Much Ado About Nothing

Name: Much Ado About Nothing
Author: William Shakespeare

William Shakespeare

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Dramatis Personae

Don Pedro, Prince of Arragon
Don John, his bastard brother
Claudio, a young lord of Florence
Benedick, a young lord of Padua
Leonato, governor of Messina
Antonio, his brother
Balthasar, attendant to Don Pedro
Conrade, follower of Don John
Borachio, follower of Don John
Friar Francis
Dogberry, a constable
Verges, a headborough
A sexton
A boy
Hero, daughter to Leonato
Beatrice, niece to Leonato
Margaret, gentlewoman attending on Hero
Ursula, gentlewoman attending on Hero
Messengers, watch, attendants, etc.

Scene: Messina

Act I

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More by William Shakespeare

A Midsummer Night’s Dream
You get a play that keeps changing its mind about love, from the quarrelling lovers in the forest to Bottom blundering through his amateur performance. The language is playful and slippery, and Puck gives the whole thing a mischievous sense that human beings are never quite in control.
All’s Well That Ends Well
Helena chases a man who plainly doesn't deserve her, and the play knows it, which is what makes it interesting. If you like your comedies uneasy, with a bed trick and an ending that only half convinces, this one will stick with you.
Antony and Cleopatra
These two aren't young lovers, they're middle-aged, vain, magnificent messes who keep wrecking empires over each other, and you half want to shake them. Stay for Enobarbus, the dry-eyed friend whose barge speech about Cleopatra is worth the whole play.

Dramatis Personae

Don Pedro, Prince of Arragon

Don John, his bastard brother

Claudio, a young lord of Florence

Benedick, a young lord of Padua

Leonato, governor of Messina

Antonio, his brother

Balthasar, attendant to Don Pedro

Conrade, follower of Don John

Borachio, follower of Don John

Friar Francis

Dogberry, a constable

Verges, a headborough

A sexton

A boy

Hero, daughter to Leonato

Beatrice, niece to Leonato

Margaret, gentlewoman attending on Hero

Ursula, gentlewoman attending on Hero

Messengers, watch, attendants, etc.

Scene: Messina

More by William Shakespeare

A Midsummer Night’s Dream

You get a play that keeps changing its mind about love, from the quarrelling lovers in the forest to Bottom blundering through his amateur performance. The language is playful and slippery, and Puck gives the whole thing a mischievous sense that human beings are never quite in control.

All’s Well That Ends Well

Helena chases a man who plainly doesn't deserve her, and the play knows it, which is what makes it interesting. If you like your comedies uneasy, with a bed trick and an ending that only half convinces, this one will stick with you.

Antony and Cleopatra

These two aren't young lovers, they're middle-aged, vain, magnificent messes who keep wrecking empires over each other, and you half want to shake them. Stay for Enobarbus, the dry-eyed friend whose barge speech about Cleopatra is worth the whole play.