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Poetry ▾
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  1. Alaric at Rome Admire, exult, despise, laugh, weep, for here There is such matter for all feeling. Childe Harold
  2. Cromwell Schrecklich ist es, deiner Wahrheit Sterbliches Gefäss zu seyn. Schiller
  3. To a Gipsy Child by the Seashore
  4. Mycerinus1
  5. The Hayswater Boat
  6. The New Sirens
  7. Desire2
  8. The Voice
  9. To Fausta
  10. Shakespeare
  11. To the Duke of Wellington
  12. Written in Butler’s Sermons
  13. Written in Emerson’s Essays
  14. To an Independent Preacher
  15. In Utrumque Paratus
  16. Horatian Echo3
  17. To George Cruikshank, Esq.
  18. Fragment of an Antigone4
  19. Fragment of Chorus of a Dejaneira
  20. The Strayed Reveller
  21. The Sick King in Bukhara
  22. Resignation
  23. The Forsaken Merman
  24. The World and the Quietist
  25. To a Republican Friend, 18489
  26. Continued
  27. Religious Isolation
  28. To a Friend10
  29. Quiet Work
  30. A Memory-Picture
  31. A Modern Sappho
  32. Consolation
  33. Sonnet to the Hungarian Nation
  34. Switzerland
  35. Stanzas in Memory of the Author of Obermann14
  36. Human Life
  37. Courage
  38. Self-Dependence
  39. Destiny
  40. Youth’s Agitations
  41. The World’s Triumphs
  42. Empedocles on Etna
  43. Lines Written by a Death-Bed
  44. Tristram and Iseult22
  45. Youth and Calm
  46. Memorial Verses23
  47. Faded Leaves
  48. Calais Sands
  49. Urania
  50. Euphrosyne
  51. Dover Beach
  52. Stanzas
  53. The Youth of Nature
  54. The Youth of Man
  55. Lines Written in Kensington Gardens
  56. Morality
  57. Progress
  58. The Future
  59. A Summer Night
  60. The Buried Life
  61. Self-Deception
  62. The Second Best
  63. Despondency
  64. Revolutions
  65. The Neckan
  66. A Caution to Poets
  67. Stanzas from the Grande Chartreuse
  68. The Church of Brou
  69. Sohrab and Rostam28
  70. The Scholar Gipsy30
  71. A Dream
  72. Requiescat
  73. Philomela32
  74. Thekla’s Answer
  75. Balder Dead33
  76. Haworth Churchyard
  77. Early Death and Fame
  78. Merope
  79. Rugby Chapel
  80. Men of Genius
  81. Stanzas Composed at Carnac
  82. A Southern Night
  83. Saint Brandan
  84. Heine’s Grave
  85. A Picture at Newstead
  86. Rachel
  87. East London
  88. West London
  89. The Better Part
  90. Immortality
  91. Worldly Place
  92. The Divinity
  93. The Good Shepherd with the Kid
  94. Austerity of Poetry
  95. East and West
  96. Monica’s Last Prayer46
  97. Palladium
  98. Thyrsis47 A Monody, to Commemorate the Author’s Friend, Arthur Hugh Clough, Who Died at Florence, 1861 Thus yesterday, to-day, to-morrow come, They hustle one another and they pass; But all our hustling morrows only make The smooth to-day of God. From Lucretius, an unpublished Tragedy
  99. Epilogue to Lessing’s Laocoön
  100. A Wish
  101. Obermann Once More Savez-vous quelque bien qui console du regret d’un monde? Obermann
  102. Persistency of Poetry
  103. Bacchanalia; or, the New Age
  104. Growing Old
  105. The Progress of Poesy
  106. A Nameless Epitaph
  107. The Last Word
  108. Pis Aller
  109. New Rome
  110. Rome-Sickness
  111. S.S. Lusitania
  112. Geist’s Grave
  113. Westminster Abbey
  114. Poor Matthias
  115. Kaiser Dead
  116. Endnotes
English ▾

Poetry

Matthew Arnold

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Alaric at Rome

Admire, exult, despise, laugh, weep, for here
There is such matter for all feeling.

Childe Harold

I

Unwelcome shroud of the forgotten dead,
Oblivion’s dreary fountain, where art thou:
Why speed’st thou not thy deathlike wave to shed
O’er humbled pride, and self-reproaching woe:
Or time’s stern hand, why blots it not away
The saddening tale that tells of sorrow and decay?

II

There are, whose glory passeth not away—
Even in the grave their fragrance cannot fade:
Others there are as deathless full as they,
Who for themselves a monument have made
By their own crimes—a lesson to all eyes—
Of wonder to the fool—of warning to the wise.

III

Yes, there are stories registered on high,
Yes, there are stains time’s fingers cannot blot,
Deeds that shall live when they who did them, die;
Things that may cease, but never be forgot:
Yet some there are, their very lives would give
To be remembered thus, and yet they cannot live.

IV

But thou, imperial City! that hast stood
In greatness once, in sackcloth now and tears,
A mighty name, for evil or for good,
Even in the loneness of thy widowed years:
Thou that hast gazed, as the world hurried by,
Upon its headlong course with sad prophetic eye.

V

Is thine the laurel-crown that greatness wreathes
Round the wan temples of the hallowed dead—
Is it the blighting taint dishonour breathes
In fires undying o’er the guilty head,
Or the brief splendour of that meteor light
That for a moment gleams, and all again is night?

VI

Fain would we deem that thou hast risen so high
Thy dazzling light an eagle’s gaze should tire;
No meteor brightness to be seen and die,
No passing pageant, born but to expire,
But full and deathless as the deep dark hue
Of ocean’s sleeping face, or heaven’s unbroken blue.

VII

Yet stains there are to blot thy brightest page,
And wither half the laurels on thy tomb;
A glorious manhood, yet a dim old age,
And years of crime, and nothingness, and gloom:
And then that mightiest crash, that giant fall,
Ambition’s boldest dream might sober and appal.

VIII

Thou wondrous chaos, where together dwell
Present and past, the living and the dead,
Thou shattered mass, whose glorious ruins tell
The vanisht might of that discrownèd head:
Where all we see, or do, or hear, or say,
Seems strangely echoed back by tones of yesterday:

IX

Thou solemn grave, where every step we tread
Treads on the slumbering dust of other years;
The while there sleeps within thy precincts dread
What once had human passions, hopes, and fears;
And memory’s gushing tide swells deep and full
And makes thy very ruin fresh and beautiful.

X

Alas, no common sepulchre art thou,
No habitation for the nameless dead,
Green turf above, and crumbling dust below,
Perchance some mute memorial at their head,
But one vast fane where all unconscious sleep
Earth’s old heroic forms in peaceful slumbers deep.

XI

Thy dead are kings, thy dust are palaces,
Relics of nations thy memorial-stones:
And the dim glories of departed days
Fold like a shroud around thy withered bones:
And o’er thy towers the wind’s half-uttered sigh
Whispers, in mournful tones, thy silent elegy.

XII

Yes, in such eloquent silence didst thou lie
When the Goth stooped upon his stricken prey,
And the deep hues of an Italian sky
Flasht on the rude barbarian’s wild array:
While full and ceaseless as the ocean roll,
Horde after horde streamed up thy frowning Capitol.

XIII

Twice, ere that day of shame, the embattled foe
Had gazed in wonder on that glorious sight;
Twice had the eternal city bowed her low
In sullen homage to the invader’s might:
Twice had the pageant of that vast array
Swept, from thy walls, O Rome, on its triumphant way.

XIV

Twice, from without thy bulwarks, hath the din
Of Gothic clarion smote thy startled ear;
Anger, and strife, and sickness are within,
Famine and sorrow are no strangers here:
Twice hath the cloud hung o’er thee, twice been stayed
Even in the act to burst, twice threatened, twice delayed.

XV

Yet once again, stern Chief, yet once again,
Pour forth the foaming vials of thy wrath:
There lies thy goal, to miss or to attain,
Gird thee, and on upon thy fateful path,
The world hath bowed to Rome, oh! cold were he
Who would not burst his bonds, and in his turn be free.

XVI

Therefore arise and arm thee! lo, the world
Looks on in fear! and when the seal is set,
The doom pronounced, the battle-flag unfurled,
Scourge of the nations, wouldst thou linger yet?
Arise and arm thee! spread thy banners forth,
Pour from a thousand hills thy warriors of the north!

XVII

Hast thou not marked on a wild autumn day
When the wind slumbereth in a sudden lull,
What deathlike stillness o’er the landscape lay,
How calmly sad, how sadly beautiful;
How each bright tint of tree, and flower, and heath
Were mingling with the sere and withered hues of death?

XVIII

And thus, beneath the clear, calm vault of heaven
In mournful loveliness that city lay,
And thus, amid the glorious hues of even
That city told of languor and decay:
Till what at morning’s hour lookt warm and bright
Was cold and sad beneath that breathless, voiceless night.

XIX

Soon was that stillness broken: like the cry
Of the hoarse onset of the surging wave,
Or louder rush of whirlwinds sweeping by
Was the wild shout those Gothic myriads gave,
As towered on high, above their moonlit road,
Scenes where a Caesar triumpht, or a Scipio trod.

XX

Think ye it strikes too slow, the sword of fate,
Think ye the avenger loiters on his way,
That your own hands must open wide the gate,
And your own voice guide him to his prey;
Alas, it needs not; is it hard to know
Fate’s threat’nings are not vain, the spoiler comes not slow?

XXI

And were there none, to stand and weep alone,
And as the pageant swept before their eyes
To hear a dim and long forgotten tone
Tell of old times, and holiest memories,
Till fanciful regret and dreamy woe
Peopled night’s voiceless shades with forms of long Ago?

XXII

Oh yes! if fancy feels, beyond to-day,
Thoughts of the past and of the future time,
How should that mightiest city pass away
And not bethink her of her glorious prime,
Whilst every chord that thrills at thoughts of home
Jarr’d with the bursting shout, “they come, the Goth, they come!”

XXIII

The trumpet swells yet louder: they are here!
Yea, on your fathers’ bones the avengers tread,
Not this the time to weep upon the bier
That holds the ashes of your hero-dead,
If wreaths may twine for you, or laurels wave,
They shall not deck your life, but sanctify your grave.

XXIV

Alas! no wreaths are here. Despair may teach
Cowards to conquer and the weak to die;
Nor tongue of man, nor fear, nor shame can preach
So stern a lesson as necessity,
Yet here it speaks not. Yea, though all around
Unhallowed feet are trampling on this haunted ground,

XXV

Though every holiest feeling, every tie
That binds the heart of man with mightiest power,
All natural love, all human sympathy
Be crusht, and outraged in this bitter hour,
Here is no echo to the sound of home,
No shame that suns should rise to light a conquer’d Rome.

XXVI

That troublous night is over: on the brow
Of thy stern hill, thou mighty Capitol,
One form stands gazing: silently below
The morning mists from tower and temple roll,
And lo! the eternal city, as they rise,
Bursts, in majestic beauty, on her conqueror’s eyes.

XXVII

Yes, there he stood, upon that silent hill,
And there beneath his feet his conquest lay:
Unlike that ocean-city, gazing still
Smilingly forth upon her sunny bay,
But o’er her vanisht might and humbled pride
Mourning, as widowed Venice o’er her Adrian tide.

XXVIII

Breathe there not spirits on the peopled air?
Float there not voices on the murmuring wind?
Oh! sound there not some strains of sadness there,
To touch with sorrow even a victor’s mind,
And wrest one tear from joy! Oh! who shall pen
The thoughts that toucht thy breast, thou lonely conqueror, then?

XXIX

Perchance his wandering heart was far away,
Lost in dim memories of his early home,
And his young dreams of conquest; how to-day
Beheld him master of Imperial Rome,
Crowning his wildest hopes: perchance his eyes
As they looked sternly on, beheld new victories,

XXX

New dreams of wide dominion, mightier, higher,
Come floating up from the abyss of years;
Perchance that solemn sight might quench the fire
Even of that ardent spirit; hopes and fears
Might well be mingling at that murmured sigh,
Whispering from all around, “All earthly things must die.”

XXXI

Perchance that wondrous city was to him
But as one voiceless blank; a place of graves,
And recollections indistinct and dim,
Whose sons were conquerors once, and now were slaves:
It may be in that desolate sight his eye
Saw but another step to climb to victory!

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More by Matthew Arnold

  • Culture and Anarchy non-fiction
    You get a sharp, surprisingly funny argument about English complacency, as Arnold skewers “Philistines” and “Barbarians” while searching for “sweetness and light.” The prose is dense and sometimes preachy, but it rewards you with a lively way to think about education, culture, and the public temper.

—

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Poetry by Matthew Arnold. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

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