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Inhalt
  1. To the Right Honourable William Lord Craven, Baron of Hampsted-Marsham
  2. Songs and Sonnets
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
  3. Epigrams
  4. Elegies
    1. Elegy I
    2. Elegy II
    3. Elegy III
    4. Elegy IV
    5. Elegy V
    6. Elegy VI
    7. Elegy VII
    8. Elegy VIII
    9. Elegy IX
    10. Elegy X
    11. Elegy XI The Bracelet Upon the loss of his mistress’s chain, for which he made satisfaction.
    12. Elegy XII
    13. Elegy XIII
    14. Elegy XIV
    15. Elegy XV
    16. Elegy XVI
    17. Elegy XVII
    18. Elegy XVIII
    19. Elegy XIX
    20. Elegy XX
  5. Epithalamions, or Marriage Songs
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  6. Satires
    1. Satire I
    2. Satire II
    3. Satire III
    4. Satire IV
    5. Satire V
  7. Letters to Several Personages
  8. An Anatomy of the World Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented.
    1. To the Praise of the Dead, and the Anatomy
    2. An Anatomy of the World The First Anniversary What life the world hath still —The sickness of the world —Impossibility of health —Shortness of life —Smallness of stature —Decay of nature in other parts —Disformity of parts —Disorder in the world —Weakness in the want of correspondence of heaven and earth —Conclusion.
    3. A Funeral Elegy Smallness of stature.
    4. The Harbinger to the Progress Wherein, by occasion of the religious death of Mistress Elizabeth Drury, the incommodities of the soul in this life, and her exaltation in the next, are contemplated.
    5. Of the Progress of the Soul
  9. Epicedes and Obsequies Upon the Death of Sundry Personages
  10. Epitaphs
  11. Infinitati Sacrum Metempsychosis 16 Augusti, 1601. Poëma Satyricon.
    1. Epistle
    2. The Progress of the Soul
      1. I
      2. II
      3. III
      4. IV
      5. V
      6. VI
      7. VII
      8. VIII
      9. IX
      10. X
      11. XI
      12. XII
      13. XIII
      14. XIV
      15. XV
      16. XVI
      17. XVII
      18. XVIII
      19. XIX
      20. XX
      21. XXI
      22. XXII
      23. XXIII
      24. XXIV
      25. XXV
      26. XXVI
      27. XXVII
      28. XXVIII
      29. XXIX
      30. XXX
      31. XXXI
      32. XXXII
      33. XXXIII
      34. XXXIV
      35. XXXV
      36. XXXVI
      37. XXXVII
      38. XXXVIII
      39. XXXIX
      40. XL
      41. XLI
      42. XLII
      43. XLIII
      44. XLIV
      45. XLV
      46. XLVI
      47. XLVII
      48. XLVIII
      49. XLIX
      50. L
      51. LI
      52. LII
  12. Divine Poems
    1. To the Earl of Doncaster, with Six Holy Sonnets
    2. I
    3. II
    4. III
    5. IV
    6. V
    7. VI
    8. VII
    9. I
    10. II
    11. III
    12. IV
    13. V
    14. VI
    15. VII
    16. VIII
    17. IX
    18. X
    19. XI
    20. XII
    21. XIII
    22. XIV
    23. XV
    24. XVI
    25. XVII
    26. XVIII
    27. XIX
    28. I The Father
    29. II The Son
    30. III The Holy Ghost
    31. IV The Trinity
    32. V The Virgin Mary
    33. VI The Angels
    34. VII The Patriarchs
    35. VIII The Prophets
    36. IX The Apostles
    37. X The Martyrs
    38. XI The Confessors
    39. XII The Virgins
    40. XIII The Doctors
    41. XIV
    42. XV
    43. XVI
    44. XVII
    45. XVIII
    46. XIX
    47. XX
    48. XXI
    49. XXII
    50. XXIII
    51. XXIV
    52. XXV
    53. XXVI
    54. XXVII
    55. XXVIII
    56. I
    57. II
    58. III
    59. IV
    60. I
    61. II
    62. III
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Poetry

John Donne

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(von vorn beginnen)

To the Right Honourable
William Lord Craven,
Baron of Hampsted-Marsham

My Lord,

Many of these poems have, for several impressions, wandered up and down, trusting (as well they might) upon the author’s reputation; neither do they now complain of any injury but what may proceed either from the kindness of the printer, or the courtesy of the reader; the one by adding something too much, lest any spark of this sacred fire might perish undiscerned, the other by putting such an estimation upon the wit and fancy they find here, that they are content to use it as their own: as if a man should dig out the stones of a royal amphitheatre to build a stage for a country show. Amongst all the monsters this unlucky age has teemed with, I find none so prodigious as the poets of these later times, wherein men, as if they would level understandings too as well as estates, acknowledging no inequality of parts and judgments, pretend as indifferently to the chair of wit as to the pulpit, and conceive themselves no less inspired with the spirit of poetry than with that of religion: so it is not only the noise of drams and trumpets which have drowned the Muses’ harmony, or the fear that the Church’s ruin will destroy their priests Likewise, that now frights them from this country, where they have been so ingenuously received; but these rude pretenders to excellencies they unjustly own, who profanely rushing into Minerva’s temple, with noisome airs blast the laurel which thunder cannot hurt. In this sad condition these learned sisters are fled over to beg your lordship’s protection, who have been so certain a patron both to arts and arms, and who in this general confusion have so entirely preserved your honour, that in your lordship we may still read a most perfect character of what England was in all her pomp and greatness, so that although these poems were formerly written upon several occasions, and to several persons, they now unite themselves, and are become one pyramid to set your lordship’s statue upon, where you may stand like armed Apollo the defender of the Muses, encouraging the poets now alive to celebrate your great acts by affording your countenance to his poems that wanted only so noble a subject.

My Lord,
Your most humble servant,
John Donne

Songs and Sonnets

The Good-Morrow

I wonder, by my troth, what thou and I
Did, till we loved? were we not wean’d till then?
But suck’d on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?
’Twas so; but this, all pleasures fancies be;
If ever any beauty I did see,
Which I desired, and got, ’twas but a dream of thee.

And now good-morrow to our waking souls,
Which watch not one another out of fear;
For love all love of other sights controls,
And makes one little room an everywhere.
Let sea-discoverers to new worlds have gone;
Let maps to other, worlds on worlds have shown;
Let us possess one world; each hath one, and is one.

My face in thine eye, thine in mine appears,
And true plain hearts do in the faces rest;
Where can we find two better hemispheres
Without sharp north, without declining west?
Whatever dies, was not mix’d equally;
If our two loves be one, or thou and I
Love so alike that none can slacken, none can die.

Song

Go and Catch a Falling Star

Go and catch a falling star,
Get with child a mandrake root,
Tell me where all past years are,
Or who cleft the devil’s foot,
Teach me to hear mermaids singing,
Or to keep off envy’s stinging,
And find
What wind
Serves to advance an honest mind.

If thou be’st born to strange sights,
Things invisible to see,
Ride ten thousand days and nights,
Till age snow white hairs on thee,
Thou, when thou return’st, wilt tell me,
All strange wonders that befell thee,
And swear,
Nowhere
Lives a woman true and fair.

If thou find’st one, let me know;
Such a pilgrimage were sweet.
Yet do not, I would not go,
Though at next door we might meet.
Though she were true when you met her,
And last till you write your letter,
Yet she
Will be
False, ere I come, to two or three.

Woman’s Constancy

Now thou hast loved me one whole day,
Tomorrow when thou leavest, what wilt thou say?
Wilt thou then antedate some new-made vow?
Or say that now
We are not just those persons which we were?
Or that oaths made in reverential fear
Of Love, and his wrath, any may forswear?
Or, as true deaths true marriages untie,
So lovers’ contracts, images of those,
Bind but till sleep, death’s image, them unloose?
Or, your own end to justify,
For having purposed change and falsehood, you
Can have no way but falsehood to be true?
Vain lunatic, against these ’scapes I could
Dispute, and conquer, if I would;
Which I abstain to do,
For by tomorrow I may think so too.

The Undertaking

I have done one braver thing
Than all the Worthies did;
And yet a braver thence doth spring,
Which is, to keep that hid.

It were but madness now to impart
The skill of specular stone,
When he, which can have learn’d the art
To cut it, can find none.

So, if I now should utter this,
Others—because no more
Such stuff to work upon, there is—
Would love but as before.

But he who loveliness within
Hath found, all outward loathes,
For he who colour loves, and skin,
Loves but their oldest clothes.

If, as I have, you also do
Virtue in woman see,
And dare love that, and say so too,
And forget the He and She;

And if this love, though placèd so,
From profane men you hide,
Which will no faith on this bestow,
Or, if they do, deride;

Then you have done a braver thing
Than all the Worthies did;
And a braver thence will spring,
Which is, to keep that hid.

The Sun Rising

Busy old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers’ seasons run?
Saucy pedantic wretch, go chide
Late schoolboys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.

Thy beams so reverend, and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
If her eyes have not blinded thine,
Look, and tomorrow late tell me,
Whether both th’ Indias of spice and mine
Be where thou left’st them, or lie here with me.
Ask for those kings whom thou saw’st yesterday,
And thou shalt hear, “All here in one bed lay.”

She’s all states, and all princes I;
Nothing else is;
Princes do but play us; compared to this,
All honour’s mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world’s contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed thy centre is, these walls thy sphere.

The Indifferent

I can love both fair and brown;
Her whom abundance melts, and her whom want betrays;
Her who loves loneness best, and her who masks and plays;
Her whom the country form’d, and whom the town;
Her who believes, and her who tries;
Her who still weeps with spongy eyes,
And her who is dry cork, and never cries.
I can love her, and her, and you, and you;
I can love any, so she be not true.

Will no other vice content you?
Will it not serve your turn to do as did your mothers?
Or have you all old vices spent and now would find out others?
Or doth a fear that men are true torment you?
O we are not, be not you so;
Let me—and do you—twenty know;
Rob me, but bind me not, and let me go.
Must I, who came to travel thorough you,
Grow your fix’d subject, because you are true?

Venus heard me sigh this song;
And by love’s sweetest part, variety, she swore,
She heard not this till now; it should be so no more.
She went, examined, and return’d ere long,
And said, “Alas! some two or three
Poor heretics in love there be,
Which think to stablish dangerous constancy.
But I have told them, ‘Since you will be true,
You shall be true to them who’re false to you.’ ”

Love’s Usury

For every hour that thou wilt spare me now,
I will allow,
Usurious god of love, twenty to thee,
When with my brown my grey hairs equal be.
Till then, Love, let my body range, and let
Me travel, sojourn, snatch, plot, have, forget,
Resume my last year’s relict; think that yet
We’d never met.

Let me think any rival’s letter mine,
And at next nine
Keep midnight’s promise; mistake by the way
The maid, and tell the lady of that delay;
Only let me love none; no, not the sport
From country grass to confitures of court,
Or city’s quelque-choses; let not report
My mind transport.

This bargain’s good; if when I’m old, I be
Inflamed by thee,
If thine own honour, or my shame and pain,
Thou covet most, at that age thou shalt gain.
Do thy will then; then subject and degree
And fruit of love, Love, I submit to thee.
Spare me till then; I’ll bear it, though she be
One that love me.

The Canonization

For God’s sake hold your tongue, and let me love;
Or chide my palsy, or my gout;
My five grey hairs, or ruin’d fortune flout;
With wealth your state, your mind with arts improve;
Take you a course, get you a place,
Observe his Honour, or his Grace;
Or the king’s real, or his stamp’d face
Contemplate; what you will, approve,
So you will let me love.

Alas! alas! who’s injured by my love?
What merchant’s ships have my sighs drown’d?
Who says my tears have overflow’d his ground?
When did my colds a forward spring remove?
When did the heats which my veins fill
Add one more to the plaguy bill?
Soldiers find wars, and lawyers find out still
Litigious men, which quarrels move,
Though she and I do love.

Call’s what you will, we are made such by love;
Call her one, me another fly,
We’re tapers too, and at our own cost die,
And we in us find th’ eagle and the dove.
The phoenix riddle hath more wit
By us; we two being one, are it;
So, to one neutral thing both sexes fit.
We die and rise the same, and prove
Mysterious by this love.

We can die by it, if not live by love,
And if unfit for tomb or hearse
Our legend be, it will be fit for verse;
And if no piece of chronicle we prove,
We’ll build in sonnets pretty rooms;
As well a well-wrought urn becomes
The greatest ashes, as half-acre tombs,
And by these hymns all shall approve
Us canonized for love;

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Poetry von John Donne. Der Text ist in den USA gemeinfrei, aus der Standard-Ebooks-Ausgabe. Wir liefern ihn aus unserer eigenen Kopie aus; lies auf ihrer Website die vollständige Ausgabe mit Bildern und Typografie.

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