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Inhalt▾
Inhalt
  1. LONDON: WILLIAM HEINEMANN
  2. HENRI BARBUSSE.
  3. NOTE
  4. I
  5. PRELUDE: THE TROOPS 11
  6. DREAMERS 13
  7. THE REDEEMER 14
  8. TRENCH DUTY 16
  9. WIRERS 17
  10. BREAK OF DAY 18
  11. A WORKING PARTY 21
  12. STAND-TO: GOOD FRIDAY MORNING 24
  13. "IN THE PINK" 25
  14. THE HERO 26
  15. BEFORE THE BATTLE 27
  16. THE ROAD 28
  17. TWO HUNDRED YEARS AFTER 29
  18. THE DREAM 30
  19. AT CARNOY 32
  20. BATTALION RELIEF 33
  21. THE DUG-OUT 35
  22. THE REAR-GUARD 36
  23. I STOOD WITH THE DEAD 38
  24. SUICIDE IN TRENCHES 39
  25. ATTACK 40
  26. COUNTER-ATTACK 41
  27. THE EFFECT 43
  28. REMORSE 44
  29. IN AN UNDERGROUND DRESSING-STATION 45
  30. DIED OF WOUNDS 46
  31. II
  32. "THEY" 47
  33. BASE DETAILS 48
  34. LAMENTATIONS 49
  35. THE GENERAL 50
  36. HOW TO DIE 51
  37. EDITORIAL IMPRESSIONS 52
  38. FIGHT TO A FINISH 53
  39. ATROCITIES 54
  40. THE FATHERS 55
  41. "BLIGHTERS" 56
  42. GLORY OF WOMEN 57
  43. THEIR FRAILTY 58
  44. DOES IT MATTER? 59
  45. SURVIVORS 60
  46. JOY-BELLS 61
  47. ARMS AND THE MAN 62
  48. WHEN I'M AMONG A BLAZE OF LIGHTS 63
  49. THE KISS 64
  50. THE TOMBSTONE-MAKER 65
  51. THE ONE-LEGGED MAN 66
  52. RETURN OF THE HEROES 67
  53. III
  54. TWELVE MONTHS AFTER 68
  55. TO ANY DEAD OFFICER 69
  56. SICK LEAVE 72
  57. BANISHMENT 73
  58. AUTUMN 74
  59. REPRESSION OF WAR EXPERIENCE 75
  60. TOGETHER 77
  61. THE HAWTHORN TREE 78
  62. CONCERT PARTY 79
  63. NIGHT ON THE CONVOY 81
  64. A LETTER HOME 83
  65. RECONCILIATION 87
  66. MEMORIAL TABLET (GREAT WAR) 88
  67. THE DEATH-BED 89
  68. AFTERMATH 91
  69. SONG-BOOKS OF THE WAR 93
  70. EVERYONE SANG 95
  71. I
  72. PRELUDE: THE TROOPS
  73. DREAMERS
  74. THE REDEEMER
  75. TRENCH DUTY
  76. WIRERS
  77. BREAK OF DAY
  78. A WORKING PARTY
  79. STAND-TO: GOOD FRIDAY MORNING
  80. "IN THE PINK"
  81. THE HERO
  82. BEFORE THE BATTLE
  83. THE ROAD
  84. TWO HUNDRED YEARS AFTER
  85. THE DREAM
  86. I
  87. II
  88. III
  89. IV
  90. AT CARNOY
  91. BATTALION RELIEF
  92. THE DUG-OUT
  93. THE REAR-GUARD
  94. I STOOD WITH THE DEAD
  95. SUICIDE IN TRENCHES
  96. ATTACK
  97. COUNTER-ATTACK
  98. THE EFFECT
  99. REMORSE
  100. IN AN UNDERGROUND DRESSING-STATION
  101. DIED OF WOUNDS
  102. II
  103. "THEY"
  104. BASE DETAILS
  105. LAMENTATIONS
  106. THE GENERAL
  107. HOW TO DIE
  108. EDITORIAL IMPRESSION
  109. FIGHT TO A FINISH
  110. ATROCITIES
  111. THE FATHERS
  112. "BLIGHTERS"
  113. GLORY OF WOMEN
  114. THEIR FRAILTY
  115. DOES IT MATTER?
  116. SURVIVORS
  117. JOY-BELLS
  118. ARMS AND THE MAN
  119. WHEN I'M AMONG A BLAZE OF LIGHTS …
  120. THE KISS
  121. THE TOMBSTONE-MAKER
  122. THE ONE-LEGGED MAN
  123. RETURN OF THE HEROES
  124. III
  125. TWELVE MONTHS AFTER
  126. TO ANY DEAD OFFICER
  127. SICK LEAVE
  128. BANISHMENT
  129. AUTUMN
  130. REPRESSION OF WAR EXPERIENCE
  131. TOGETHER
  132. THE HAWTHORN TREE
  133. CONCERT PARTY
  134. (EGYPTIAN BASE CAMP)
  135. NIGHT ON THE CONVOY
  136. (ALEXANDRIA-MARSEILLES)
  137. A LETTER HOME
  138. I
  139. II
  140. III
  141. IV
  142. V
  143. RECONCILIATION
  144. MEMORIAL TABLET
  145. (GREAT WAR)
  146. THE DEATH-BED
  147. AFTERMATH
  148. SONG-BOOKS OF THE WAR
  149. EVERYONE SANG
Deutsch ▾

The War Poems of Siegfried Sassoon

Siegfried Sassoon

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(von vorn beginnen)

LONDON: WILLIAM HEINEMANN

Dans la trêve désolée de cette matinée, ces hommes qui avaient été tenaillés par la fatigue, fouettés par la pluie, bouleversés par toute une nuit de tonnerre, ces rescapés des volcans et de l'inondation entrevoyaient à quel point la guerre, aussi hideuse au moral qu'au physique, non seulement viole le bon sens, avilit les grandes idées, commande tous les crimes—mais ils se rappelaient combien elle avait développé en eux et autour d'eux tous les mauvais instincts sans en excepter un seul; la méchanceté jusqu'au sadisme, l'égoïsme jusqu'à la férocité, le besoin de jouir jusqu'à la folie.

HENRI BARBUSSE.

(Le Feu.)

NOTE

Of these 64 poems, 12 are now published for the first time. The remainder are selected from two previous volumes.

I

PRELUDE: THE TROOPS 11
DREAMERS 13
THE REDEEMER 14
TRENCH DUTY 16
WIRERS 17
BREAK OF DAY 18
A WORKING PARTY 21
STAND-TO: GOOD FRIDAY MORNING 24
"IN THE PINK" 25
THE HERO 26
BEFORE THE BATTLE 27
THE ROAD 28
TWO HUNDRED YEARS AFTER 29
THE DREAM 30
AT CARNOY 32
BATTALION RELIEF 33
THE DUG-OUT 35
THE REAR-GUARD 36
I STOOD WITH THE DEAD 38
SUICIDE IN TRENCHES 39
ATTACK 40
COUNTER-ATTACK 41
THE EFFECT 43
REMORSE 44
IN AN UNDERGROUND DRESSING-STATION 45
DIED OF WOUNDS 46

II

"THEY" 47
BASE DETAILS 48
LAMENTATIONS 49
THE GENERAL 50
HOW TO DIE 51
EDITORIAL IMPRESSIONS 52
FIGHT TO A FINISH 53
ATROCITIES 54
THE FATHERS 55
"BLIGHTERS" 56
GLORY OF WOMEN 57
THEIR FRAILTY 58
DOES IT MATTER? 59
SURVIVORS 60
JOY-BELLS 61
ARMS AND THE MAN 62
WHEN I'M AMONG A BLAZE OF LIGHTS 63
THE KISS 64
THE TOMBSTONE-MAKER 65
THE ONE-LEGGED MAN 66
RETURN OF THE HEROES 67

III

TWELVE MONTHS AFTER 68
TO ANY DEAD OFFICER 69
SICK LEAVE 72
BANISHMENT 73
AUTUMN 74
REPRESSION OF WAR EXPERIENCE 75
TOGETHER 77
THE HAWTHORN TREE 78
CONCERT PARTY 79
NIGHT ON THE CONVOY 81
A LETTER HOME 83
RECONCILIATION 87
MEMORIAL TABLET (GREAT WAR) 88
THE DEATH-BED 89
AFTERMATH 91
SONG-BOOKS OF THE WAR 93
EVERYONE SANG 95

I

PRELUDE: THE TROOPS

Dim, gradual thinning of the shapeless gloom
Shudders to drizzling daybreak that reveals
Disconsolate men who stamp their sodden boots
And turn dulled, sunken faces to the sky
Haggard and hopeless. They, who have beaten down
The stale despair of night, must now renew
Their desolation in the truce of dawn,
Murdering the livid hours that grope for peace.

Yet these, who cling to life with stubborn hands,
Can grin through storms of death and find a gap
In the clawed, cruel tangles of his defence.
They march from safety, and the bird-sung joy
Of grass-green thickets, to the land where all
Is ruin, and nothing blossoms but the sky
That hastens over them where they endure
Sad, smoking, flat horizons, reeking woods,
And foundered trench-lines volleying doom for doom.

O my brave brown companions, when your souls
Flock silently away, and the eyeless dead,
Shame the wild beast of battle on the ridge,
Death will stand grieving in that field of war
Since your unvanquished hardihood is spent.
And through some mooned Valhalla there will pass
Battalions and battalions, scarred from hell;
The unreturning army that was youth;
The legions who have suffered and are dust.

DREAMERS

Soldiers are citizens of death's gray land,
  Drawing no dividend from time's to-morrows.
In the great hour of destiny they stand,
  Each with his feuds, and jealousies, and sorrows.
Soldiers are sworn to action; they must win
  Some flaming, fatal climax with their lives.
Soldiers are dreamers; when the guns begin
  They think of firelit homes, clean beds, and wives.

I see them in foul dug-outs, gnawed by rats,
  And in the ruined trenches, lashed with rain,
Dreaming of things they did with balls and bats,
  And mocked by hopeless longing to regain
Bank-holidays, and picture shows, and spats,
  And going to the office in the train.

THE REDEEMER

Darkness: the rain sluiced down; the mire was deep;
It was past twelve on a mid-winter night,
When peaceful folk in beds lay snug asleep:
There, with much work to do before the light,
We lugged our clay-sucked boots as best we might
Along the trench; sometimes a bullet sang,
And droning shells burst with a hollow bang;
We were soaked, chilled and wretched, every one.
Darkness: the distant wink of a huge gun.

I turned in the black ditch, loathing the storm;
A rocket fizzed and burned with blanching flare,
And lit the face of what had been a form
Floundering in mirk. He stood before me there;
I say that he was Christ; stiff in the glare,
And leaning forward from his burdening task,
Both arms supporting it; his eyes on mine
Stared from the woeful head that seemed a mask
Of mortal pain in Hell's unholy shine.

No thorny crown, only a woollen cap
He wore—an English soldier, white and strong,
Who loved his time like any simple chap,
Good days of work and sport and homely song;
Now he has learned that nights are very long,
And dawn a watching of the windowed sky.
But to the end, unjudging, he'll endure
Horror and pain, not uncontent to die
That Lancaster on Lune may stand secure.

He faced me, reeling in his weariness,
Shouldering his load of planks, so hard to bear.
I say that he was Christ, who wrought to bless
All groping things with freedom bright as air,
And with His mercy washed and made them fair.
Then the flame sank, and all grew black as pitch,
While we began to struggle along the ditch;
And some one flung his burden in the muck,
Mumbling: "O Christ Almighty, now I'm stuck!"

TRENCH DUTY

Shaken from sleep, and numbed and scarce awake,
Out in the trench with three hours' watch to take,
I blunder through the splashing mirk; and then
Hear the gruff muttering voices of the men
Crouching in cabins candle-chinked with light.
Hark! There's the big bombardment on our right
Rumbling and bumping; and the dark's a glare
Of flickering horror in the sectors where
We raid the Boche; men waiting, stiff and chilled,
Or crawling on their bellies through the wire.
"What? Stretcher-bearers wanted? Some one killed?"
Five minutes ago I heard a sniper fire:
Why did he do it?… Starlight overhead—
Blank stars. I'm wide-awake; and some chap's dead.

WIRERS

"Pass it along, the wiring party's going out"—
And yawning sentries mumble, "Wirers going out."
Unravelling; twisting; hammering stakes with muffled thud,
They toil with stealthy haste and anger in their blood.

The Boche sends up a flare. Black forms stand rigid there,
Stock-still like posts; then darkness, and the clumsy ghosts
Stride hither and thither, whispering, tripped by clutching snare
Of snags and tangles.
               Ghastly dawn with vaporous coasts
Gleams desolate along the sky, night's misery ended.

Young Hughes was badly hit; I heard him carried away,
Moaning at every lurch; no doubt he'll die to-day.
But we can say the front-line wire's been safely mended.

BREAK OF DAY

There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,—lumps of chalk and clay
Spattering his face. Dry-mouthed, he thought, "To-day
We start the damned attack; and, Lord knows why,
Zero's at nine; how bloody if I'm done in
Under the freedom of that morning sky!"
And then he coughed and dozed, cursing the din.

Was it the ghost of autumn in that smell
Of underground, or God's blank heart grown kind,
That sent a happy dream to him in hell?—
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.

He sniffs the chilly air; (his dreaming starts).
He's riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he's a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there's a wall of mist along the vale
Where willows shake their watery-sounding leaves.
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born….
Then, far away, a lonely note of the horn.

They're drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass:
He knows the corner where it's best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that's the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and "Tally-o-back!"
He bawls, and swings his thong with volleying crack,—
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.

* * * * *

Hark! there's the horn: they're drawing the Big Wood.

A WORKING PARTY

Three hours ago he blundered up the trench,
Sliding and poising, groping with his boots;
Sometimes he tripped and lurched against the walls
With hands that pawed the sodden bags of chalk.
He couldn't see the man who walked in front;
Only he heard the drum and rattle of feet
Stepping along the trench-boards,—often splashing
Wretchedly where the sludge was ankle-deep.

Voices would grunt, "Keep to your right,—make way!"
When squeezing past the men from the front-line:
White faces peered, puffing a point of red;
Candles and braziers glinted through the chinks
And curtain-flaps of dug-outs; then the gloom
Swallowed his sense of sight; he stooped and swore
Because a sagging wire had caught his neck.
A flare went up; the shining whiteness spread
And flickered upward, showing nimble rats,
And mounds of glimmering sand-bags, bleached with rain;
Then the slow, silver moment died in dark.

The wind came posting by with chilly gusts
And buffeting at corners, piping thin
And dreary through the crannies; rifle-shots
Would split and crack and sing along the night,
And shells came calmly through the drizzling air
To burst with hollow bang below the hill.

Three hours ago he stumbled up the trench;
Now he will never walk that road again:
He must be carried back, a jolting lump
Beyond all need of tenderness and care;
A nine-stone corpse with nothing more to do.

He was a young man with a meagre wife
And two pale children in a Midland town;
He showed the photograph to all his mates;
And they considered him a decent chap
Who did his work and hadn't much to say,
And always laughed at other people's jokes
Because he hadn't any of his own.

That night, when he was busy at his job
Of piling bags along the parapet,
He thought how slow time went, stamping his feet,
And blowing on his fingers, pinched with cold.

He thought of getting back by half-past twelve,
And tot of rum to send him warm to sleep
In draughty dug-out frowsty with the fumes
Of coke, and full of snoring, weary men.

He pushed another bag along the top,
Craning his body outward; then a flare
Gave one white glimpse of No Man's Land and wire;
And as he dropped his head the instant split
His startled life with lead, and all went out.

STAND-TO: GOOD FRIDAY MORNING

I'd been on duty from two till four.
I went and stared at the dug-out door.
Down in the frowst I heard them snore.
"Stand-to!" Somebody grunted and swore.
  Dawn was misty; the skies were still;
  Larks were singing, discordant, shrill;
  They seemed happy; but I felt ill.
Deep in water I splashed my way
Up the trench to our bogged front line.
Rain had fallen the whole damned night.
O Jesus, send me a wound to-day,
And I'll believe in Your bread and wine,
And get my bloody old sins washed white!

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Mehr von Siegfried Sassoon

  • Memoirs of a Foxhunting Man
    You follow George Sherston from awkward boyhood through school, horses, and the rituals of English foxhunting, with Sassoon making vanity and loneliness quietly funny. It’s leisurely and finely observed rather than dramatic, but the calm turns poignant as Sherston’s sheltered world edges toward war.
  • Memoirs of an Infantry Officer
    You follow George Sherston from the trenches and patrols into the moral shock of discovering what the war asks him to accept. Sassoon’s plain, observant prose makes mud, fear, boredom, and sudden courage feel horribly close, though the book’s restraint can seem chilly if you want battlefield drama.

—

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