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Chivalry
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To
Anne Branch Cabell
“Ainsi a vous, Madame, a ma très haulte et très noble dame, a qui j’ayme a devoir attachement et obéissance, j’envoye ce livret.”
Precautional
I
Imprimis, as concerns the authenticity of these tales perhaps the less debate may be the higher wisdom, if only because this Nicolas de Caen, by common report, was never a Gradgrindian. And in this volume in particular, writing it (as Nicolas is supposed to have done) in 1470, as a dependant on the Duke of Burgundy, it were but human nature should he, in dealing with the putative descendants of Dom Manuel and Alianora of Provence, be niggardly in his ascription of praiseworthy traits to any member of the house of Lancaster or of Valois. Rather must one in common reason accept old Nicolas as confessedly a partisan writer, who upon occasion will recolor an event with such nuances as will be least inconvenient to a Yorkist and Burgundian bias.
The reteller of these stories needs in addition to plead guilty of having abridged the tales with a free hand. Item, these tales have been a trifle pulled about, most notably in “The Story of the Satraps,” where it seemed advantageous, on reflection, to put into Gloucester’s mouth a history which in the original version was related ab ovo, and as a sort of bungling prologue to the story proper.
Item, the reteller of these stories desires hereby to tender appropriate acknowledgment to Mr. R. E. Townsend for his assistance in making an English version of the lyrics included hereinafter; and to avoid discussion as to how freely, in these lyrics, Nicolas has plagiarized from Raimbaut de Vaqueiras and other elder poets.1
And—“sixth and lastly”—should confession be made that in the present rendering a purely arbitrary title has been assigned this little book; chiefly for commercial reasons, since the word “dizain” has been adjudged both untranslatable and, in its pristine form, repellantly outré.
II
You are to give my titular makeshift, then, a wide interpretation; and are always to remember that in the bleak, florid age these tales commemorate this Chivalry was much the rarelier significant of any personal trait than of a worldwide code in consonance with which all estimable people lived and died. Its root was the assumption (uncontested then) that a gentleman will always serve his God, his honor and his lady without any reservation; nor did the many emanating bylaws ever deal with special cases as concerns this triple, fixed, and fundamental homage.
Such is the trinity served hereinafter. Now about lady-service, or domnei, I have written elsewhere. Elsewhere also I find it recorded that “the cornerstone of Chivalry is the idea of vicarship: for the chivalrous person is, in his own eyes at least, the child of God, and goes about this world as his Father’s representative in an alien country.”
I believe the definition holds: it certainly tends to explain the otherwise puzzling pertinacity with which the characters in these tales talk about God and act upon an assured knowledge as to Heaven’s private intentions and preferences. These people are the members of one family engrossed, as all of us are apt to be when in the society of our kin, by family matters and traditions and bywords. It is not merely that they are all large children consciously dependent in all things upon a not foolishly indulgent Father, Who keeps an interested eye upon the least of their doings, and punishes at need—not merely that they know themselves to act under surveillance and to speak within earshot of a divine eavesdropper. The point is, rather, that they know this observation to be as tender, the punishment to be as unwilling, as that which they themselves extend to their own children’s pranks and misdemeanors. The point is that to them Heaven is a place as actual and tangible as we consider Alaska or Algiers to be, and that their living is a conscious journeying toward this actual place. The point is that the Father is a real father, and not a word spelt with capital letters in the Church Service; not an abstraction, not a sort of a something vaguely describable as “the Life Force,” but a very famous kinsman, of whom one is naively proud, and whom one is on the way to visit. … The point, in brief, is that His honor and yours are inextricably blended, and are both implicated in your behavior on the journey.
We nowadays can just cloudily imagine this viewing of life as a sort of boarding-school from which one eventually goes home, with an official report as to progress and deportment: and in retaliation for being debarred from the comforts of this view, the psychoanalysts have no doubt invented for it some opprobrious explanation. At all events, this Chivalry was a pragmatic hypothesis: it “worked,” and served society for a long while, not faultlessly of course, but by creating, like all the other codes of human conduct which men have yet tried, a tragicomic melee wherein contended “courtesy and humanity, friendliness, hardihood, love and friendship, and murder, hate, and virtue, and sin.”
III
For the rest, since good wine needs no bush, and an inferior beverage is not likely to be bettered by arboreal adornment, I elect to piece out my exordium (however lamely) with “The Printer’s Preface.” And it runs in this fashion:
“Here begins the volume called and entitled the Dizain of Queens, composed and extracted from divers chronicles and other sources of information, by that extremely venerable person and worshipful man, Messire Nicolas de Caen, priest and chaplain to the right noble, glorious and mighty prince in his time, Philippe, Duke of Burgundy, of Brabant, etc., in the year of the Incarnation of our Lord God a thousand four hundred and seventy: and imprinted by me, Colard Mansion, at Bruges, in the year of our said Lord God a thousand four hundred and seventy-one; at the commandment of the right high, mighty and virtuous Princess, my redoubted Lady, Isabella of Portugal, by the grace of God Duchess of Burgundy and Lotharingia, of Brabant and Limbourg, of Luxembourg and of Gueldres, Countess of Flanders, of Artois, and of Burgundy, Palatine of Hainault, of Holland, of Zealand and of Namur, Marquesse of the Holy Empire, and Lady of Frisia, of Salins and of Mechlin; whom I beseech Almighty God less to increase than to continue in her virtuous disposition in this world, and after our poor fleet existence to receive eternally. Amen.”
The Prologue
“Afin que les entreprises honorables et les nobles aventures et faicts d’armes soyent noblement enregistrés et conservés, je vais traiter et raconter et inventer ung galimatias.”
The Dizain of Queens of that noble maker in the French tongue, Messire Nicolas de Caen, dedicated to the most illustrious Isabella of Portugal, of the house of the indomitable Alfonso Henriques, and Duchess Dowager of Burgundy. Here begins in auspicious wise the prologue.
A Sa Dame
Inasmuch as it was by your command, illustrious and exalted lady, that I have gathered together these stories to form the present little book, you should the less readily suppose I have presumed to dedicate to your Serenity this trivial offering because of my esteeming it to be not undeserving of your acceptance. The truth is otherwise: your postulant approaches not spurred toward you by vainglory, but rather by equity, and equity’s plain need to acknowledge that he who seeks to write of noble ladies must necessarily implore at outset the patronage of her who is the light and mainstay of our age. I humbly bring my book to you as Phidyle approached another and less sacred shrine, farre pio et saliente mica, and lay before you this my valueless mean tribute not as appropriate to you but as the best I have to offer.
It is a little book wherein I treat of divers queens and of their love-business; and with necessitated candor I concede my chosen field to have been harvested, and scrupulously gleaned, by many writers of innumerable conditions. Since Dares Phrygius wrote of Queen Heleine, and Virgil (that shrewd necromancer) of Queen Dido, a preponderating mass of clerks, in casting about for high and serious matter, have chosen, as though it were by common instinct, to dilate upon the amours of royal women. Even in romance we scribblers must contrive it so that the fair Nicolete shall be discovered in the end to be no less than the King’s daughter of Carthage, and that Sir Doön of Mayence shall never sink in his love affairs beneath the degree of a Saracen princess; and we are backed in this old procedure not only by the authority of Aristotle but, oddly enough, by that of reason.
Kings have their policies and wars wherewith to drug each human appetite. But their consorts are denied these makeshifts; and love may rationally be defined as the pivot of each normal woman’s life, and in consequence as the arbiter of that ensuing life which is eternal. Because—as anciently Propertius demanded, though not, to speak the truth, of any woman—
Quo fugis? ah demens! nulla est fuga, tu licet usque
Ad Tanaim fugias, usque sequetur amor.
And a dairymaid, let us say, may love whom she will, and nobody else be a penny the worse for her mistaking of the preferable nail whereon to hang her affections; whereas with a queen this choice is more portentous. She plays the game of life upon a loftier table, ruthlessly illuminated, she stakes by her least movement a tall pile of counters, some of which are, of necessity, the lives and happiness of persons whom she knows not, unless it be by vague report. Grandeur sells itself at this hard price, and at no other. A queen must always play, in fine, as the vicar of destiny, free to choose but very certainly compelled in the ensuing action to justify that choice: as is strikingly manifested by the authentic histories of Brunhalt, and of Guenevere, and of swart Cleopatra, and of many others that were born to the barbaric queenhoods of extinct and dusty times.
All royal persons are (I take it) the immediate and the responsible stewards of Heaven; and since the nature of each man is like a troubled stream, now muddied and now clear, their prayer must ever be, Defenda me, Dios, de me! Yes, of exalted people, and even of their near associates, life, because it aims more high than the aforementioned Aristotle, demands upon occasion a more great catharsis, which would purge any audience of unmanliness, through pity and through terror, because, by a quaint paradox, the players have been purged of humanity. For a moment Destiny has thrust her scepter into the hands of a human being and Chance has exalted a human being to decide the issue of many human lives. These two—with what immortal chucklings one may facilely imagine—have left the weakling thus enthroned, free to direct the heavy outcome, free to choose, and free to evoke much happiness or age-long weeping, but with no intermediate course unbarred. “Now prove thyself!” saith Destiny; and Chance appends: “Now prove thyself to be at bottom a god or else a beast, and now eternally abide that choice. And now (O crowning irony!) we may not tell thee clearly by which choice thou mayst prove either.”
In this little book about the women who intermarried, not very enviably, with an unhuman race (a race predestinate to the red ending which I have chronicled elsewhere, in The Red Cuckold), it is of ten such moments that I treat.
You alone, I think, of all persons living, have learned, as you have settled by so many instances, to rise above mortality in such a testing, and unfailingly to merit by your conduct the plaudits and the adoration of our otherwise dissentient world. You have often spoken in the stead of Destiny, with nations to abide your verdict; and in so doing have both graced and hallowed your high vicarship. If I forbear to speak of this at greater length, it is because I dare not couple your well-known perfection with any imperfect encomium. Upon no plea, however, can anyone forbear to acknowledge that he who seeks to write of noble ladies must necessarily implore at outset the patronage of her who is the light and mainstay of our age.
Therefore to you, madame—most excellent and noble lady, to whom I love to owe both loyalty and love—I dedicate this little book.
I
The Story of the Sestina
“Armatz de fust e de fer e d’acier,
Mos ostal seran bosc, fregz, e semdier,
E mas cansos sestinas e descortz,
E mantenrai los frevols contra ’ls fortz.”
The first novel.—Alianora of Provence, coming in disguise and in adversity to a certain clerk, is by him conducted across a hostile country; and in that troubled journey are made manifest to each the snares which had beguiled them aforetime.
In this place we have to do with the opening tale of the Dizain of Queens. I abridge, as afterward, at discretion; and an initial account of the Barons’ War, among other superfluities, I amputate as more remarkable for veracity than interest. The result, we will agree at outset, is that to the Norman cleric appertains whatever these tales may have of merit, whereas what you find distasteful in them you must impute to my delinquencies in skill rather than in volition.
Within the half hour after de Giars’ death (here one overtakes Nicolas mid-course in narrative) Dame Alianora thus stood alone in the corridor of a strange house. Beyond the arras the steward and his lord were at irritable converse.
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