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Poetry ▾
contents
  1. There Is No Life or Death
  2. Parturition
  3. Italian Pictures
  4. Three Moments in Paris
  5. Sketch of a Man on a Platform
  6. Virgins Plus Curtains Minus Dots
  7. To You
  8. Giovanni Franchi
  9. Babies in Hospital
  10. At the Door of the House
  11. The Effectual Marriage
  12. Human Cylinders
  13. The Black Virginity
  14. Lions’ Jaws
  15. Ignoramus
  16. Songs to Joannes
  17. The Dead
  18. O Hell
  19. Mexican Desert
  20. Perlun
  21. Poe
  22. Apology of Genius
  23. Brâncuși’s Golden Bird
  24. Lunar Baedeker
  25. Joyce’s Ulysses
  26. Crab-Angel
  27. Der Blinde Junge
  28. The Starry Sky of Wyndham Lewis
  29. Anglo-Mongrels and the Rose
  30. Gertrude Stein
  31. Endnotes
English ▾

Poetry

Mina Loy

free · 15,850 words · ~1 h read

text from Standard Ebooks

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There Is No Life or Death

There is no Life or Death,
Only activity
And in the absolute
Is no declivity.
There is no Love or Lust
Only propensity
Who would possess
Is a nonentity.
There is no First or Last
Only equality
And who would rule
Joins the majority.
There is no Space or Time
Only intensity,
And tame things
Have no immensity.

Parturition

I am the centre
Of a circle of pain
Exceeding its boundaries in every direction

The business of the bland sun
Has no affair with me
In my congested cosmos of agony
From which there is no escape
On infinitely prolonged nerve-vibrations
Or in contraction
To the pin-point nucleus of being
Locate an irritation without
It is within
Within
It is without.
The sensitized area
Is identical with the extensity
Of intension

I am the false quantity
In the harmony of physiological potentiality
To which
Gaining self-control
I should be consonant
In time

Pain is no stronger than the resisting force
Pain calls up in me
The struggle is equal

The open window is full of a voice
A fashionable portrait-painter
Running up-stairs to a woman’s apartment
Sings
“All the girls are tid’ly did’ly
All the girls are nice
Whether they wear their hair in curls
Or—”
At the back of the thoughts to which I permit crystallization
The conception Brute
Why?
The irresponsibility of the male
Leaves woman her superior Inferiority.
He is running up-stairs

I am climbing a distorted mountain of agony
Incidentally with the exhaustion of control
I reach the summit
And gradually subside into anticipation of
Repose
Which never comes.
For another mountain is growing up
Which goaded by the unavoidable
I must traverse
Traversing myself

Something in the delirium of night-hours
Confuses while intensifying sensibility
Blurring spatial contours
So aiding elusion of the circumscribed
That the gurgling of a crucified wild beast
Comes from so far away
And the foam on the stretched muscles of a mouth
Is no part of myself
There is a climax in sensibility
When pain surpassing itself
Becomes exotic
And the ego succeeds in unifying the positive and negative poles of sensation
Uniting the opposing and resisting forces
In lascivious revelation

Relaxation
Negation of myself as a unit
Vacuum interlude
I should have been emptied of life
Giving life
For consciousness in crises races
Through the subliminal deposits of evolutionary processes
Have I not
Somewhere
Scrutinized
A dead white feathered moth
Laying eggs?

A moment
Being realization
Can
Vitalized by cosmic initiation
Furnish an adequate apology
For the objective
Agglomeration of activities
Of a life
Life
A leap with nature
Into the essence
Of unpredicted maternity
Against my thigh
Touch of infinitesimal motion
Scarcely perceptible
Undulation
Warmth moisture
Stir of incipient life
Precipitating into me
The contents of the universe
Mother I am
Identical
With infinite Maternity
Indivisible
Acutely
I am absorbed
Into
The was—is—ever—shall—be
Of cosmic reproductivity

Rises from the subconscious
Impression of a cat
With blind kittens
Among her legs
Same undulating life—stir
I am that cat

Rises from the sub-conscious
Impression of small animal carcass
Covered with blue-bottles
—Epicurean—
And through the insects
Waves that same undulation of living
Death
Life
I am knowing
All about
Unfolding

The next morning
Each woman-of-the-people
Tip-toeing the red pile of the carpet
Doing hushed service
Each woman-of-the-people
Wearing a halo
A ludicrous little halo
Of which she is sublimely unaware

Italian Pictures

July in Vallombrosa

Old lady sitting still
Pine trees standing quite still
Sisters of mercy whispering
Oust the Dryad

O consecration of forest
To the uneventful

I cannot imagine anything
Less disputably respectable
Than prolonged invalidism in Italy
At the beck
Of a British practitioner

Of all permissible pastimes
Attendant upon chastity
The one with which you can most efficiently insult
Life
Is your hobby of collecting death-beds
Blue Nun

So wrap the body in flannel and wool
Of superior quality from the Anglo-American
Until that ineffable moment
When Rigor Mortis
Divests it of its innate impurity

While round the hotel
Wanton Italian matrons
Discuss the better business of bed-linen
To regular puncture of needles

The old lady has a daughter
Who has been spent
In chasing moments from one room to another
When the essence of an hour
Was in its passing
With the passionate breath
Of the bronchitis kettle
And her last little lust
Lost itself in a saucer of gruel

But all this moribund stuff
Is not wasted
For there is always Nature
So its expensive upkeep
Goes to support
The loves
Of head-waiters

The Costa San Giorgio

We English make a tepid blot
On the messiness
Of the passionate Italian life-traffic
Throbbing the street up steep
Up up to the porta
Culminating
In the stained fresco of the dragon-slayer

The hips of women sway
Among the crawling children they produce
And the church hits the barracks
Where
The greyness of marching men
Falls through the greyness of stone

Oranges half-rotten are sold at a reduction
Hoarsely advertised as broken heads
Broken heads and the barber
Has an imitation mirror
And Mary preserve our mistresses from seeing us as we see ourselves
Shaving
Ice cream
Licking is larger than mouths
Boots than feet
Slip Slap and the string dragging
And the angle of the sun
Cuts the whole lot in half

And warms the folded hands
Of a consumptive
Left outside her chair is broken
And she wonders how we feel
For we walk very quickly
The noonday cannon
Having scattered the neighbour’s pigeons

The smell of small cooking
From luckier houses
Is cruel to the maimed cat
Hiding
Among carpenter’s shavings
From three boys
—One holding a bar—
Who nevertheless
Born of human parents
Cry when locked in the dark

Fluidic blots of sky
Shift among roofs
Between bandy legs
Jerk patches of street
Interrupted by clacking
Of all the green shutters
From which
Bits of bodies
Variously leaning
Mingle eyes with the commotion

For there is little to do
The false pillow-spreads
Hugely initialed
Already adjusted
On matrimonial beds
And the glint on the china virgin
Consummately dusted

Having been thrown
Anything or something
That might have contaminated intimacy
Out
Onto the middle of the street

Costa Magic

Her father
Indisposed to her marriage
And a rabid man at that
My most sympathetic daughter — — —
Make yourself a conception
As large as this one
Here
But with yellow hair

From the house
Issuing Sunday dressed
Combed precisely
Splosh!
Pours something
Viscuous
Malefic
Unfamiliar

While listening up I hear my husband
Mumbling Mumbling
Mumbling at the window
Malediction
Incantation

Under an hour
Her hand to her side pressing
Suffering
Being bewitched
Cesira fading
Daily daily feeble softer

The doctor — — — “Phthisis”
The wise woman says to take her
So we following her instruction
I and the neighbour
Take her—

The glass rattling
The rain slipping
I and the neighbour and her aunt
Bunched together
And Cesira
Droops across the cab

Fields and houses
Pass like the pulling out
Of sweetmeat ribbon
From a rascal’s mouth
Till
A wheel in a rut
Jerks back my girl on the padding
And the hedges into the sky

Coming to the magic tree

Cesira becomes as a wild beast
A tree of age

“If Cesira should not become as a wild beast
It is merely Phthisis”
This being the wise woman’s instruction

Knowing she has to die
We drive home
To wait
She certainly does in time

It is unnatural in a Father
Bewitching a daughter
Whose hair down covers her thighs.

restoring your place…

fetching the rest…

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thank you for reading

Poetry by Mina Loy. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

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