tale.fyi

Inhalt▾
Inhalt
  1. Dedication to the Edition of 1590
  2. Dedication to the Edition of 1596
  3. Dedicatory Sonnets
    1. Sonnet I To the Right honourable Sir Christopher Hatton, Lord high Chauncelor of England, etc.
    2. Sonnet II To the right honourable the Lo. Burleigh, Lo. high Threasurer of England.
    3. Sonnet III To the right Honourable the Earle of Oxenford, Lord high Chamberlayne of England etc.
    4. Sonnet IV To the right honourable the Earle of Northumberland.
    5. Sonnet V To the right honourable the Earle of Cumberland.
    6. Sonnet VI To the most honourable and excellent Lo. the Earle of Essex, Great Maister of the Horse to her Highnesse, and knight of the Noble order of the Garter, etc.
    7. Sonnet VII To the right Honourable the Earle of Ormond and Ossory.
    8. Sonnet VIII To the right honourable the Lord Ch. Howard, Lo. high Admiral of England, knight of the noble order of the Garter, and one of her Majesties privie Counsel, etc.
    9. Sonnet IX To the right honourable the Lord of Hunsdon, high Chamberlaine to her Majesty.
    10. Sonnet X To the most renowned and valiant Lord, the Lord Grey of Wilton, knight of the Noble order of the Garter, etc.
    11. Sonnet XI To the right honourable the Lord of Buckhurst, one of her Majesties privie Counsell.
    12. Sonnet XII To the right honourable Sir Fr. Walsingham, knight, principal Secretary to her Majesty, and one of her honourable privy Counsell.
    13. Sonnet XIII To the right noble Lord and most valiaunt Captaine, Sir John Norris, knight, Lord president of Mounster.
    14. Sonnet XIV To the right noble and valorous knight, Sir Walter Raleigh, Lo. Wardein of the Stanneryes, and lieftenaunt of Cornewaile.
    15. Sonnet XV To the right honourable and most vertuous Lady the Countesse of Penbroke.
    16. Sonnet XVI To the most vertuous and beautifull Lady, the Lady Carew.
    17. Sonnet XVII To all the gratious and beautifull Ladies in the Court.
  4. A Letter to Sir Walter Raleigh A Letter of the Authors, Expounding his whole intention in the course of this work; which, for that it giveth great light to the reader, for the better understanding is hereunto annexed. To the Right Noble and Valorous Sir Walter Raleigh, Knight, Lord Warden of the Stannaries, and her Majesty’s Lieutenant of the county of Cornwall.
  5. Book I
    1. Canto I The Patron of true Holinesse Foule Errour doth defeate; Hypocrisie, him to entrappe, Doth to his home entreate.
    2. Canto II The guilefull great Enchaunter parts The Redcross Knight from Truth: Into whose stead faire Falsehood steps And workes him woefull ruth.
    3. Canto III Forsaken Truth long seeks her love, And makes the Lyon mylde; Marres blide Devotions mart, and fals In hand of leachour vylde.
    4. Canto IV To sinfull house of Pryde Duessa Guydes the faithfull knight; Where, brothers death to wreak, Sansjoy Doth challenge him to fight.
    5. Canto V The faithful knight in equal field Subdues his faithlesse foe; Whom false Duessa saves, and for His cure to hell does goe.
    6. Canto VI From lawlesse lust by wondrous grace Fayre Una is releast: Whom salvage nation does adore, And learnes her wise beheast.
    7. Canto VII The Redcrosse knight is captive made By Gyaunt proud apprest: Prince Arthure meets with Una great Ly with those news distrest.
    8. Canto VIII Faire virgin to redeem her deare, Brings Arthur to the fight: Who slays the Gyaunt, wounds the beast, And strips Duessa quight
    9. Canto IX His loves and linage Arthur tells: The Knights knitt friendly hands: Sir Trevisan flies from Despeyre, Whom Redcrosse Knight withstands.
    10. Canto X Her faithfull knight faire Una brings To house of Holinesse; Whre he is taught repentance, and The way to hevenly blesse.
    11. Canto XI The knight with that old Dragon fights Two days incessantly: The third him overthrowes, and gayns Most glorious victory.
    12. Canto XII Fayre Una to the Redcrosse Knight Betrothed is with joy: Though false Duessa, it to barre, Her false sleightes doe imploy.
  6. Book II
    1. Canto I Guyon, by Archimage abusd, The Redcrosse knight awaytes; Findes mordant and Amavia slaine With Pleasures poisoned baytes.
    2. Canto II Babes bloudie handes may not be clensd: The face of golden Meane Her sisters, two Extremities, Strive her to banish cleane.
    3. Canto III Vaine Braggadocchio getting Guyons Horse, is made the scorne Of knighthood trew, and is of fayre Belphoebe fowle forlorne.
    4. Canto IV Guyon does Furor bind in chaines And stops Occasion: Delivers Phedon, and therefore By Strife is rayled upon.
    5. Canto V Pyrrhochles does with Guyon fight, And Furors chayne unbinds, Of whom sore hurt; for his revenge Atin Cymochles finds.
    6. Canto VI Guyon is of immodest Merth Led into loose Desire, Fights with Cymochles, whiles his bro — Ther burnes in furious fire.
    7. Canto VII Guyon findes Mamon in a delve, Sunning his threasure hore: Is by him tempted, and led down, To see his secrete store.
    8. Canto VIII Sir Guyon, laid in swowne, is by Acrates sonnes despoyld, Whom Arthur soone hath reskewed And Paynim brethren foyld.
    9. Canto IX The house of Temperaunce, in which Doth sober Alma dwell, Besieged of many foes, whom straunger Knightes to flight compell.
    10. Canto X A chronicle of Briton Kings, From Brute to Uthers rayne. And rolls of Elfin Emperours, Till time of Gloriane.
    11. Canto XI The enimies of Temperaunce Besiege her dwelling place: Prince Arthur them repelles, and fowle Maleger doth deface.
    12. Canto XII Guyon, by Palmers governaunce, Passing through perils great, Doth overthrow the Bowre of blisse, And Acrasie defeat.
  7. Book III
    1. Canto I Guyon encountreth Britomart: Fayre Florimell is chaced: Duessaes traines and Malecastaes Champions are defaced.
    2. Canto II The Redcrosse knight to Britomart Describeth Artegall: The wondrous myrrhour, by which she In love with him did fall.
    3. Canto III Merlin bawrayes to Britomart The state of Artegall; And shewes the famous Progeny Which from them springen shall.
    4. Canto IV Bold Marinell of Britomart Is throwne in the Rich strond: Faire Florimell of Arthur is Long followed, but not fond.
    5. Canto V Prince Arthur heares of Florimell: Three fosters Timias wounds; Belphebe finds him alost dead. And reareth out of sownd.
    6. Canto VI The birth of faire Belphoebe and Of Amorett is told. The Gardins of Adonis fraught With pleasures manifold.
    7. Canto VII The witches sonne loves Florimell: She flyes; he faines to die. Satyrane save the Squire of Dames From Gyaunts tyranny.
    8. Canto VIII The Witch creates a snowy Lady Like to Florimell; Who, wrong’d by Carle, by Proteus sav’d, Is sought by Paridell.
    9. Canto IX Malbecco will no straunge knights host, For peevish gealosie. Paridell giusts with Britomart: Both shew their anncestrie.
    10. Canto X Paridell rapeth Hellenore: Malbecco her pursewes: Findes emongst Satyres whence with him To tume she doth refuse.
    11. Canto XI Britomart chaceth Ollyphant; Findes Scudamour distrest: Assayes the house of Busyrane, Where Loves spoyles are exprest.
    12. Canto XII The maske of Cupid, and th’enchaunted Chamber are displayd; Whence Britomart redeemes faire Amoret, through charmes decayd.
  8. Book IV
    1. Canto I Fayre Britomart saves Amoret: Duessa discord breedes ’Twixt Scudamour and Blandamour: Their fight and warlike deedes.
    2. Canto II Blandamour winnes false Florimell; Paridell for her strives; They are accorded: Agape Doth lengthen her Sonnes lives.
    3. Canto III The Battell twixt three Brethren with Cambell for Canacee: Cambina with true friendships bond Doth their long strife agree.
    4. Canto IV Satyrane makes a Turneyment For love of Florimell: Britomart winnes the prize from all, And Artegall doth quell.
    5. Canto V The Ladies for the girdle strive Of famous Florimell: Scudamour; comming to Cares House. Doth sleepe from him expell.
    6. Canto VI Both Scudamour and Arthegall Doe fight with Britomart: He sees her face: doth fall in love, And soone from her depart.
    7. Canto VII Amoret rapt by greedie Lust Belphebe saves from death: The Squire her loves; and, being blam’d, His daies in dole doth lead.
    8. Canto VIII The gentle Squire recovers grace: Sclaunder her guests doth staine: Corflambo chaceth Placidas, And is by Arthur slaine.
    9. Canto IX The Squire of low degree, releast, Pæana takes to wife: Britomart fightes with many Knights; Prince Arthur stints their strife.
    10. Canto X Scudamore doth his request tell Of vertuous Amoret: Great Venus Temple is describ’d; And Lovers life forth set.
    11. Canto XI Marinells former wound is heald; He comes to Proteus hall, Where Thamës doth the Medway wed And feasts the sea-gods all.
    12. Canto XII Marin, for love of Florimell, In langour wastes his life; The Nymph, his mother getteth her And gives to him for wife.
  9. Book V
    1. Canto I Artegall trayn’d in Justice lore Irenes quest pursewed: He doth avenge on Sanglier His Ladies bloud embrewed.
    2. Canto II Artegall heares of Florimell; Does with the Pagan fight: Him slaies; drownes Lady Munera Does race her castle quight.
    3. Canto III The Spousals of faire Florimell, Where turney many Knights; There Braggadochio is uncas’d In all the Ladies sights.
    4. Canto IV Artegall dealeth right betwixt Two brethren that doe strive: Saves Terpine from the gallow tree, And doth from death reprive.
    5. Canto V Artegall fights with Radigund, And is subdewed by guile: He is by her emprisoned, But wrought by Clarins wile.
    6. Canto VI Talus brings newes to Britomart Of Artegals mishap: She goes to seeke him; Dolon meets, Who seekes her to entrap.
    7. Canto VII Britomart comes to Isis Church, Where shee strange visions sees: She fights with Radigund, her slaies, And Artegall thence frees.
    8. Canto VIII Prince Arthure and Sir Artegall Free Samient from feare: They slay the Soudan; drive his wife Alicia to despaire.
    9. Canto IX Arthur and Artegall catch Guyle, Whom Talus doth dismay; They to Mercillaes Pallace come, And see her rich array.
    10. Canto X Prince Arthur takes the enterprize, For Belgee for the fight: Gerioneos Seneschall He slayes in Belges right.
    11. Canto XI Prince Arthure overcomes the great Gerioneo in fight: Doth slay the Monster, and restore Belge unto her right.
    12. Canto XII Artegall doth Sir Burbon side, And blames for changing shield: He with the great Grantorto fights And slaieth him in field.
  10. Book VI
    1. Canto I Calidore saves from Maleffort A Damsell used vylde: Doth vanquish Crudor; and doth make Brians wexe more mylde.
    2. Canto II Calidore sees young Tristram slay A proud discourteous Knight: He makes him Squire, and of him learnes His state and present plight.
    3. Canto III Calidore brings Priscilla home; Pursues the Blatant Beast: Saves Sérena, whilest Calepine By Turpine is opprest.
    4. Canto IV Calepine by a Salvage Man From Turpine reskewed is And whylest an Infant from a beare He saves, his Love doth misse.
    5. Canto V The Salvage serves Serena well, Till she Prince Arthure fynd; Who her together with his Squyre, With th’Hermit leaves behynd.
    6. Canto VI The Hermit heales both Squire and Dame Of their sore maladies: He Turpine doth defeate and shame For his late villenies.
    7. Canto VII Turpine is baffuld: his two Knights Doe gain their treasons meed, Fayre Mirabellaes punishment For Loves disdaine decreed.
    8. Canto VIII Prince Arthure overcomes Disdaine; Quites Mirabell from dreed: Serena, found of Salvages, By Calepine is freed.
    9. Canto IX Calidore hostes with Melibee, And loves fayre Pastorell: Coridon envies him, yet he, For ill, rewards him well.
    10. Canto X Calidore sees the Graces dance To Colins melody: The whiles his Pastorell is led Into captivity.
    11. Canto XI The Theeves fall out for Pastorell, Whilest Melibee is slaine; Her Calidore from them redeemes, And bringeth backe again.
    12. Canto XII Fayre Pastorella by great hap Her parents understands. Calidore doth the Blatant Beast Subdew, and bind in bands.
  11. Mutability
    1. Canto VI Proud Change (not pleased in mortall things Beneath the Moone to raigne) Pretends, as well of Gods, as Men, To be the Soveraine.
    2. Canto VII Pealing, from Iove, to Natures Bar, Bold Alteration pleades Large Evidence: but Nature soone Her righteous Doom areads.
    3. Canto VIII
Deutsch ▾

The Faerie Queene

Edmund Spenser

kostenlos · 279.754 Wörter · ~19 Std. Lesezeit · erstmals veröffentlicht 1590

Text von Standard Ebooks

scroll mal ↓weiter ↓

(von vorn beginnen)

Dedication to the Edition of 1590

To the most mightie and magnificent Empresse Elizabeth, by the grace of God Queene of England, France and Ireland Defender of the Faith &c.

Her most humble

Servant:

Ed. Spenser.

Dedication to the Edition of 1596

To
the most high,
mightie

And
magnificent
Empresse renovv-
med for pietie, ver-
tve, and all gratiovs
government Elizabeth by
the grace of God Qveene
of England Fravnce and
Ireland and of Virgi-
nia, defendovr of the
faith
, &c. Her most
hvmble servavnt
Edmvnd spenser
doth in all hv-
militie dedi-
cate, pre-
sent
and consecrate these
his labovrs to live
with the eterni-
tie of her
fame.

Dedicatory Sonnets

Sonnet I

To the Right honourable Sir Christopher Hatton, Lord high Chauncelor of England, etc.

Those prudent heads, that with their counsels wise
Whylom the pillours of th’earth did sustaine,
And taught ambitious Rome to tyrannise
And in the neck of all the world to rayne;
Oft from those grave affaires were wont abstaine,
With the sweet Lady Muses for to play:
So Ennius the elder Africane,
So Maro oft did Caesars cares allay.
So you, great Lord, that with your counsell sway
The burdeine of this kingdom mightily,
With like delightes sometimes may eke delay
The rugged brow of carefull Policy;
And to these ydle rymes lend litle space,
Which for their titles sake may find more grace.

Sonnet II

To the right honourable the Lo. Burleigh, Lo. high Threasurer of England.

To you, right noble Lord, whose carefull brest
To menage of most grave affaires is bent;
And on whose mightie shoulders most doth rest
The burdein of this kingdomes governement,
As the wide compasse of the firmament
On Atlas mighty shoulders is upstayd,
Unfitly I these ydle rimes present,
The labor of lost time, and wit unstayd:
Yet if their deeper sence be inly wayd,
And the dim vele, with which from commune vew
Their fairer parts are hid, aside be layd,
Perhaps not vaine they may appeare to you.
Such as they be, vouchsafe them to receave,
And wipe their faults out of your censure grave.

Sonnet III

To the right Honourable the Earle of Oxenford, Lord high Chamberlayne of England etc.

Receive, most Noble Lord, in gentle gree,
The unripe fruit of an unready wit;
Which by thy countenaunce doth crave to bee
Defended from foule Envies poisnous bit.
Which so to doe may thee right well besit,
Sith th’antique glory of thine auncestry
Under a shady vele is therein writ,
And eke thine owne long living memory,
Succeeding them in true nobility:
And also for the love which thou doest beare
To th’ Heliconian ymps, and they to thee;
They unto thee, and thou to them, most deare.
Deare as thou art unto thy selfe, so love
That loves and honours thee, as doth behove.

Sonnet IV

To the right honourable the Earle of Northumberland.

The sacred Muses have made alwaies clame
To be the Nourses of nobility,
And Registres of everlasting fame,
To all that armes professe and chevalry.
Then, by like right the noble Progeny,
Which them succeed in fame and worth, are tyde
T’embrace the service of sweete Poetry,
By whose endevours they are glorifide;
And eke from all, of whom it is envide,
To patronize the authour of their praise,
Which gives them life, that els would soone have dide,
And crownes their ashes with immortall baies.
To thee, therefore, right noble Lord, I send
This present of my paines, it to defend.

Sonnet V

To the right honourable the Earle of Cumberland.

Redoubted Lord, in whose corageous mind
The flowre of chevalry, now bloosming faire,
Doth promise fruite worthy the noble kind
Which of their praises have left you the haire;
To you this humble present I prepare,
For love of vertue and of Martial praise;
To which though nobly ye inclined are,
As goodlie well ye shew’d in late assaies,
Yet brave ensample of long passed daies,
In which trew honor yee may fashiond see,
To like desire of honor may ye raise,
And fill your mind with magnanimitee.
Receive it, Lord, therefore, as it was ment,
For honor of your name and high descent.

Sonnet VI

To the most honourable and excellent Lo. the Earle of Essex, Great Maister of the Horse to her Highnesse, and knight of the Noble order of the Garter, etc.

Magnificke Lord, whose vertues excellent,
Doe merit a most famous Poets witt
To be thy living praises instrument,
Yet doe not sdeigne to let thy name be writt
In this base Poeme, for thee far unfitt:
Nought is thy worth disparaged thereby;
But when my Muse, whose fethers, nothing flitt,
Doe yet but flagg, and lowly learne to fly,
With bolder wing shall dare alofte to sty
To the last praises of this Faery Queene;
Then shall it make more famous memory
Of thine Heroicke parts, such as they beene:
Till then, vouchsafe thy noble countenaunce
To these first labours needed furtheraunce.

Sonnet VII

To the right Honourable the Earle of Ormond and Ossory.

Receive, most noble Lord, a simple taste
Of the wilde fruit which salvage soyl hath bred;
Which, being through long wars left almost waste,
With brutish barbarisme is overspredd:
And, in so faire a land as may be redd,
Not one Parnassus, nor one Helicone,
Left for sweete Muses to be harboured,
But where thy selfe hast thy brave mansione:
There, in deede, dwel faire Graces many one,
And gentle Nymphes, delights of learned wits;
And in thy person, without paragone,
All goodly bountie and true honour sits.
Such, therefore, as that wasted soyl doth yield,
Receive, dear Lord, in worth, the fruit of barren field.

Sonnet VIII

To the right honourable the Lord Ch. Howard, Lo. high Admiral of England, knight of the noble order of the Garter, and one of her Majesties privie Counsel, etc.

And ye, brave Lord, whose goodly personage
And noble deeds, each other garnishing,
Make you ensample to the present age
Of th’old Heroes, whose famous ofspring
The antique Poets wont so much to sing;
In this same Pageaunt have a worthy place,
Sith those huge castles of Castilian King,
That vainly threatned kingdomes to displace,
Like flying doves ye did before you chace;
And that proud people, woxen insolent
Through many victories, didst first deface:
Thy praises everlasting monument
Is in this verse engraven semblably,
That it may live to all posterity.

Sonnet IX

To the right honourable the Lord of Hunsdon, high Chamberlaine to her Majesty.

Renowmed Lord, that, for your worthinesse
And noble deeds, have your deserved place
High in the favour of that Emperesse,
The worlds sole glory and her sexes grace;
Here eke of right have you a worthie place,
Both for your nearnes to that Faerie Queene,
And for your owne high merit in like cace:
Of which, apparaunt proofe was to be scene,
When that tumultuous rage and fearfull deene
Of Northerne rebels ye did pacify,
And their disloiall powre defaced clene,
The record of enduring memory.
Live, Lord, for ever in this lasting verse,
That all posteritie thy honor may reherse.

Sonnet X

To the most renowned and valiant Lord, the Lord Grey of Wilton, knight of the Noble order of the Garter, etc.

Most Noble Lord, the pillor of my life,
And Patrone of my Muses pupillage;
Through whose large bountie, poured on me rife
In the first season of my feeble age,
I now doe live, bound yours by vassalage;
Sith nothing ever may redeeme, nor reave
Out of your endlesse debt, so sure a gage,
Vouchsafe in worth this small guift to receave,
Which in your noble hands for pledge I leave
Of all the rest that I am tyde t’account:
Rude rymes, the which a rustick Muse did weave
In savadge soyle, far from Parnasso Mount,
And roughly wrought in an unlearned Loome:
The which vouchsafe, dear Lord, your favorable doome.

Sonnet XI

To the right honourable the Lord of Buckhurst, one of her Majesties privie Counsell.

In vain I thinke, right honourable Lord,
By this rude ryme to memorize thy name,
Whose learned Muse hath writ her owne record
In golden verse, worthy immortal fame:
Thou much more fit (were leasure to the same)
Thy gracious Soverains praises to compile,
And her imperiall Majestic to frame
In loftie numbers and heroicke stile.
But, sith thou maist not so, give leave a while
To baser wit his power therein to spend,
Whose grosse defaults thy daintie pen may file,
And unadvised oversights amend.
But evermore vouchsafe it to maintaine
Against vile Zoilus backbitings vaine.

Sonnet XII

To the right honourable Sir Fr. Walsingham, knight, principal Secretary to her Majesty, and one of her honourable privy Counsell.

That Mantuane Poets incompared spirit,
Whose girland now is set in highest place,
Had not Mecaenas, for his worthy merit,
It first advaunst to great Augustus grace,
Might long perhaps have lien in silence bace,
Ne bene so much admir’d of later age.
This lowly Muse, that learns like steps to trace,
Flies for like aide unto your Patronage,
That are the great Mecaenas of this age,
As wel to al that civil artes professe,
As those that are inspir’d with Martial rage,
And craves protection of her feeblenesse:
Which if ye yield, perhaps ye may her rayse
In bigger tunes to sound your living prayse.

Sonnet XIII

To the right noble Lord and most valiaunt Captaine, Sir John Norris, knight, Lord president of Mounster.

Who ever gave more honourable prize
To the sweet Muse then did the Martiall crew,
That their brave deeds she might immortalise
In her shril tromp, and sound their praises dew?
Who then ought more to favour her then you,
Moste noble Lord, the honor of this age,
And Precedent of all that armes ensue?
Whose warlike prowesse and manly courage,
Tempred with reason and advizement sage,
Hath fild sad Belgicke with victorious spoile;
In Fraunce and Ireland left a famous gage;
And lately shakt the Lusitanian soile.
Sith, then, each where thou hast dispredd thy fame,
Love him that hath eternized your name.

Sonnet XIV

To the right noble and valorous knight, Sir Walter Raleigh, Lo. Wardein of the Stanneryes, and lieftenaunt of Cornewaile.

To thee, that art the sommers Nightingale,
Thy soveraine Qoddesses most deare delight,
Why doe I send this rusticke Madrigale,
That may thy tunefull eare unseason quite?
Thou onely fit this Argument to write,
In whose high thoughts Pleasure hath built her bowre,
And dainty love learnd sweetly to endite.
My rimes I know unsavory and sowre,
To tast the streames that, like a golden showre,
Flow from thy fruitfull head, of thy love’s praise;
Fitter, perhaps, to thonder Martiall stowre,
When so thee list thy lofty Muse to raise:
Yet, till that thou thy Poeme wilt make knowne,
Let thy faire Cinthias praises be thus rudely showne.

deine Stelle wird wiederhergestellt…

der Rest wird geladen…

Als Nächstes lesen

  • A Portrait of the Artist as a Young ManJames Joyce
    The prose literally grows up with Stephen, from baby talk to feverish theology, and the hellfire sermon in the middle will scare you even if you've never been Catholic. Slow going in spots, but if you like watching a mind assemble itself, this is that.
  • Moby DickHerman Melville
    You settle in with Ishmael’s dry wit, Queequeg’s strange tenderness, and Melville’s gloriously unnecessary chapter on whale classification. It’s digressive, funny, and sometimes stubbornly slow, but Ahab’s grief-mad intensity gives all that wandering a dark pressure you keep thinking about.
  • Wuthering HeightsEmily Brontë
    Fair warning, almost nobody in it is likable, and that's the point. Heathcliff and Cathy love each other like a grudge, the moors practically howl, and Nelly Dean gossips you through the whole wreck.

enthalten in

  • Epic Poems

—

danke fürs Lesen

The Faerie Queene von Edmund Spenser. Der Text ist in den USA gemeinfrei, aus der Standard-Ebooks-Ausgabe. Wir liefern ihn aus unserer eigenen Kopie aus; lies auf ihrer Website die vollständige Ausgabe mit Bildern und Typografie.

Erstmals veröffentlicht: 1590.

tale.fyi