1602
2 books
- You get a Hamlet who is grief-stricken, sharp-tongued, theatrical, and often genuinely funny, not just a gloomy prince. The play’s strange shifts, from the Players’ performance to the graveyard conversation, make reading it feel like thinking alongside someone who can’t stop testing what’s real.
- You get Falstaff at his most shameless, trying to seduce two respectable wives and being cheerfully outwitted by both. The plotting is broad, quick, and pleasantly ridiculous, with disguises, pranks, and a final woodland humiliation, so you’ll enjoy it most when you want Shakespeare being openly comic rather than profound.