tale.fyi

Man and Wife ▾
contents
  1. Prologue
  2. I
  3. II
  4. The Story
  5. First Scene
  6. I
  7. II
  8. III
  9. IV
  10. V
  11. VI
  12. VII
  13. VIII
  14. Second Scene
  15. IX
  16. X
  17. XI
  18. XII
  19. XIII
  20. Third Scene
  21. XIV
  22. XV
  23. XVI
  24. Fourth Scene
  25. XVII
  26. XVIII
  27. XIX
  28. XX
  29. XXI
  30. XXII
  31. XXIII
  32. XXIV
  33. XXV
  34. XXVI
  35. XXVII
  36. XXVIII
  37. Fifth Scene
  38. XXIX
  39. XXX
  40. Sixth Scene
  41. XXXI
  42. XXXII
  43. XXXIII
  44. Seventh Scene
  45. XXXIV
  46. XXXV
  47. XXXVI
  48. XXXVII
  49. XXXVIII
  50. Eighth Scene
  51. XXXIX
  52. Ninth Scene
  53. XL
  54. Tenth Scene
  55. XLI
  56. Eleventh Scene
  57. XLII
  58. XLIII
  59. Twelfth Scene
  60. XLIV
  61. Thirteenth Scene
  62. XLV
  63. Fourteenth Scene
  64. XLVI
  65. Fifteenth Scene
  66. XLVII
  67. Sixteenth Scene
  68. XLVIII
  69. XLIX
  70. L
  71. LI
  72. LII
  73. LIII
  74. LIV
  75. LV
  76. LVI
  77. LVII
  78. Epilogue
  79. Endnotes
English ▾

Man and Wife

Wilkie Collins

free · 229,296 words · 24 h 18 m audiobook, read by volunteers for LibriVox

text from Standard Ebooks

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Prologue

The Irish Marriage

I

The Villa at Hampstead

I

On a summer’s morning, between thirty and forty years ago, two girls were crying bitterly in the cabin of an East Indian passenger ship, bound outward, from Gravesend to Bombay.

They were both of the same age—eighteen. They had both, from childhood upward, been close and dear friends at the same school. They were now parting for the first time—and parting, it might be, for life.

The name of one was Blanche. The name of the other was Anne.

Both were the children of poor parents, both had been pupil-teachers at the school; and both were destined to earn their own bread. Personally speaking, and socially speaking, these were the only points of resemblance between them.

Blanche was passably attractive and passably intelligent, and no more. Anne was rarely beautiful and rarely endowed. Blanche’s parents were worthy people, whose first consideration was to secure, at any sacrifice, the future well-being of their child. Anne’s parents were heartless and depraved. Their one idea, in connection with their daughter, was to speculate on her beauty, and to turn her abilities to profitable account.

The girls were starting in life under widely different conditions. Blanche was going to India, to be governess in the household of a Judge, under care of the Judge’s wife. Anne was to wait at home until the first opportunity offered of sending her cheaply to Milan. There, among strangers, she was to be perfected in the actress’s and the singer’s art; then to return to England, and make the fortune of her family on the lyric stage.

Such were the prospects of the two as they sat together in the cabin of the Indiaman locked fast in each other’s arms, and crying bitterly. The whispered farewell talk exchanged between them—exaggerated and impulsive as girls’ talk is apt to be—came honestly, in each case, straight from the heart.

“Blanche! you may be married in India. Make your husband bring you back to England.”

“Anne! you may take a dislike to the stage. Come out to India if you do.”

“In England or out of England, married or not married, we will meet, darling—if it’s years hence—with all the old love between us; friends who help each other, sisters who trust each other, for life! Vow it, Blanche!”

“I vow it, Anne!”

“With all your heart and soul?”

“With all my heart and soul!”

The sails were spread to the wind, and the ship began to move in the water. It was necessary to appeal to the captain’s authority before the girls could be parted. The captain interfered gently and firmly. “Come, my dear,” he said, putting his arm round Anne; “you won’t mind me! I have got a daughter of my own.” Anne’s head fell on the sailor’s shoulder. He put her, with his own hands, into the shore-boat alongside. In five minutes more the ship had gathered way; the boat was at the landing-stage—and the girls had seen the last of each other for many a long year to come.

This was in the summer of eighteen hundred and thirty-one.

restoring your place…

fetching the rest…

More by Wilkie Collins

  • Basil
    Early Collins, before he learned restraint, and honestly that's the fun: a young man secretly marries a shopkeeper's daughter he saw once on an omnibus, and everything curdles from there. If you like your Victorian melodrama feverish and a bit unhinged, this scratches that itch.
  • No Name
    Magdalen Vanstone loses her whole inheritance on a legal technicality and decides to scheme it back, disguises and sham marriage included, and you spend the whole book rooting for someone doing genuinely dubious things. Captain Wragge, her con-artist accomplice, nearly steals it.
  • The Dead Secret
    Early Collins, so the machinery creaks a bit and you'll likely guess the secret before Rosamond does, but that's not really the point. You read it for poor trembling Sarah Leeson, for Uncle Joseph and his little Mozart music box, and for that sealed-up Myrtle Room pulling everyone toward it.

genres

  • Domestic

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thank you for reading

Man and Wife by Wilkie Collins. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by corin2of7, Tony Foster, John Trevithick, Saina, Linda Andrus, ToddHW, shihping, Michelle Tan, Denise Nordell, Joe Selah, Lynne T, Maria Ana Montalvo, Oxenhandler, Rosie, kgon, Sheila, MaryAnn, Michele Eaton, Anna Simon, and Diana Schmidt for LibriVox, also public domain.

tale.fyi