King Lear

Name: King Lear
Author: William Shakespeare

William Shakespeare

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Dramatis Personae

Lear, king of Britain
King of France
Duke of Burgundy
Duke of Cornwall
Duke of Albany
Earl of Kent
Earl of Gloucester
Edgar, son to Gloucester
Edmund, bastard son to Gloucester
Curan, a courtier
Old Man, tenant to Gloucester
Doctor
Fool
Oswald, steward to Goneril
A Captain employed by Edmund
Gentleman attendant on Cordelia
A Herald
Servants to Cornwall
Goneril, Regan, Cordelia, daughters to Lear
Knights of Lear’s train, Captains, Messengers, Soldiers, and Attendants

Scene: Britain

Act I

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More by William Shakespeare

A Midsummer Night’s Dream
You get a play that keeps changing its mind about love, from the quarrelling lovers in the forest to Bottom blundering through his amateur performance. The language is playful and slippery, and Puck gives the whole thing a mischievous sense that human beings are never quite in control.
All’s Well That Ends Well
Helena chases a man who plainly doesn't deserve her, and the play knows it, which is what makes it interesting. If you like your comedies uneasy, with a bed trick and an ending that only half convinces, this one will stick with you.
Antony and Cleopatra
These two aren't young lovers, they're middle-aged, vain, magnificent messes who keep wrecking empires over each other, and you half want to shake them. Stay for Enobarbus, the dry-eyed friend whose barge speech about Cleopatra is worth the whole play.

Dramatis Personae

Lear, king of Britain

King of France

Duke of Burgundy

Duke of Cornwall

Duke of Albany

Earl of Kent

Earl of Gloucester

Edgar, son to Gloucester

Edmund, bastard son to Gloucester

Curan, a courtier

Old Man, tenant to Gloucester

Doctor

Fool

Oswald, steward to Goneril

A Captain employed by Edmund

Gentleman attendant on Cordelia

A Herald

Servants to Cornwall

Goneril, Regan, Cordelia, daughters to Lear

Knights of Lear’s train, Captains, Messengers, Soldiers, and Attendants

Scene: Britain

More by William Shakespeare

A Midsummer Night’s Dream

You get a play that keeps changing its mind about love, from the quarrelling lovers in the forest to Bottom blundering through his amateur performance. The language is playful and slippery, and Puck gives the whole thing a mischievous sense that human beings are never quite in control.

All’s Well That Ends Well

Helena chases a man who plainly doesn't deserve her, and the play knows it, which is what makes it interesting. If you like your comedies uneasy, with a bed trick and an ending that only half convinces, this one will stick with you.

Antony and Cleopatra

These two aren't young lovers, they're middle-aged, vain, magnificent messes who keep wrecking empires over each other, and you half want to shake them. Stay for Enobarbus, the dry-eyed friend whose barge speech about Cleopatra is worth the whole play.