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Poetry ▾
contents
  1. Imitation of Spenser
  2. On Death
  3. To Byron
  4. To Chatterton
  5. Written on the Day That Mr. Leigh Hunt Left Prison
  6. To Hope
  7. Ode to Apollo
  8. To Some Ladies
  9. On Receiving a Curious Shell and a Copy of Verses from the Same Ladies
  10. Stanzas to Miss Wylie
  11. “Woman! When I Behold Thee Flippant, Vain”
  12. To ———
  13. Sonnet
  14. Sonnet
  15. On First Looking Into Chapman’s Homer
  16. Epistle to George Felton Mathew
  17. Specimen of an Induction to a Poem
  18. Calidore
  19. To ———
  20. To G. A. W.
  21. Sonnet
  22. On a Picture of Leander
  23. Sonnet
  24. Sonnet to Solitude
  25. Sonnet
  26. To a Young Lady Who Sent Me a Laurel Crown
  27. To a Friend Who Sent Me Some Roses
  28. To My Brother George
  29. Epistle to My Brother George
  30. Epistle to Charles Cowden Clarke
  31. Sonnet
  32. On Leaving Some Friends at an Early Hour
  33. To My Brothers
  34. Addressed to Benjamin Robert Haydon
  35. Written in Disgust of Vulgar Superstition
  36. To Kosciusko
  37. On the Grasshopper and Cricket
  38. Hymn to Apollo
  39. Sleep and Poetry As I lay in my bed slepe full unmete Was unto me, but why that I ne might Rest I ne wist, for there n’ as erthly wight (As I suppose) had more of hertis ese Than I, for I n’ ad sicknesse nor disese. Chaucer
  40. “I Stood Tiptoe Upon a Little Hill” “Places of nestling green, for poets made.” Leigh Hunt, The Story of Rimini
  41. Sonnet
  42. Written on the Blank Space at the End of Chaucer’s Tale of The Floure and the Lefe
  43. To Haydon
  44. On Seeing the Elgin Marbles
  45. On Leigh Hunt’s Poem, The Story of Rimini
  46. To Leigh Hunt, Esq.
  47. On the Sea
  48. Endymion “The stretched metre of an antique song.” Shakspeare’s Sonnets
  49. On Oxford
  50. On ———
  51. Lines
  52. Stanzas
  53. To a Cat
  54. Sharing Eve’s Apple
  55. What the Thrush Said
  56. Robin Hood
  57. Lines on the Mermaid Tavern
  58. A Song of Opposites Under the flag Of each his faction, they to battle bring Their embryo atoms. Milton
  59. On Seeing a Lock of Milton’s Hair
  60. “Where’s the Poet? Show Him! Show Him”
  61. A Draught of Sunshine
  62. Song
  63. Extracts from an Opera
  64. Faery Songs
  65. On Sitting Down to Read King Lear Once Again
  66. Sonnet
  67. To a Lady Seen for a Few Moments at Vauxhall
  68. To Spenser
  69. To the Nile
  70. Written in Answer to a Sonnet Ending Thus “Dark eyes are dearer far Than those that mock the hyacinthine bell.” By J. H. Reynolds
  71. To Homer
  72. To John Hamilton Reynolds
  73. The Human Seasons
  74. The Devon Maid
  75. Epistle to John Hamilton Reynolds
  76. At Teignmouth
  77. Fragment of an Ode to Maia
  78. Isabella, or the Pot of Basil
  79. An Extempore
  80. Spenserian Stanzas on Charles Armitage Brown
  81. Two or Three Posies
  82. Acrostic
  83. A Song About Myself
  84. On Visiting the Tomb of Burns
  85. Meg Merrilies
  86. To Ailsa Rock
  87. Written in the Cottage Where Burns Was Born
  88. Lines Written in the Highlands After a Visit to Burns’s Country
  89. At Fingal’s Cave
  90. Written Upon the Top of Ben Nevis
  91. The Gadfly
  92. To Thomas Keats Belantree (for Ballantree) July 10 1818.
  93. On Hearing the Bag-Pipe and Seeing “The Stranger” Played at Inverary
  94. Mrs. Cameron and Ben Nevis After all there was one Mrs. Cameron of 50 years of age and the fattest woman in all Inverness-shire who got up this Mountain some few years ago—true she had her servants—but then she had herself. She ought to have hired Sisyphus—“Up the high hill he heaves a huge round—Mrs. Cameron.” ’Tis said a little conversation took place between the mountain and the Lady. After taking a glass of Whisky as she was tolerably seated at ease she thus began—
  95. Translation from a Sonnet of Ronsard
  96. A Prophecy
  97. Song
  98. Fancy
  99. Ode
  100. Modern Love
  101. Fragment of “The Castle Builder”
  102. Song Spirit Here That Reignest! Written on a blank page in Beaumont and Fletcher’s works, between “Cupid’s Revenge” and “The Two Noble Kinsmen”
  103. Spenserian Stanza Written at the close of Canto II Book V of The Faerie Queene
  104. Hyperion
  105. The Eve of St. Agnes
  106. The Eve of St. Mark
  107. Ode on Indolence “They Toil Not, Neither Do They Spin.”
  108. Ode on a Grecian Urn
  109. Ode on Melancholy
  110. Sonnet
  111. A Dream, After Reading Dante’s Episode of “Paolo and Francesca”
  112. Ode to Fanny
  113. La Belle Dame Sans Merci
  114. Chorus of Fairies Fire, Air, Earth, and Water Salamander, Zephyr, Dusketha, and Breama
  115. To Sleep
  116. Another on Fame
  117. On Fame “You cannot eat your cake and have it too.” Proverb
  118. Sonnet
  119. Ode to Psyche
  120. Ode to a Nightingale
  121. Lamia
  122. A Party of Lovers
  123. To Autumn
  124. Sonnet
  125. To Fanny
  126. Lines to Fanny
  127. Hyperion: A Vision An attempt at remodelling the fragment of Hyperion into the form of a vision.
  128. The Cap and Bells Or, The Jealousies A Faery Tale. Unfinished
  129. To George Keats
  130. The Last Sonnet
  131. Endnotes
English ▾

Poetry

John Keats

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Imitation of Spenser

Now Morning from her orient chamber came,
And her first footsteps touch’d a verdant hill;
Crowning its lawny crest with amber flame,
Silv’ring the untainted gushes of its rill;
Which, pure from mossy beds, did down distil,
And after parting beds of simple flowers,
By many streams a little lake did fill,
Which round its marge reflected woven bowers,
And, in its middle space, a sky that never lowers.

There the kingfisher saw his plumage bright,
Vying with fish of brilliant dye below;
Whose silken fins, and golden scales’ light
Cast upward, through the waves, a ruby glow:
There saw the swan his neck of arched snow,
And oar’d himself along with majesty;
Sparkled his jetty eyes; his feet did show
Beneath the waves like Afric’s ebony,
And on his back a fay reclined voluptuously.

Ah! could I tell the wonders of an isle
That in that fairest lake had placed been,
I could e’en Dido of her grief beguile;
Or rob from aged Lear his bitter teen:
For sure so fair a place was never seen,
Of all that ever charm’d romantic eye:
It seem’d an emerald in the silver sheen
Of the bright waters; or as when on high,
Through clouds of fleecy white, laughs the cœrulean sky.

And all around it dipp’d luxuriously
Slopings of verdure through the glossy tide,
Which, as it were in gentle amity,
Rippled delighted up the flowery side;
As if to glean the ruddy tears, it tried,
Which fell profusely from the rose-tree stem!
Haply it was the workings of its pride,
In strife to throw upon the shore a gem
Outvying all the buds in Flora’s diadem.

On Death

Can death be sleep, when life is but a dream,
And scenes of bliss pass as a phantom by?
The transient pleasures as a vision seem,
And yet we think the greatest pain’s to die.

How strange it is that man on earth should roam,
And lead a life of woe, but not forsake
His rugged path; nor dare he view alone
His future doom, which is but to awake.

To Byron

Byron! how sweetly sad thy melody!
Attuning still the soul to tenderness,
As if soft Pity, with unusual stress,
Had touch’d her plaintive lute, and thou, being by,
Hadst caught the tones, nor suffer’d them to die.
O’ershadowing sorrow doth not make thee less
Delightful: thou thy griefs dost dress
With a bright halo, shining beamily,
As when a cloud the golden moon doth veil,
Its sides are ting’d with a resplendent glow,
Through the dark robe oft amber rays prevail,
And like fair veins in sable marble flow;
Still warble, dying swan! still tell the tale,
The enchanting tale, the tale of pleasing woe.

To Chatterton

O Chatterton! how very sad thy fate!
Dear child of sorrow—son of misery!
How soon the film of death obscur’d that eye,
Whence Genius mildly flash’d, and high debate.
How soon that voice, majestic and elate,
Melted in dying numbers! Oh! how nigh
Was night to thy fair morning. Thou didst die
A half-blown flow’ret which cold blasts amate.
But this is past: thou art among the stars
Of highest Heaven: to the rolling spheres
Thou sweetly singest: nought thy hymning mars,
Above the ingrate world and human fears.
On earth the good man base detraction bars
From thy fair name, and waters it with tears.

Written on the Day That Mr. Leigh Hunt Left Prison

What though, for showing truth to flatter’d state,
Kind Hunt was shut in prison, yet has he,
In his immortal spirit, been as free
As the sky-searching lark, and as elate.
Minion of grandeur! think you he did wait?
Think you he nought but prison-walls did see,
Till, so unwilling, thou unturn’dst the key?
Ah, no! far happier, nobler was his fate!
In Spenser’s halls he strayed, and bowers fair,
Culling enchanted flowers; and he flew
With daring Milton through the fields of air:
To regions of his own his genius true
Took happy flights. Who shall his fame impair
When thou art dead, and all thy wretched crew?

To Hope

When by my solitary hearth I sit,
And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my “mind’s eye” flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head.

Whene’er I wander, at the fall of night,
Where woven boughs shut out the moon’s bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moonbeams through the leafy roof,
And keep that fiend Despondence far aloof.

Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chase him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!

Whene’er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o’er my head!

Should e’er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o’er my head.

In the long vista of the years to roll,
Let me not see our country’s honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom’s shade.
From thy bright eyes unusual brightness shed—
Beneath thy pinions canopy my head!

Let me not see the patriot’s high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress’d,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!

And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud
Brightening the half-veil’d face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o’er my head.

Ode to Apollo

In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.

Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendor warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.

Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro’s lyre:
The soul delighted on each accent dwells,—
Enraptur’d dwells,—not daring to respire,
The while he tells of grief around a funeral pyre.

’Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell’d peers,
Nor move, till ends the lofty strain,
Nor move till Milton’s tuneful thunders cease,
And leave once more the ravish’d heavens in peace.

Thou biddest Shakspeare wave his hand,
And quickly forward spring
The Passions—a terrific band—
And each vibrates the string
That with its tyrant temper best accords,
While from their Master’s lips pour forth the inspiring words.

A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
’Tis still! Wild warblings from the Æolian lyre
Enchantment softly breathe, and tremblingly expire.

Next thy Tasso’s ardent numbers
Float along the pleasèd air,
Calling youth from idle slumbers,
Rousing them from Pleasure’s lair:—
Then o’er the strings his fingers gently move,
And melt the soul to pity and to love.

But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
The dying tones that fill the air,
And charm the ear of evening fair,
From thee, Great God of Bards, receive their heavenly birth.

To Some Ladies

What though, while the wonders of nature exploring,
I cannot your light, mazy footsteps attend;
Nor listen to accents, that almost adoring,
Bless Cynthia’s face, the enthusiast’s friend:

Yet over the steep, whence the mountain-stream rushes,
With you, kindest friends, in idea I rove;
Mark the clear tumbling crystal, its passionate gushes,
Its spray that the wild flower kindly bedews.

Why linger you so, the wild labyrinth strolling?
Why breathless, unable your bliss to declare?
Ah! you list to the nightingale’s tender condoling,
Responsive to sylphs, in the moon-beamy air.

’Tis morn, and the flowers with dew are yet drooping,
I see you are treading the verge of the sea:
And now! ah, I see it—you just now are stooping
To pick up the keepsake intended for me.

If a cherub, on pinions of silver descending,
Had brought me a gem from the fretwork of heaven;
And smiles, with his star-cheering voice sweetly blending,
The blessings of Tighe had melodiously given;

It had not created a warmer emotion
Than the present, fair nymphs, I was blest with from you;
Than the shell, from the bright golden sands of the ocean,
Which the emerald waves at your feet gladly threw.

For, indeed, ’tis a sweet and peculiar pleasure,
(And blissful is he who such happiness finds,)
To possess but a span of the hour of leisure,
In elegant, pure, and aerial minds.

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fetching the rest…

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thank you for reading

Poetry by John Keats. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

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