The Jade God

I

The Old House

Mr. Jarrad was a tall, lean man, with very quiet eyes, an observant air, and an impassive face. His clothing was unobtrusive and seemed to have arrived at that point of age at which clothing shows no further sign of wear. He was standing near the fireplace of an old-fashioned, oak-paneled room, and from his expression one might assume that he beheld its entire contents at a glance. Presently he fingered a bowl on the gray stone mantelpiece.

“One blue six-inch Delft, slightly chipped in two places on the upper edge,” he drawled.

Another man, rather younger, somewhat fatter, was seated at a table. He had something of Mr. Jarrad’s world-weary manner, but the process had not been carried quite so far, and he looked rather less diffident. He raised his eyes from a large book spread open before him and nodded.

“On the upper edge,” he repeated mechanically.

Mr. Jarrad put his ear to the clock. “One black marble timepiece, apparently in good order, lower left-hand corner damaged, complete with key. Keyhole slightly scratched.”

“Yes, we have that.”

The older man paused, took a swift inspection of his surroundings, pulled in his lower lip, and nodded thoughtfully. “Matter of fact, Mr. Dawkins, when I compare this room with several thousand others I’ve inspected, I rather like it. Wouldn’t mind having it myself, and in our profession that’s about as far as one can go.”

Dawkins put down his pen. “I had an idea that by this time you were past liking anything in the line of furnishings.”

“Two twelve-inch pewter candlesticks, all feet bent. You’re not right there. After thirty years of inventory work one sometimes becomes thankful in a sort of negative way for the things one does not see. This is one of those times. I generally look about, take the whole show in with one squint, and ask myself why people commit such crimes. Did you ever reflect how much humanity is run by things, just things?”

“No, I haven’t, and I don’t think they are. Things have no influence, no effect. They can’t run anything.”

Mr. Jarrad grunted, “Matter of fact, they do. You think again. The getting together of things makes jobs for you and me in the first place. Therefore they run us. There was no inventory work in prehistoric days. And, apart from that, the collecting of them is the finish of at least half the entire number of what we call civilized women.”

Dawkins laughed. “It’ll never finish my woman. We haven’t got any to speak of.”

His companion nodded approvingly. “Keep on like that, if you can, and you’ll do; but it isn’t as easy as you think. It’s the bargain that you really don’t want here, and the job lot there—the gradual accumulation of things—that makes life drag and anchors their souls as well as their bodies. Stop and think a minute. First of all, when a girl is married she starts collecting. Children may come, but she goes on with the collecting in between. It takes her mind off the children. The collection grows and grows. As a general rule about half the articles are not ornamental, and about half are never used. That makes no difference; she goes on. At middle age, Dawkins, they’ve got her; she’s surrounded by them. Carved wood from Uncle John in Burma, Birmingham brass from Egypt, assagais from her brother in Africa, deer heads from Scotland, and perhaps an elephant’s foot from Ceylon, all as ugly as ugliness can be. Some of these things may have certain virtues, or”—here Mr. Jarrad hesitated a little—“or certain disadvantages, but she can’t appreciate that, because they are lost in the general ruck. After a while she dies; the new generation comes along, holds up its hands, says what a frightful collection, throws it all out, and begins the same process over again under new rules.”

Having delivered himself of these sentiments, Mr. Jarrad indulged in a smile that was a little quizzical. His face, though shrewd, had no touch of cynicism, and this in spite of the fact that he had spent thirty years in estimating other people’s property. This interminable procession produced in his mind rather a curious effect, and he had acquired the habit of estimating his fellow-men by the things the latter owned and apparently treasured. Experience enabled him to form an excellent appraisal of the individual by merely walking through his house. He could visualize the owner. And if sometimes the job bored Mr. Jarrad, he never disclosed it.

“I said just now,” he went on with a wave of the hand, “that I rather liked this room. These things are good and not too numerous. They practically all fit. Of course they belong to Mr. Thursby, except the portrait, but, if they could, I’ve an idea they’d sooner still be owned by Mrs. Millicent. Mr. Thursby made his money very quickly during the war, and Mrs. Thursby isn’t the kind to collect such as this.” He touched a bit of lacquer with what almost amounted to a caress. “Ever hear the story? It’s short, but not pretty. It rather got hold of me, because there’s more in it than meets the eye.”

Dawkins shook his head. “I’ve never been in this part before.”

“Well, Mr. Millicent, who lived here for years with his wife and daughter, died very suddenly in this very room. He was a strange, remote sort of gentleman, so I’m told, and a great traveler. About middle age, he was. Had a habit of sitting up late, reading and writing, enjoyed perfect health, enough money to live on so far as people knew, and apparently without an enemy in the world. At ten o’clock one evening he was found lying across that desk with a wound in his throat big enough to put your hand into.”

“Why?” said Dawkins, startled.

Mr. Jarrad shrugged his shoulders. “That’s what the coroner and the local police and the London detective tried to find out, and failed. No proof against anyone; no strange characters about, no clues, nothing found afterward, nothing whatever to go on; but it happened in this sleepy old place where there’s nothing but roses and scenery. It’s never been cleared up to this day, and probably never will be.”

Dawkins glanced about rather uncomfortably. “Then the place was sold?”

“Mrs. Millicent couldn’t get out quickly enough. The Thursbys came along in their car, offered half its value, and got it. They said they didn’t mind a murder or so if the drains were good. When they moved in they intended to stay; but they moved out in less than six months, and I’m told that Mrs. Thursby said that nothing on earth would induce her to stay. Interesting, isn’t it?”

“It’s a queer old house anyway. Not haunted, is it?”

“I never heard a whisper of that, and it’s the sort of thing you can’t keep quiet if tongues start wagging.”

“I wonder,” murmured Dawkins reflectively, “if my client knows about this.”

Mr. Jarrad’s brows went up. “In our profession it does not concern us what our clients may or may not know. Our business is to establish the physical condition of a lot of infernally uninteresting things. But, believe me, every house has its secret. We can’t report on that; we can’t even read it, because we’re not there long enough.”

Dawkins nibbled the end of his pen. “I wonder!”

“Why not? Every room I go into seems to want to say something to me, something it’s tired of keeping to itself, but I hurry through because I don’t want to be burdened. When you’ve been an inventory clerk a few years longer, it will come to you. You can’t escape it.” He paused, his gaze traveling round the oaken walls, then peered under the clock, swung out a picture, and examined the surface behind it. He touched this with a moistened finger.

“Condition in general I should say is excellent.”

It struck the younger man that for some time he had been accepting Mr. Jarrad’s conclusions without comment; so he got up and made a businesslike inspection on his own account.

“Only fair, I should say.”

Mr. Jarrad made a little noise in his throat. “There’s not much to disagree about. Shall we arbitrate?”