparent contradiction.

The merit of a work consists in its utility, or its agreeableness, and even in both, when it admits of both. But success, which is not always the criterion of merit, often arises more from a choice of subject than the execution, more from the aggregate of the objects presented than the manner of treating them: such a collection as the title announces this to be, being the letters of a whole circle, and containing a diversity of interests, is not likely to fix the attention of the reader. Besides, the sentiments they contain being feigned or dissembled, can only excite an interest of curiosity, always infinitely inferior to that of sentiment, and less disposed to indulgence, as well as more apt to be struck with defects in the narrative, as they are constantly in opposition to the only desire curiosity seeks to gratify. These defects are, perhaps, partly compensated by the quality of the work; I mean the variety of style—A merit which an author seldom attains, but which here presents itself, and prevents, at least, a dull uniformity. Perhaps merit may also be allowed to many observations, either new or little known, which are interspersed through those letters: and this, to pass the most favourable judgment on them, will be found to constitute their best pretension to pleasing.

The utility of the work, which will, perhaps, be more strongly contested, appears more easy to establish: it is at least useful to morality, to lay open the means used by the wicked to seduce the innocent; and those letters will efficaciously concur for so salutary a purpose. There will also be found in them the proof and example of two important truths, which one would be apt to think unknown, seeing how little they are practised: the one, that every woman who admits a bad man to her society, ends with becoming his victim; the other, that every mother is at least imprudent, that suffers any but herself to gain possession of her daughter’s confidence.

Young persons, of both sexes, may also here learn, that the friendship so readily held out to them by people of bad morals, is ever a dangerous snare, equally fatal to their happiness and virtue; yet, abuse or evil always unhappily confining too nearly on good, appears so much to be dreaded in this respect, that far from recommending the perusal of works of this kind to youth, I think it of the utmost importance to keep all such very far from their reach. The time when productions of the nature of the present may be no longer dangerous, but begin to be useful, was fixed by a lady of great good understanding. “I think,” said she to me, after having read the manuscript of this correspondence, “I should render my daughter an essential service in putting this book in her hands on her wedding-day.” Should all mothers think thus, I shall congratulate myself on having published it.

Yet I shall leave this flattering supposition at a distance; and I still think this collection will please but few.—Men and women of depraved minds will take an interest in discountenancing a work that may injure them; and as they are never wasting in ingenuity, they may bring over the whole class of rigorists, who will be alarmed at the picture we have dared to present of profligacy.

The pretenders to free thinking will take no concern in the fate of a devout woman, whom, for that reason, they will not fail to pronounce weak, whilst the devotee will be displeased to see virtue sink under misfortune, and will complain that religion does not sufficiently display its power. On the other hand, persons of a delicate taste will be disgusted with the simplicity and defective style of many of the letters, whilst the generality of readers, led away with the idea that everything that appears in print is a work of labour, will think he sees in some of the other letters the laboured style of an author sufficiently apparent, notwithstanding the disguise he has assumed.

To conclude; it will be pretty generally said, that a thing is little worth out of its place; and that if the too correct style of authors takes off from the gracefulness of miscellaneous letters, negligences in these become real faults, and make them insupportable when consigned to the press.

I sincerely own that those reproaches may have some foundation. I believe also, I might possibly be able to answer them, even without exceeding the length of a preface: but it is clear, that were I to attempt to answer everything, I could do nothing else; and that if I had deemed it requisite to do so, I should at once have suppressed both preface and book.

Letter 1

Cecilia Volanges to Sophia Carnay, at the Convent of the Ursulines of ———

You see, my dear friend, I keep my word, and that dress does not totally take up all my time; I shall ever have some left for you. In this single day I have seen more finery of attire, than in the four years we have spent together; and I believe the haughty Tanville1 will be more mortified at my first visit, when I shall certainly desire to see her, than she used to be every time she came to see us in fiochi. Mamma advises with me in everything; she behaves to me no longer as a boarder in a convent. I have a chambermaid to myself; a chamber and a closet of my own, and a very pretty scrutoire, of which I keep the key, and where I can lock up everything. My Mamma has told me, I must be with her every morning at her levee; that it would be sufficient to have my head dressed by dinner, because we should always be alone, and that then she would each day tell me what time I should come to her apartment in the evening. The remainder of my time is at my own disposal; I have my harpsichord, my drawings, and books, just as in the convent, only that the mother abbess is not here to scold. And I may always be idle, if I please: but as I have not my dear Sophy to chat and laugh with, I am as well pleased with some occupation. It is not yet five, and I am not to go to Mamma till seven: what a deal of time, if I had anything to tell you! but nothing has been yet mentioned to me of any consequence: and if it were not for the preparations I see making, and the number of women employed for me, I should be apt to think they have no notion of my nuptials, and that it was one of old Josephine’s2 tales. Yet Mamma having so often told me, that a young lady should remain in a convent, until she was on the point of marriage, and having now brought me home, I am apt to think Josephine right.

A coach has just stopped at our door, and Mamma has sent for me. If it should be my intended!—I am not dressed, and am all in agitation; my heart flutters. I asked my maid, if she knew who was with my Mamma? “Why,” says she, laughing, “it is Mr. C——.” I really believe it is he. I will certainly return and write you the whole; however, that’s his name. I must not make them wait. Adieu, for a moment!

How you will laugh at your poor Cecilia, my dear Sophy! I’m quite ashamed! But you would have been deceived as well as I. On entering Mamma’s room, I saw a gentleman in black, standing close by her, I saluted him as well as I could, and remained motionless. You may guess, I examined him from head to foot. “Madam,” said he to Mamma, “this is a most charming young lady, and I am extremely sensible of your goodness.” So positive a declaration made me tremble all over; and not being able to support me, I threw myself in an armed chair, quite red and disconcerted. In an instant he was at my knees, and then you may judge how poor Cecilia’s head was bewildered; I instantly started up and shrieked, just as on the day of the great thunder. Mamma burst out laughing, saying, “Well, what’s the matter? Sit down, and give Mr. ——— your foot.” Thus, my dear friend, Mr. ——— turns out to be my shoemaker. You can’t conceive how much I was ashamed; happily, there was no one but Mamma present. I am, however, resolved when I am married he shall not be my shoemaker. Well! am I not now much the wiser? Farewell! it is almost six, and my maid says it is time to dress. Adieu! my dear Sophy; I love you as much as I did at the convent.

P.S. I don’t know whom to send with this, and shall wait till Josephine calls.

Paris, Aug. 3, 17—.

Letter 2

The Marchioness de Merteuil to the Viscount Valmont, at the Castle of ———

Return, my dear Viscount, return! How can you think of idling your days with an old aunt, whose fortune is already settled on you! Set out the moment you receive this letter, for I want you much. A most enchanting idea has just struck me, and I wish to confide the execution of it to you.

This hint should be sufficient, and you should think yourself so highly honoured by my choice, as to fly to receive my orders on your knees: but my favours are thrown away on one who no longer sets a value on them; and you presume upon my kindness, where the alternative must be eternal hatred, or excessive indulgence. I will acquaint you with my scheme; but you, like a true knight errant, must first swear to undertake no other adventure until this is achieved. It is worthy a hero. You will at once satiate love and revenge. It will be an additional exploit to your memoirs; yes, your memoirs, for I will have them published, and I will undertake the task. But to return to what more immediately concerns us. Madame de Volanges intends to marry her daughter: it is yet a secret; but she yesterday informed me of it. And whom do you think she has chosen for her son-in-law? Count Gercourt. Who could have thought I should have been allied to Gercourt? I am provoked beyond expression at your stupidity! Well, don’t you guess yet? Oh, thou essence of dullness! What, have you then pardoned him the affair of Madame the Intendante? And I, monster!3 have I not more reason for revenge? But I shall resume my temper; the prospect of retaliation, recalls my serenity.

You and I have been often tormented with the important idea framed by Gercourt, of the lady he intended honour with his hand, and his ridiculous presumption of being exempt from the unavoidable fate of married men. You know his foolish prepossessions in favour of conventual education, and his still more weak prejudices for women of a fair complexion: and I really believe, notwithstanding Volanges’ sixty thousand livres a year, he never would have thought of this girl, had she not been black eyed, or not educated in a convent.

Let us convince him, he is a most egregious fool, as one day or other he must be: but that’s not the business; the jest will be, should he act upon so absurd an opinion. How we should be diverted the next day with his boasts! for boast he will: and if once you properly form this little girl, it will be astonishing if Gercourt does not become, like so many others, the standing ridicule of Paris. The heroine of this new romance merits all your attention; she is really handsome, just turned of fifteen, and a perfect rosebud; awkward as you could wish, and totally unpolished: but you men don’t mind such trifles; a certain languishing air, which promises a great deal, added to my recommendation of her, leaves only to you to thank me and obey. You will receive this letter tomorrow morning: I require to see you at seven in the evening. I shall not be visible to anyone else till eight, not even to my chevalier, who happens to be my reigning favourite for the present; he has not a head for such great affairs. You see I am not blinded by love. I shall set you at liberty at eight, and you’ll return to sup with the charming girl at ten, for the mother and daughter sup with me. Farewell! it is past noon. Now for other objects.

Paris, Aug. 4, 17—.

Letter 3

Cecilia Volanges to Sophia Carnay

I have yet no news for my dear friend. Mamma had a great deal of company at supper last night. Notwithstanding the strong inclination I had to make my observations, especially among the men, I was far from being entertained. The whole company could not keep their eyes from me; they whispered; I could observe plainly they were speaking of me, and that made me blush; I could not help it: I wish I could; for I observed when anyone looked at the other ladies they did not blush, or the rouge they put on prevented their blushes from being seen. It must be very difficult not to change countenance when a man fixes his eyes on you.

What gave me the most uneasiness was, not to know what they thought of me; however, I think I heard the word pretty two or three times: but I’m sure I very distinctly heard that of awkward; and that must be very true, for she that said so is a relation, and an intimate friend of Mamma’s. She seems even to have taken a sudden liking to me. She was the only person who took a little notice of me the whole evening. I also heard a man after supper, who I am sure was speaking of me, say to another, “We must let it ripen, we shall see this winter.” Perhaps he is to be my husband; but if so, I have still to wait four months! I wish I knew how it is to be.

Here’s Josephine, and she says she is in haste. I must, however, tell you one of my awkward tricks—Oh, I believe that lady was right.

After supper, they all sat down to cards. I sat next Mamma. I don’t know how it happened, but I fell asleep immediately. A loud laugh awoke me. I don’t know whether I was the object of it; but I believe I was. Mamma gave me leave to retire, which pleased me much. Only think, it was then past eleven! Adieu, my dear Sophy! continue to love thy Cecilia, I assure you the world is not so pleasing as we used to think it.

Paris, Aug. 4, 17—.

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Dangerous Liaisons by Pierre Choderlos de Laclos, translated by Thomas Moore. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

First published in 1782.

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