Electra

Name: Electra
Author: Sophocles

Sophocles, traduzido por Francis Storr

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Argument

Orestes, admonished by the Delphic oracle to avenge his murdered father, sets forth for Mycenae accompanied by his aged Paedagogus and Pylades. When in sight of the palace they lay their plot. The Paedagogus is to present himself as a Phocian messenger and announce to Clytemnestra that Orestes has been killed in a chariot race at the Pythian games. Meanwhile Orestes and Pylades are to make funeral offerings at the tomb of Agamemnon and then, disguised as Phocians, to carry to the Queen a funeral urn, telling her it holds the ashes of Orestes. Clytemnestra, warned by an evil dream, sends Chrysothemis to pour a libation on the tomb. Electra meets her on the way thither and persuades her to leave these impious offerings and take instead such gifts as the two sisters can make to their father’s ghost. Clytemnestra enters with a handmaid bearing fruits to be laid on the altar of Apollo. She rates Electra for beimg abroad without her leave, and defends her past acts against Electra’s reproaches. The announcement of a messenger ends the altercation, and the Queen hears with feigned sorrow and ill-concealed joy the news of Orestes’ death, and invites the messenger to accompany her to the palace. Chrysothemis returns from the tomb, reporting that someone has been there before her, has wreathed the mound with flowers, and left on the edge a lock of hair. Who can it be but Orestes? Electra disabuses her, repeating the messenger’s sad tale, and entreats her aid in executing the resolve to slay nith her own hands their unnatural mother and her paramour. Orestes joins them with Pylades and attendants bearing the funeral urn. She takes the urn in her hands and makes her moan over her lost brother. As they converse together Orestes by degrees reveals himself and discloses his purpose. With Pylades he enters the palace, and shortly a death-shriek is heard. He comes forth, and in answer to Electra replies that all is well in the house. Aegisthus is seen approaching, exultant at the report he has heard of Orestes’ death. Electra confirms it, and bids him enter the palace and see with his own eyes the corpse. At his bidding the palace doors are thrown open and on a bier is seen a veiled corpse. Aegisthus lifts the face cloth and beholds the corpse of Clytemnestra with Orestes standing hard by. He knows that his fate ts sealed, and is driven at the sword’s point by Orestes to be slain in the hall where Agamemnon was slain. The Chorus of free Mycenean women hail the death of the usurper which ends the curse on the house of Atreus.

Dramatis Personae

Aged servant of Orestes
Orestes, son of Agamemnon, the late king of Argos, and Clytemnestra
Electra and Chrysothemis, daughters of Agamemnon and Clytemnestra
Clytemnestra, Queen of Argos and Mycenae
Aegisthus, cousin of Agamemnon, sometime paramour of Clytemnestra and now prince consort
Chorus of Mycenean women

Scene: At Mycenae before the Palace of Agamemnon.

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Argument

Dramatis Personae

Aged servant of Orestes

Orestes, son of Agamemnon, the late king of Argos, and Clytemnestra

Electra and Chrysothemis, daughters of Agamemnon and Clytemnestra

Clytemnestra, Queen of Argos and Mycenae

Aegisthus, cousin of Agamemnon, sometime paramour of Clytemnestra and now prince consort

Chorus of Mycenean women

Scene: At Mycenae before the Palace of Agamemnon.

Mais de Sophocles

Ajax

You'd think a play about a shamed warrior ends with the sword, but Sophocles spends the whole back half arguing over what the living owe the dead, and it's Odysseus, his rival, who shows the mercy. Short, stark, and it lingers longer than you'd expect.

Antigone

An hour's read that leaves a bruise: a young woman buries her brother knowing it will kill her, and Creon digs in until it costs him everything. If you like arguments where both sides have a point and neither will bend, this is the one.

Oedipus Rex

You watch Oedipus investigate the plague-stricken Thebes with fierce intelligence and a stubborn faith in truth, even as every answer makes his position more precarious. The play is spare, formal, and emotionally severe, but its pressure builds with remarkable clarity, leaving you thinking about knowledge, responsibility, and what you can bear to learn.