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Inhalt▾
Inhalt
  1. LYRICS AND REVERIES
  2. IN FRONT OF THE LANDSCAPE
  3. CHANNEL FIRING
  4. THE CONVERGENCE OF THE TWAIN
  5. THE GHOST OF THE PAST
  6. AFTER THE VISIT (To F. E. D.)
  7. TO MEET, OR OTHERWISE
  8. THE DIFFERENCE
  9. THE SUN ON THE BOOKCASE (Student’s Love-song)
  10. “WHEN I SET OUT FOR LYONNESSE”
  11. A THUNDERSTORM IN TOWN (A Reminiscence)
  12. THE TORN LETTER
  13. BEYOND THE LAST LAMP (Near Tooting Common)
  14. THE FACE AT THE CASEMENT
  15. LOST LOVE
  16. “MY SPIRIT WILL NOT HAUNT THE MOUND”
  17. WESSEX HEIGHTS (1896)
  18. IN DEATH DIVIDED
  19. THE PLACE ON THE MAP
  20. WHERE THE PICNIC WAS
  21. THE SCHRECKHORN (With thoughts of Leslie Stephen) (June 1897)
  22. A SINGER ASLEEP (Algernon Charles Swinburne, 1837–1909)
  23. A PLAINT TO MAN
  24. GOD’S FUNERAL
  25. SPECTRES THAT GRIEVE
  26. “AH, ARE YOU DIGGING ON MY GRAVE?”
  27. SATIRES OF CIRCUMSTANCES IN FIFTEEN GLIMPSES
  28. I AT TEA
  29. II IN CHURCH
  30. III BY HER AUNT’S GRAVE
  31. IV IN THE ROOM OF THE BRIDE-ELECT
  32. V AT A WATERING-PLACE
  33. VI IN THE CEMETERY
  34. VII OUTSIDE THE WINDOW
  35. VIII IN THE STUDY
  36. IX AT THE ALTAR-RAIL
  37. X IN THE NUPTIAL CHAMBER
  38. XI IN THE RESTAURANT
  39. XII AT THE DRAPER’S
  40. XIII ON THE DEATH-BED
  41. XIV OVER THE COFFIN
  42. XV IN THE MOONLIGHT
  43. LYRICS AND REVERIES (continued)
  44. SELF-UNCONSCIOUS
  45. THE DISCOVERY
  46. TOLERANCE
  47. BEFORE AND AFTER SUMMER
  48. AT DAY-CLOSE IN NOVEMBER
  49. THE YEAR’S AWAKENING
  50. UNDER THE WATERFALL
  51. THE SPELL OF THE ROSE
  52. ST. LAUNCE’S REVISITED
  53. POEMS OF 1912–13
  54. THE GOING
  55. YOUR LAST DRIVE
  56. THE WALK
  57. RAIN ON A GRAVE
  58. “I FOUND HER OUT THERE”
  59. WITHOUT CEREMONY
  60. LAMENT
  61. THE HAUNTER
  62. THE VOICE
  63. HIS VISITOR
  64. A CIRCULAR
  65. A DREAM OR NO
  66. AFTER A JOURNEY
  67. A DEATH-DAY RECALLED
  68. BEENY CLIFF March 1870—March 1913
  69. AT CASTLE BOTEREL
  70. PLACES
  71. THE PHANTOM HORSEWOMAN
  72. MISCELLANEOUS PIECES
  73. THE WISTFUL LADY
  74. THE WOMAN IN THE RYE
  75. THE CHEVAL-GLASS
  76. THE RE-ENACTMENT
  77. HER SECRET
  78. “SHE CHARGED ME”
  79. THE NEWCOMER’S WIFE
  80. A CONVERSATION AT DAWN
  81. A KING’S SOLILOQUY ON THE NIGHT OF HIS FUNERAL
  82. THE CORONATION
  83. AQUAE SULIS
  84. SEVENTY-FOUR AND TWENTY
  85. THE ELOPEMENT
  86. “I ROSE UP AS MY CUSTOM IS”
  87. A WEEK
  88. HAD YOU WEPT
  89. BEREFT, SHE THINKS SHE DREAMS
  90. IN THE BRITISH MUSEUM
  91. IN THE SERVANTS’ QUARTERS
  92. THE OBLITERATE TOMB
  93. “REGRET NOT ME”
  94. THE RECALCITRANTS
  95. STARLINGS ON THE ROOF
  96. THE MOON LOOKS IN
  97. THE SWEET HUSSY
  98. THE TELEGRAM
  99. THE MOTH-SIGNAL (On Egdon Heath)
  100. SEEN BY THE WAITS
  101. THE TWO SOLDIERS
  102. THE DEATH OF REGRET
  103. IN THE DAYS OF CRINOLINE
  104. THE ROMAN GRAVEMOUNDS
  105. THE WORKBOX
  106. THE SACRILEGE A BALLAD-TRAGEDY (Circa 182-)
  107. Part I
  108. Part II
  109. THE ABBEY MASON (Inventor of the “Perpendicular” Style of Gothic Architecture)
  110. THE JUBILEE OF A MAGAZINE (To the Editor)
  111. THE SATIN SHOES
  112. EXEUNT OMNES
  113. A POET
  114. POSTSCRIPT “MEN WHO MARCH AWAY” (SONG OF THE SOLDIERS)
Deutsch ▾

Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces

Thomas Hardy

kostenlos · 24.552 Wörter · Hörbuch (3 Std. 42 Min.), gelesen von Freiwilligen für LibriVox

Text von Project Gutenberg

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(von vorn beginnen)

LYRICS AND REVERIES

IN FRONT OF THE LANDSCAPE

Plunging and labouring on in a tide of visions,
   Dolorous and dear,
Forward I pushed my way as amid waste waters
   Stretching around,
Through whose eddies there glimmered the customed landscape
   Yonder and near,

Blotted to feeble mist.  And the coomb and the upland
   Foliage-crowned,
Ancient chalk-pit, milestone, rills in the grass-flat
   Stroked by the light,
Seemed but a ghost-like gauze, and no substantial
   Meadow or mound.

What were the infinite spectacles bulking foremost
   Under my sight,
Hindering me to discern my paced advancement
   Lengthening to miles;
What were the re-creations killing the daytime
   As by the night?

O they were speechful faces, gazing insistent,
   Some as with smiles,
Some as with slow-born tears that brinily trundled
   Over the wrecked
Cheeks that were fair in their flush-time, ash now with anguish,
   Harrowed by wiles.

Yes, I could see them, feel them, hear them, address them—
   Halo-bedecked—
And, alas, onwards, shaken by fierce unreason,
   Rigid in hate,
Smitten by years-long wryness born of misprision,
   Dreaded, suspect.

Then there would breast me shining sights, sweet seasons
   Further in date;
Instruments of strings with the tenderest passion
   Vibrant, beside
Lamps long extinguished, robes, cheeks, eyes with the earth’s crust
   Now corporate.

Also there rose a headland of hoary aspect
   Gnawed by the tide,
Frilled by the nimb of the morning as two friends stood there
   Guilelessly glad—
Wherefore they knew not—touched by the fringe of an ecstasy
   Scantly descried.

Later images too did the day unfurl me,
   Shadowed and sad,
Clay cadavers of those who had shared in the dramas,
   Laid now at ease,
Passions all spent, chiefest the one of the broad brow
   Sepulture-clad.

So did beset me scenes miscalled of the bygone,
   Over the leaze,
Past the clump, and down to where lay the beheld ones;
   —Yea, as the rhyme
Sung by the sea-swell, so in their pleading dumbness
   Captured me these.

For, their lost revisiting manifestations
   In their own time
Much had I slighted, caring not for their purport,
   Seeing behind
Things more coveted, reckoned the better worth calling
   Sweet, sad, sublime.

Thus do they now show hourly before the intenser
   Stare of the mind
As they were ghosts avenging their slights by my bypast
   Body-borne eyes,
Show, too, with fuller translation than rested upon them
   As living kind.

Hence wag the tongues of the passing people, saying
   In their surmise,
“Ah—whose is this dull form that perambulates, seeing nought
   Round him that looms
Whithersoever his footsteps turn in his farings,
   Save a few tombs?”

CHANNEL FIRING

That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day

And sat upright.  While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,

The glebe cow drooled.  Till God called, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:

“All nations striving strong to make
Red war yet redder.  Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.

“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening . . .

“Ha, ha.  It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”

So down we lay again.  “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”

And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”

Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.

April 1914.

THE CONVERGENCE OF THE TWAIN

(Lines on the loss of the “Titanic”)

I

   In a solitude of the sea
   Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

II

   Steel chambers, late the pyres
   Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

III

   Over the mirrors meant
   To glass the opulent
The sea-worm crawls—grotesque, slimed, dumb, indifferent.

IV

   Jewels in joy designed
   To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.

V

   Dim moon-eyed fishes near
   Gaze at the gilded gear
And query: “What does this vaingloriousness down here?” . . .

VI

   Well: while was fashioning
   This creature of cleaving wing,
The Immanent Will that stirs and urges everything

VII

   Prepared a sinister mate
   For her—so gaily great—
A Shape of Ice, for the time far and dissociate.

VIII

   And as the smart ship grew
   In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.

IX

   Alien they seemed to be:
   No mortal eye could see
The intimate welding of their later history,

X

   Or sign that they were bent
   By paths coincident
On being anon twin halves of one august event,

XI

   Till the Spinner of the Years
   Said “Now!”  And each one hears,
And consummation comes, and jars two hemispheres.

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—

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Satires of Circumstance, Lyrics and Reveries, with Miscellaneous Pieces von Thomas Hardy. Der Text ist in den USA gemeinfrei, digitalisiert von den Freiwilligen von Project Gutenberg. Wir liefern ihn aus unserer eigenen Kopie aus.

Gesprochen von John Burlinson (1950-2024), Sonia und Tomas Peter für LibriVox, ebenfalls gemeinfrei.

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