Larysa Jaworski
3 books read for LibriVox
- You get sharp, funny dialogue and a surprisingly prickly look at class, language, and who gets to remake whom. Eliza Doolittle is far more than Higgins’s experiment, and the play’s ending leaves you thinking about her independence rather than settling comfortably into a romance.
- Helen slamming her bedroom door against her charming drunk of a husband still feels startling. You get her whole diary, so the mystery widow becomes a woman you actually know, and it's angrier and braver than anything her sisters wrote.
- You get Viola’s clever, tender balancing act, Malvolio’s wonderfully sour self-importance, and a comedy that keeps slipping between farce and real loneliness. The mistaken identities can feel deliberately tangled, but the language is playful enough to reward reading aloud, especially when the characters are trying hardest to hide what they want.