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Inhalt
  1. Later Than You Think
  2. Coming Attraction
  3. Nice Girl with 5 Husbands
  4. Appointment in Tomorrow
  5. A Pail of Air
  6. Dr. Kometevsky’s Day
  7. The Moon Is Green
  8. Yesterday House
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  9. A Bad Day for Sales
  10. Friends and Enemies
  11. Time in the Round
  12. What’s He Doing in There?
  13. Bread Overhead
  14. The Last Letter
  15. Bullet with His Name
  16. Pipe Dream
  17. The Night of the Long Knives
    1. I Any man who saw you, or even heard your footsteps must be ambushed, stalked and killed, whether needed for food or not. Otherwise, so long as his strength held out, he would be on your trail. The Twenty-Fifth Hour, by Herbert Best
    2. II Murder most foul, as in the best it is; But this most foul, strange and unnatural. Hamlet
    3. III We are always, thanks to our human nature, potential criminals. None of us stands outside humanity’s black collective shadow. The Undiscovered Self, by Carl Jung
    4. IV Any man who deals in murder, must have very incorrect ways of thinking, and truly inaccurate principles. Thomas de Quincey in “On Murder Considered as One of the Fine Arts”
    5. V And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night. “Dover Beach,” by Matthew Arnold
    6. VI Many a man has dated his ruin from some murder or other that perhaps he thought little of at the time. Thomas de Quincey
    7. VII Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread, As a god self-slain on his own strange altar, Death lies dead. “A Forsaken Garden,” by Charles Swinburne
  18. Kreativity for Kats
  19. The Big Engine
  20. The 64-Square Madhouse
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  21. The Snowbank Orbit
    1. I
    2. II
    3. III
    4. IV
  22. The Creature from Cleveland Depths
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  23. X Marks the Pedwalk Based in material in Ch. 7—“First Clashes of the Wheeled and Footed Sects”—of Vol. 3 of Burger’s monumental History of Traffic, published by the Foundation for Twenty-Second Century Studies.
  24. A Hitch in Space
  25. No Great Magic
    1. I To bring the dead to life Is no great magic. Few are wholly dead: Blow on a dead man’s embers And a live flame will start. Graves
    2. II History does not move in one current, like the wind across bare seas, but in a thousand streams and eddies, like the wind over a broken landscape. Cary
    3. III Sound a dumbe show. Enter the three fatall sisters, with a rocke, a threed, and a pair of sheeres. Old Play
    4. IV … to dream of new dimensions, Cheating checkmate by painting the king’s robe So that he slides like a queen; Graves
    5. V Even little things are turning out to be great things and becoming intensely interesting. Have you ever thought about the properties of numbers? The Maiden
    6. VI I will vault credit and affect high pleasures Beyond death. Ferdinand
    7. VII I know death hath ten thousand several doors For men to take their exits, and ’tis found They go on such strange geometrical hinges, You may open them both ways. The Duchess
    8. VIII God cannot effect that anything which is past should not have been. It is more impossible than rising the dead. Summa Theologica
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Short Fiction

Fritz Leiber

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(von vorn beginnen)

Later Than You Think

Obviously the Archeologist’s study belonged to an era vastly distant from today. Familiar similarities here and there only sharpened the feeling of alienage. The sunlight that filtered through the windows in the ceiling had a wan and greenish cast and was augmented by radiation from some luminous material impregnating the walls and floor. Even the wide desk and the commodious hassocks glowed with a restful light. Across the former were scattered metal-backed wax tablets, styluses, and a pair of large and oddly formed spectacles. The crammed bookcases were not particularly unusual, but the books were bound in metal and the script on their spines would have been utterly unfamiliar to the most erudite of modern linguists. One of the books, lying open on a hassock, showed leaves of a thin, flexible, rustless metal covered with luminous characters. Between the bookcases were phosphorescent oil paintings, mainly of sea bottoms, in somber greens and browns. Their style, neither wholly realistic nor abstract, would have baffled the historian of art.

A blackboard with large colored crayons hinted equally at the schoolroom and the studio.

In the center of the room, midway to the ceiling, hung a fish with iridescent scales of breathtaking beauty. So invisible was its means of support that—also taking into account the strange paintings and the greenish light—one would have sworn that the object was to create an underwater scene.

The Explorer made his entrance in a theatrical swirl of movement. He embraced the Archeologist with a warmth calculated to startle that crusty old fellow. Then he settled himself on a hassock, looked up and asked a question in a speech and idiom so different from any we know that it must be called another means of communication rather than another language. The import was, “Well, what about it?”

If the Archeologist were taken aback, he concealed it. His expression showed only pleasure at being reunited with a long-absent friend.

“What about what?” he queried.

“About your discovery!”

“What discovery?” The Archeologist’s incomprehension was playful.

The Explorer threw up his arms. “Why, what else but your discovery, here on Earth, of the remains of an intelligent species? It’s the find of the age! Am I going to have to coax you? Out with it!”

“I didn’t make the discovery,” the other said tranquilly. “I only supervised the excavations and directed the correlation of material. You ought to be doing the talking. You’re the one who’s just returned from the stars.”

“Forget that.” The Explorer brushed the question aside. “As soon as our spaceship got within radio range of Earth, they started to send us a continuous newscast covering the period of our absence. One of the items, exasperatingly brief, mentioned your discovery. It captured my imagination. I couldn’t wait to hear the details.” He paused, then confessed, “You get so eager out there in space—a metal-filmed droplet of life lost in immensity. You rediscover your emotions …” He changed color, then finished rapidly, “As soon as I could decently get away, I came straight to you. I wanted to hear about it from the best authority—yourself.”


The Archeologist regarded him quizzically. “I’m pleased that you should think of me and my work, and I’m very happy to see you again. But admit it now, isn’t there something a bit odd about your getting so worked up over this thing? I can understand that after your long absence from Earth, any news of Earth would seem especially important. But isn’t there an additional reason?”

The Explorer twisted impatiently. “Oh, I suppose there is. Disappointment, for one thing. We were hoping to get in touch with intelligent life out there. We were specially trained in techniques for establishing mental contact with alien intelligent life forms. Well, we found some planets with life upon them, all right. But it was primitive life, not worth bothering about.”

Again he hesitated embarrassedly. “Out there you get to thinking of the preciousness of intelligence. There’s so little of it, and it’s so lonely. And we so greatly need intercourse with another intelligent species to give depth and balance to our thoughts. I suppose I set too much store by my hopes of establishing a contact.” He paused. “At any rate, when I heard that what we were looking for, you had found here at home—even though dead and done for—I felt that at least it was something. I was suddenly very eager. It is odd, I know, to get so worked up about an extinct species—as if my interest could mean anything to them now—but that’s the way it hit me.”


Several small shadows crossed the windows overhead. They might have been birds, except they moved too slowly.

“I think I understand,” the Archeologist said softly.

“So get on with it and tell me about your discovery!” the Explorer exploded.

“I’ve already told you that it wasn’t my discovery,” the Archeologist reminded him. “A few years after your expedition left, there was begun a detailed resurvey of Earth’s mineral resources. In the course of some deep continental borings, one party discovered a cache—either a very large box or a rather small room—with metallic walls of great strength and toughness. Evidently its makers had intended it for the very purpose of carrying a message down through the ages. It proved to contain artifacts; models of buildings, vehicles, and machines, objects of art, pictures, and books—hundreds of books, along with elaborate pictorial dictionaries for interpreting them. So now we even understand their languages.”

“Languages?” interrupted the Explorer. “That’s queer. Somehow one thinks of an alien species as having just one language.”

“Like our own, this species had several, though there were some words and symbols that were alike in all their languages. These words and symbols seem to have come down unchanged from their most distant prehistory.”

The Explorer burst out, “I am not interested in all that dry stuff! Give me the wet! What were they like? How did they live? What did they create? What did they want?”

The Archeologist gently waved aside the questions. “All in good time. If I am to tell you everything you want to know, I must tell it my own way. Now that you are back on Earth, you will have to reacquire those orderly and composed habits of thought which you have partly lost in the course of your wild interstellar adventurings.”

“Curse you, I think you’re just trying to tantalize me.”

The Archeologist’s expression showed that this was not altogether untrue. He casually fondled an animal that had wriggled up onto his desk, and which looked rather more like an eel than a snake. “Cute little brute, isn’t it?” he remarked. When it became apparent that the Explorer wasn’t to be provoked into another outburst, he continued, “It became my task to interpret the contents of the cache, to reconstruct its makers’ climb from animalism and savagery to civilization, their rather rapid spread across the world’s surface, their first fumbling attempts to escape from the Earth.”


“They had spaceships?”

“It’s barely possible. I rather hope they did, since it would mean the chance of a survival elsewhere, though the negative results of your expedition rather lessen that.” He went on, “The cache was laid down when they were first attempting space flight, just after their discovery of atomic power, in the first flush of their youth. It was probably created in a kind of exuberant fancifulness, with no serious belief that it would ever serve the purpose for which it was intended.” He looked at the Explorer strangely. “If I am not mistaken, we have laid down similar caches.”

After a moment the Archeologist continued, “My reconstruction of their history, subsequent to the laying down of the cache, has been largely hypothetical. I can only guess at the reasons for their decline and fall. Supplementary material has been very slow in coming in, though we are still making extensive excavations at widely separated points. Here are the last reports.” He tossed the Explorer a small metal-leaf pamphlet. It flew with a curiously slow motion.

“That’s what struck me so queer right from the start,” the Explorer observed, putting the pamphlet aside after a glance. “If these creatures were relatively advanced, why haven’t we learned about them before? They must have left so many things—buildings, machines, engineering projects, some of them on a large scale. You’d think we’d be turning up traces everywhere.”

“I have four answers to that,” the Archeologist replied. “The first is the most obvious. Time. Geologic ages of it. The second is more subtle. What if we should have been looking in the wrong place? I mean, what if the creatures occupied a very different portion of the Earth than our own? Third, it’s possible that atomic energy, out of control, finished the race and destroyed its traces. The present distribution of radioactive compounds throughout the Earth’s surface lends some support to this theory.

“Fourth,” he went on, “it’s my belief that when an intelligent species begins to retrogress, it tends to destroy, or, rather, debase all the things it has laboriously created. Large buildings are torn down to make smaller ones. Machines are broken up and worked into primitive tools and weapons. There is a kind of unraveling or erasing. A cultural Second Law of Thermodynamics begins to operate, whereby the intellect and all its works are gradually degraded to the lowest level of meaning and creativity.”


“But why?” The Explorer sounded anguished. “Why should any intelligent species end like that? I grant the possibility of atomic power getting out of hand, though one would have thought they’d have taken the greatest precautions. Still, it could happen. But that fourth answer—it’s morbid.”

“Cultures and civilizations die,” said the Archeologist evenly. “That has happened repeatedly in our own history. Why not species? An individual dies—and is there anything intrinsically more terrible in the death of a species than in the death of an individual?”

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Genres

  • Science fiction

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  • Golden-Age Science Fiction

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Short Fiction von Fritz Leiber. Der Text ist in den USA gemeinfrei, aus der Standard-Ebooks-Ausgabe. Wir liefern ihn aus unserer eigenen Kopie aus; lies auf ihrer Website die vollständige Ausgabe mit Bildern und Typografie.

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