Short Fiction

The Six Fingers of Time

He began by breaking things that morning. He broke the glass of water on his night stand. He knocked it crazily against the opposite wall and shattered it. Yet it shattered slowly. This would have surprised him if he had been fully awake, for he had only reached out sleepily for it.

Nor had he wakened regularly to his alarm; he had wakened to a weird, slow, low booming, yet the clock said six, time for the alarm. And the low boom, when it came again, seemed to come from the clock.

He reached out and touched it gently, but it floated off the stand at his touch and bounced around slowly on the floor. And when he picked it up again it had stopped, nor would shaking start it.

He checked the electric clock in the kitchen. This also said six o’clock, but the sweep hand did not move. In his living room the radio clock said six, but the second hand seemed stationary.

“But the lights in both rooms work,” said Vincent. “How are the clocks stopped? Are they on a separate circuit?”

He went back to his bedroom and got his wristwatch. It also said six; and its sweep hand did not sweep.

“Now this could get silly. What is it that would stop both mechanical and electrical clocks?”

He went to the window and looked out at the clock on the Mutual Insurance Building. It said six o’clock, and the second hand did not move.

“Well, it is possible that the confusion is not limited to myself. I once heard the fanciful theory that a cold shower will clear the mind. For me it never has, but I will try it. I can always use cleanliness for an excuse.”

The shower didn’t work. Yes, it did: the water came now, but not like water; like very slow syrup that hung in the air. He reached up to touch it there hanging down and stretching. And it shattered like glass when he touched it and drifted in fantastic slow globs across the room. But it had the feel of water, wet and pleasantly cool. And in a quarter of a minute or so it was down over his shoulders and back, and he luxuriated in it. He let it soak his head and it cleared his wits at once.

“There is not a thing wrong with me. I am fine. It is not my fault that the water is slow this morning and other things awry.”

He reached for the towel and it tore to pieces in his hands like porous wet paper.

Now he became very careful in the way he handled things. Slowly, tenderly, and deftly he took them so that they would not break. He shaved himself without mishap in spite of the slow water in the lavatory also.

Then he dressed himself with the greatest caution and cunning, breaking nothing except his shoe laces, a thing that is likely to happen at any time.

“If there is nothing the matter with me, then I will check and see if there is anything seriously wrong with the world. The dawn was fairly along when I looked out, as it should have been. Approximately twenty minutes have passed; it is a clear morning; the sun should now have hit the top several stories of the Insurance Building.”

But it had not. It was a clear morning, but the dawn had not brightened at all in the twenty minutes. And that big clock still said six. It had not changed.

Yet it had changed, and he knew it with a queer feeling. He pictured it as it had been before. The hour and the minute hand had not moved noticeably. But the second hand had moved. It had moved a third of the dial.

So he pulled up a chair to the window and watched it. He realized that, though he could not see it move, yet it did make progress. He watched it for perhaps five minutes. It moved through a space of perhaps five seconds.

“Well, that is not my problem. It is that of the clock maker, either a terrestrial or a celestial one.”

But he left his rooms without a good breakfast, and he left them very early. How did he know that it was early since there was something wrong with the time? Well, it was early at least according to the sun and according to the clocks, neither of which institutions seemed to be working properly.

He left without a good breakfast because the coffee would not make and the bacon would not fry. And in plain point of fact the fire would not heat. The gas flame came from the pilot light like a slowly spreading stream or an unfolding flower. Then it burned far too steadily. The skillet remained cold when placed over it; nor would water even heat. It had taken at least five minutes to get the water out of the faucet in the first place.

He ate a few pieces of leftover bread and some scraps of meat.

In the street there was no motion, no real motion. A truck, first seeming at rest, moved very slowly. There was no gear in which it could move so slowly. And there was a taxi which crept along, but Charles Vincent had to look at it carefully for some time to be sure that it was in motion. Then he received a shock. He realized by the early morning light that the driver of it was dead. Dead with his eyes wide open!

Slowly as it was going, and by whatever means it was moving, it should really be stopped. He walked over to it, opened the door, and pulled on the brake. Then he looked into the eyes of the dead man. Was he really dead? It was hard to be sure. He felt warm. But, even as Vincent looked, the eyes of the dead man had begun to close. And close they did and open again in a matter of about twenty seconds.

This was weird. The slowly closing and opening eyes sent a chill through Vincent. And the dead man had begun to lean forward in his seat. Vincent put a hand in the middle of the man’s chest to hold him upright, but he found the forward pressure as relentless as it was slow. He was unable to keep the dead man up.

So he let him go, watching curiously; and in a few seconds the driver’s face was against the wheel. But it was almost as if it had no intention of stopping there. It pressed into the wheel with dogged force. He would surely break his face. Vincent took several holds on the dead man and counteracted the pressure somewhat. Yet the face was being damaged, and if things were normal, blood would have flowed.

The man had been dead so long however, that (though he was still warm) his blood must have congealed, for it was fully two minutes before it began to ooze.

“Whatever I have done, I have done enough damage,” said Vincent. “And, in whatever nightmare I am in, I am likely to do further harm if I meddle more. I had better leave it alone.”

He walked on down the morning street. Yet whatever vehicles he saw were moving with an incredible slowness, as though driven by some fantastic gear reduction. And there were people here and there frozen solid. It was a chilly morning, but it was not that cold. They were immobile in positions of motion, as though they were playing the children’s game of Statues.

“How is it,” said Charles Vincent, “that this young girl (who I believe works across the street from us) should have died standing up and in full stride? But, no. She is not dead. Or, if so, she died with a very alert expression. And—oh, my God, she’s doing it too!”

For he realized that the eyes of the girl were closing, and in the space of no more than a quarter of a second they had completed their cycle and were open again. Also, and this was even stranger, she had moved, moved forward in full stride. He would have timed her if he could, but how could he when all the clocks were crazy? Yet she must have been taking about two steps a minute.

He went into the cafeteria. The early morning crowd that he had often watched through the windows was there. The girl who made flapjacks in the window had just flipped one and it hung in the air. Then it floated over as if caught by a slight breeze, and sank slowly down as if settling in water.