Twelfth Night

Name: Twelfth Night
Author: William Shakespeare

William Shakespeare

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Dramatis Personae

Orsino, Duke of Illyria
Sebastian, brother to Viola
Antonio, a sea captain, friend to Sebastian
A sea captain, friend to Viola
Valentine, gentleman attending on the Duke
Curio, gentleman attending on the Duke
Sir Toby Belch, uncle to Olivia
Sir Andrew Aguecheek
Malvolio, steward to Olivia
Fabian, servant to Olivia
Feste, a clown, servant to Olivia
Olivia
Viola
Maria, Olivia’s woman
Lords, priests, sailors, officers, musicians, and other attendants

Scene: A city in Illyria, and the seacoast near it.

Act I

Scene I

The Duke’s palace.

	Enter Duke, Curio, and other Lords; Musicians attending.
Duke	If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o’er my ear like the sweet sound, That breathes upon a bank of violets, Stealing and giving odour! Enough; no more: ’Tis not so sweet now as it was before. O spirit of love! how quick and fresh art thou, That, notwithstanding thy capacity Receiveth as the sea, nought enters there, Of what validity and pitch soe’er, But falls into abatement and low price, Even in a minute: so full of shapes is fancy That it alone is high fantastical.
Curio	Will you go hunt, my lord?
Duke	What, Curio?
Curio	The hart.
Duke	Why, so I do, the noblest that I have: O, when mine eyes did see Olivia first, Methought she purged the air of pestilence! That instant was I turn’d into a hart; And my desires, like fell and cruel hounds, E’er since pursue me.
	Enter Valentine.
	How now! what news from her?
Valentine	So please my lord, I might not be admitted; But from her handmaid do return this answer: The element itself, till seven years’ heat, Shall not behold her face at ample view; But, like a cloistress, she will veiled walk And water once a day her chamber round With eye-offending brine: all this to season A brother’s dead love, which she would keep fresh And lasting in her sad remembrance.
Duke	O, she that hath a heart of that fine frame To pay this debt of love but to a brother, How will she love, when the rich golden shaft Hath kill’d the flock of all affections else That live in her; when liver, brain and heart, These sovereign thrones, are all supplied, and fill’d Her sweet perfections with one self king! Away before me to sweet beds of flowers: Love-thoughts lie rich when canopied with bowers. Exeunt.

Scene II

The sea-coast.

	Enter Viola, a Captain, and Sailors.
Viola	What country, friends, is this?
Captain	This is Illyria, lady.
Viola	And what should I do in Illyria? My brother he is in Elysium. Perchance he is not drown’d: what think you, sailors?
Captain	It is perchance that you yourself were saved.
Viola	O my poor brother! and so perchance may he be.
Captain	True, madam: and, to comfort you with chance, Assure yourself, after our ship did split, When you and those poor number saved with you Hung on our driving boat, I saw your brother, Most provident in peril, bind himself, Courage and hope both teaching him the practice, To a strong mast that lived upon the sea; Where, like Arion on the dolphin’s back, I saw him hold acquaintance with the waves So long as I could see.
Viola	For saying so, there’s gold: Mine own escape unfoldeth to my hope, Whereto thy speech serves for authority, The like of him. Know’st thou this country?
Captain	Ay, madam, well; for I was bred and born Not three hours’ travel from this very place.
Viola	Who governs here?
Captain	A noble duke, in nature as in name.
Viola	What is his name?
Captain	Orsino.
Viola	Orsino! I have heard my father name him: He was a bachelor then.
Captain	And so is now, or was so very late; For but a month ago I went from hence, And then ’twas fresh in murmur—as, you know, What great ones do the less will prattle of— That he did seek the love of fair Olivia.
Viola	What’s she?
Captain	A virtuous maid, the daughter of a count That died some twelvemonth since, then leaving her In the protection of his son, her brother, Who shortly also died: for whose dear love, They say, she hath abjured the company And sight of men.
Viola	O that I served that lady And might not be delivered to the world, Till I had made mine own occasion mellow, What my estate is!
Captain	That were hard to compass; Because she will admit no kind of suit, No, not the duke’s.
Viola	There is a fair behavior in thee, captain; And though that nature with a beauteous wall Doth oft close in pollution, yet of thee I will believe thou hast a mind that suits With this thy fair and outward character. I prithee, and I’ll pay thee bounteously, Conceal me what I am, and be my aid For such disguise as haply shall become The form of my intent. I’ll serve this duke: Thou shall present me as an eunuch to him: It may be worth thy pains; for I can sing And speak to him in many sorts of music That will allow me very worth his service. What else may hap to time I will commit; Only shape thou thy silence to my wit.
Captain	Be you his eunuch, and your mute I’ll be: When my tongue blabs, then let mine eyes not see.
Viola	I thank thee: lead me on. Exeunt.

Scene III

Olivia’s house.

	Enter Sir Toby Belch* and Maria.*
Sir Toby	What a plague means my niece, to take the death of her brother thus? I am sure care’s an enemy to life.
Maria	By my troth, Sir Toby, you must come in earlier o’ nights: your cousin, my lady, takes great exceptions to your ill hours.
Sir Toby	Why, let her except, before excepted.
Maria	Ay, but you must confine yourself within the modest limits of order.
Sir Toby	Confine! I’ll confine myself no finer than I am: these clothes are good enough to drink in; and so be these boots too: an they be not, let them hang themselves in their own straps.
Maria	That quaffing and drinking will undo you: I heard my lady talk of it yesterday; and of a foolish knight that you brought in one night here to be her wooer.
Sir Toby	Who, Sir Andrew Aguecheek?
Maria	Ay, he.
Sir Toby	He’s as tall a man as any’s in Illyria.
Maria	What’s that to the purpose?
Sir Toby	Why, he has three thousand ducats a year.
Maria	Ay, but he’ll have but a year in all these ducats: he’s a very fool and a prodigal.
Sir Toby	Fie, that you’ll say so! he plays o’ the viol-de-gamboys, and speaks three or four languages word for word without book, and hath all the good gifts of nature.
Maria	He hath indeed, almost natural: for besides that he’s a fool, he’s a great quarreller; and but that he hath the gift of a coward to allay the gust he hath in quarrelling, ’tis thought among the prudent he would quickly have the gift of a grave.
Sir Toby	By this hand, they are scoundrels and substractors that say so of him. Who are they?
Maria	They that add, moreover, he’s drunk nightly in your company.
Sir Toby	With drinking healths to my niece: I’ll drink to her as long as there is a passage in my throat and drink in Illyria: he’s a coward and a coystrill that will not drink to my niece till his brains turn o’ the toe like a parish-top. What, wench! Castiliano vulgo! for here comes Sir Andrew Agueface.
	Enter Sir Andrew Aguecheek.
Sir Andrew	Sir Toby Belch! how now, Sir Toby Belch!
Sir Toby	Sweet Sir Andrew!
Sir Andrew	Bless you, fair shrew.
Maria	And you too, sir.
Sir Toby	Accost, Sir Andrew, accost.
Sir Andrew	What’s that?
Sir Toby	My niece’s chambermaid.
Sir Andrew	Good Mistress Accost, I desire better acquaintance.
Maria	My name is Mary, sir.
Sir Andrew	Good Mistress Mary Accost—
Sir Toby	You mistake, knight: “accost” is front her, board her, woo her, assail her.
Sir Andrew	By my troth, I would not undertake her in this company. Is that the meaning of “accost”?
Maria	Fare you well, gentlemen.
Sir Toby	An thou let part so, Sir Andrew, would thou mightst never draw sword again.
Sir Andrew	An you part so, mistress, I would I might never draw sword again. Fair lady, do you think you have fools in hand?
Maria	Sir, I have not you by the hand.
Sir Andrew	Marry, but you shall have; and here’s my hand.
Maria	Now, sir, “thought is free:” I pray you, bring your hand to the buttery-bar and let it drink.
Sir Andrew	Wherefore, sweet-heart? what’s your metaphor?
Maria	It’s dry, sir.
Sir Andrew	Why, I think so: I am not such an ass but I can keep my hand dry. But what’s your jest?
Maria	A dry jest, sir.
Sir Andrew	Are you full of them?
Maria	Ay, sir, I have them at my fingers’ ends: marry, now I let go your hand, I am barren. Exit.
Sir Toby	O knight, thou lackest a cup of canary: when did I see thee so put down?
Sir Andrew	Never in your life, I think; unless you see canary put me down. Methinks sometimes I have no more wit than a Christian or an ordinary man has: but I am a great eater of beef and I believe that does harm to my wit.
Sir Toby	No question.
Sir Andrew	An I thought that, I’ld forswear it. I’ll ride home to-morrow, Sir Toby.
Sir Toby	Pourquoi, my dear knight?
Sir Andrew	What is “pourquoi”? do or not do? I would I had bestowed that time in the tongues that I have in fencing, dancing and bear-baiting: O, had I but followed the arts!
Sir Toby	Then hadst thou had an excellent head of hair.
Sir Andrew	Why, would that have mended my hair?
Sir Toby	Past question; for thou seest it will not curl by nature.
Sir Andrew	But it becomes me well enough, does’t not?
Sir Toby	Excellent; it hangs like flax on a distaff; and I hope to see a housewife take thee between her legs and spin it off.
Sir Andrew	Faith, I’ll home to-morrow, Sir Toby: your niece will not be seen; or if she be, it’s four to one she’ll none of me: the count himself here hard by woos her.
Sir Toby	She’ll none o’ the count: she’ll not match above her degree, neither in estate, years, nor wit; I have heard her swear’t. Tut, there’s life in’t, man.
Sir Andrew	I’ll stay a month longer. I am a fellow o’ the strangest mind i’ the world; I delight in masques and revels sometimes altogether.
Sir Toby	Art thou good at these kickshawses, knight?
Sir Andrew	As any man in Illyria, whatsoever he be, under the degree of my betters; and yet I will not compare with an old man.
Sir Toby	What is thy excellence in a galliard, knight?
Sir Andrew	Faith, I can cut a caper.
Sir Toby	And I can cut the mutton to’t.
Sir Andrew	And I think I have the back-trick simply as strong as any man in Illyria.
Sir Toby	Wherefore are these things hid? wherefore have these gifts a curtain before ’em? are they like to take dust, like Mistress Mall’s picture? why dost thou not go to church in a galliard and come home in a coranto? My very walk should be a jig; I would not so much as make water but in a sink-a-pace. What dost thou mean? Is it a world to hide virtues in? I did think, by the excellent constitution of thy leg, it was formed under the star of a galliard.
Sir Andrew	Ay, ’tis strong, and it does indifferent well in a flame-coloured stock. Shall we set about some revels?
Sir Toby	What shall we do else? were we not born under Taurus?
Sir Andrew	Taurus! That’s sides and heart.
Sir Toby	No, sir; it is legs and thighs. Let me see the caper; ha! higher: ha, ha! excellent! Exeunt.

Scene IV

The Duke’s palace.

	Enter Valentine* and Viola in man’s attire.*
Valentine	If the duke continue these favours towards you, Cesario, you are like to be much advanced: he hath known you but three days, and already you are no stranger.
Viola	You either fear his humour or my negligence, that you call in question the continuance of his love: is he inconstant, sir, in his favours?
Valentine	No, believe me.
Viola	I thank you. Here comes the count.
	Enter Duke, Curio, and Attendants.
Duke	Who saw Cesario, ho?
Viola	On your attendance, my lord; here.
Duke	Stand you a while aloof, Cesario, Thou know’st no less but all; I have unclasp’d To thee the book even of my secret soul: Therefore, good youth, address thy gait unto her; Be not denied access, stand at her doors, And tell them, there thy fixed foot shall grow Till thou have audience.
Viola	Sure, my noble lord, If she be so abandon’d to her sorrow As it is spoke, she never will admit me.
Duke	Be clamorous and leap all civil bounds Rather than make unprofited return.
Viola	Say I do speak with her, my lord, what then?
Duke	O, then unfold the passion of my love, Surprise her with discourse of my dear faith: It shall become thee well to act my woes; She will attend it better in thy youth Than in a nuncio’s of more grave aspect.
Viola	I think not so, my lord.
Duke	Dear lad, believe it; For they shall yet belie thy happy years, That say thou art a man: Diana’s lip Is not more smooth and rubious; thy small pipe Is as the maiden’s organ, shrill and sound, And all is semblative a woman’s part. I know thy constellation is right apt For this affair. Some four or five attend him; All, if you will; for I myself am best When least in company. Prosper well in this, And thou shalt live as freely as thy lord, To call his fortunes thine.
Viola	I’ll do my best To woo your lady: aside yet, a barful strife! Whoe’er I woo, myself would be his wife. Exeunt.

Scene V

Olivia’s house.

	Enter Maria* and Clown.*
Maria	Nay, either tell me where thou hast been, or I will not open my lips so wide as a bristle may enter in way of thy excuse: my lady will hang thee for thy absence.
Clown	Let her hang me: he that is well hanged in this world needs to fear no colours.
Maria	Make that good.
Clown	He shall see none to fear.
Maria	A good lenten answer: I can tell thee where that saying was born, of “I fear no colours.”
Clown	Where, good Mistress Mary?
Maria	In the wars; and that may you be bold to say in your foolery.
Clown	Well, God give them wisdom that have it; and those that are fools, let them use their talents.
Maria	Yet you will be hanged for being so long absent; or, to be turned away, is not that as good as a hanging to you?
Clown	Many a good hanging prevents a bad marriage; and, for turning away, let summer bear it out.
Maria	You are resolute, then?
Clown	Not so, neither; but I am resolved on two points.
Maria	That if one break, the other will hold; or, if both break, your gaskins fall.
Clown	Apt, in good faith; very apt. Well, go thy way; if Sir Toby would leave drinking, thou wert as witty a piece of Eve’s flesh as any in Illyria.
Maria	Peace, you rogue, no more o’ that. Here comes my lady: make your excuse wisely, you were best. Exit.
Clown	Wit, an’t be thy will, put me into good fooling! Those wits, that think they have thee, do very oft prove fools; and I, that am sure I lack thee, may pass for a wise man: for what says Quinapalus? “Better a witty fool, than a foolish wit.”
	Enter Lady Olivia* with Malvolio.*
	God bless thee, lady!
Olivia	Take the fool away.
Clown	Do you not hear, fellows? Take away the lady.
Olivia	Go to, you’re a dry fool; I’ll no more of you: besides, you grow dishonest.
Clown	Two faults, madonna, that drink and good counsel will amend: for give the dry fool drink, then is the fool not dry: bid the dishonest man mend himself; if he mend, he is no longer dishonest; if he cannot, let the botcher mend him. Any thing that’s mended is but patched: virtue that transgresses is but patched with sin; and sin that amends is but patched with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty’s a flower. The lady bade take away the fool; therefore, I say again, take her away.
Olivia	Sir, I bade them take away you.
Clown	Misprision in the highest degree! Lady, cucullus non facit monachum; that’s as much to say as I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
Olivia	Can you do it?
Clown	Dexterously, good madonna.
Olivia	Make your proof.
Clown	I must catechize you for it, madonna: good my mouse of virtue, answer me.
Olivia	Well, sir, for want of other idleness, I’ll bide your proof.
Clown	Good madonna, why mournest thou?
Olivia	Good fool, for my brother’s death.
Clown	I think his soul is in hell, madonna.
Olivia	I know his soul is in heaven, fool.
Clown	The more fool, madonna, to mourn for your brother’s soul being in heaven. Take away the fool, gentlemen.
Olivia	What think you of this fool, Malvolio? doth he not mend?
Malvolio	Yes, and shall do till the pangs of death shake him: infirmity, that decays the wise, doth ever make the better fool.
Clown	God send you, sir, a speedy infirmity, for the better increasing your folly! Sir Toby will be sworn that I am no fox; but he will not pass his word for two pence that you are no fool.
Olivia	How say you to that, Malvolio?
Malvolio	I marvel your ladyship takes delight in such a barren rascal: I saw him put down the other day with an ordinary fool that has no more brain than a stone. Look you now, he’s out of his guard already; unless you laugh and minister occasion to him, he is gagged. I protest, I take these wise men, that crow so at these set kind of fools, no better than the fools’ zanies.
Olivia	O, you are sick of self-love, Malvolio, and taste with a distempered appetite. To be generous, guiltless and of free disposition, is to take those things for bird-bolts that you deem cannon-bullets: there is no slander in an allowed fool, though he do nothing but rail; nor no railing in a known discreet man, though he do nothing but reprove.
Clown	Now Mercury endue thee with leasing, for thou speakest well of fools!
	Reenter Maria.
Maria	Madam, there is at the gate a young gentleman much desires to speak with you.
Olivia	From the Count Orsino, is it?
Maria	I know not, madam: ’tis a fair young man, and well attended.
Olivia	Who of my people hold him in delay?
Maria	Sir Toby, madam, your kinsman.
Olivia	Fetch him off, I pray you; he speaks nothing but madman: fie on him! Exit Maria. Go you, Malvolio: if it be a suit from the count, I am sick, or not at home; what you will, to dismiss it. Exit Malvolio. Now you see, sir, how your fooling grows old, and people dislike it.
Clown	Thou hast spoke for us, madonna, as if thy eldest son should be a fool; whose skull Jove cram with brains! for—here he comes—one of thy kin has a most weak pia mater.
	Enter Sir Toby.
Olivia	By mine honour, half drunk. What is he at the gate, cousin?
Sir Toby	A gentleman.
Olivia	A gentleman! what gentleman?
Sir Toby	’Tis a gentle man here—a plague o’ these pickle-herring! How now, sot!
Clown	Good Sir Toby!
Olivia	Cousin, cousin, how have you come so early by this lethargy?
Sir Toby	Lechery! I defy lechery. There’s one at the gate.
Olivia	Ay, marry, what is he?
Sir Toby	Let him be the devil, an he will, I care not: give me faith, say I. Well, it’s all one. Exit.
Olivia	What’s a drunken man like, fool?
Clown	Like a drowned man, a fool and a mad man: one draught above heat makes him a fool; the second mads him; and a third drowns him.
Olivia	Go thou and seek the crowner, and let him sit o’ my coz; for he’s in the third degree of drink, he’s drowned: go, look after him.
Clown	He is but mad yet, madonna; and the fool shall look to the madman. Exit.
	Reenter Malvolio.
Malvolio	Madam, yond young fellow swears he will speak with you. I told him you were sick; he takes on him to understand so much, and therefore comes to speak with you. I told him you were asleep; he seems to have a foreknowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? he’s fortified against any denial.
Olivia	Tell him he shall not speak with me.
Malvolio	Has been told so; and he says, he’ll stand at your door like a sheriff’s post, and be the supporter to a bench, but he’ll speak with you.
Olivia	What kind o’ man is he?
Malvolio	Why, of mankind.
Olivia	What manner of man?
Malvolio	Of very ill manner; he’ll speak with you, will you or no.
Olivia	Of what personage and years is he?
Malvolio	Not yet old enough for a man, nor young enough for a boy; as a squash is before ’tis a peascod, or a codling when ’tis almost an apple: ’tis with him in standing water, between boy and man. He is very well-favoured and he speaks very shrewishly; one would think his mother’s milk were scarce out of him.
Olivia	Let him approach: call in my gentlewoman.
Malvolio	Gentlewoman, my lady calls. Exit.
	Reenter Maria.
Olivia	Give me my veil: come, throw it o’er my face. We’ll once more hear Orsino’s embassy.
	Enter Viola, and Attendants.
Viola	The honourable lady of the house, which is she?
Olivia	Speak to me; I shall answer for her. Your will?
Viola	Most radiant, exquisite and unmatchable beauty—I pray you, tell me if this be the lady of the house, for I never saw her: I would be loath to cast away my speech, for besides that it is excellently well penned, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible, even to the least sinister usage.
Olivia	Whence came you, sir?
Viola	I can say little more than I have studied, and that question’s out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
Olivia	Are you a comedian?
Viola	No, my profound heart: and yet, by the very fangs of malice I swear, I am not that I play. Are you the lady of the house?
Olivia	If I do not usurp myself, I am.
Viola	Most certain, if you are she, you do usurp yourself; for what is yours to bestow is not yours to reserve. But this is from my commission: I will on with my speech in your praise, and then show you the heart of my message.
Olivia	Come to what is important in’t: I forgive you the praise.
Viola	Alas, I took great pains to study it, and ’tis poetical.
Olivia	It is the more like to be feigned: I pray you, keep it in. I heard you were saucy at my gates, and allowed your approach rather to wonder at you than to hear you. If you be not mad, be gone; if you have reason, be brief: ’tis not that time of moon with me to make one in so skipping a dialogue.
Maria	Will you hoist sail, sir? here lies your way.
Viola	No, good swabber; I am to hull here a little longer. Some mollification for your giant, sweet lady. Tell me your mind: I am a messenger.
Olivia	Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
Viola	It alone concerns your ear. I bring no overture of war, no taxation of homage: I hold the olive in my hand; my words are as full of peace as matter.
Olivia	Yet you began rudely. What are you? what would you?
Viola	The rudeness that hath appeared in me have I learned from my entertainment. What I am, and what I would, are as secret as maidenhead; to your ears, divinity, to any other’s, profanation.
Olivia	Give us the place alone: we will hear this divinity. Exeunt Maria* and Attendants.* Now, sir, what is your text?
Viola	Most sweet lady—
Olivia	A comfortable doctrine, and much may be said of it. Where lies your text?
Viola	In Orsino’s bosom.
Olivia	In his bosom! In what chapter of his bosom?
Viola	To answer by the method, in the first of his heart.
Olivia	O, I have read it: it is heresy. Have you no more to say?
Viola	Good madam, let me see your face.
Olivia	Have you any commission from your lord to negotiate with my face? You are now out of your text: but we will draw the curtain and show you the picture. Look you, sir, such a one I was this present: is’t not well done? Unveiling.
Viola	Excellently done, if God did all.
Olivia	’Tis in grain, sir; ’twill endure wind and weather.
Viola	’Tis beauty truly blent, whose red and white Nature’s own sweet and cunning hand laid on: Lady, you are the cruell’st she alive, If you will lead these graces to the grave And leave the world no copy.
Olivia	O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty: it shall be inventoried, and every particle and utensil labelled to my will: as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
Viola	I see you what you are, you are too proud; But, if you were the devil, you are fair. My lord and master loves you: O, such love Could be but recompensed, though you were crown’d The nonpareil of beauty!
Olivia	How does he love me?
Viola	With adorations, fertile tears, With groans that thunder love, with sighs of fire.
Olivia	Your lord does know my mind; I cannot love him: Yet I suppose him virtuous, know him noble, Of great estate, of fresh and stainless youth; In voices well divulged, free, learn’d and valiant; And in dimension and the shape of nature A gracious person: but yet I cannot love him; He might have took his answer long ago.
Viola	If I did love you in my master’s flame, With such a suffering, such a deadly life, In your denial I would find no sense; I would not understand it.
Olivia	Why, what would you?
Viola	Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night; Halloo your name to the reverberate hills And make the babbling gossip of the air Cry out “Olivia!” O, You should not rest Between the elements of air and earth, But you should pity me!
Olivia	You might do much. What is your parentage?
Viola	Above my fortunes, yet my state is well: I am a gentleman.
Olivia	Get you to your lord; I cannot love him: let him send no more; Unless, perchance, you come to me again, To tell me how he takes it. Fare you well: I thank you for your pains: spend this for me.
Viola	I am no fee’d post, lady; keep your purse: My master, not myself, lacks recompense. Love make his heart of flint that you shall love; And let your fervour, like my master’s, be Placed in contempt! Farewell, fair cruelty. Exit.
Olivia	“What is your parentage?” “Above my fortunes, yet my state is well: I am a gentleman.” I’ll be sworn thou art; Thy tongue, thy face, thy limbs, actions and spirit, Do give thee five-fold blazon: not too fast: soft, soft! Unless the master were the man. How now! Even so quickly may one catch the plague? Methinks I feel this youth’s perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
	Reenter Malvolio.
Malvolio	Here, madam, at your service.
Olivia	Run after that same peevish messenger, The county’s man: he left this ring behind him, Would I or not: tell him I’ll none of it. Desire him not to flatter with his lord, Nor hold him up with hopes; I am not for him: If that the youth will come this way to-morrow, I’ll give him reasons for’t: hie thee, Malvolio.
Malvolio	Madam, I will. Exit.
Olivia	I do I know not what, and fear to find Mine eye too great a flatterer for my mind. Fate, show thy force: ourselves we do not owe; What is decreed must be, and be this so. Exit.

fetching the rest…

Dramatis Personae

Orsino, Duke of Illyria

Sebastian, brother to Viola

Antonio, a sea captain, friend to Sebastian

A sea captain, friend to Viola

Valentine, gentleman attending on the Duke

Curio, gentleman attending on the Duke

Sir Toby Belch, uncle to Olivia

Sir Andrew Aguecheek

Malvolio, steward to Olivia

Fabian, servant to Olivia

Feste, a clown, servant to Olivia

Olivia

Viola

Maria, Olivia’s woman

Lords, priests, sailors, officers, musicians, and other attendants

Scene: A city in Illyria, and the seacoast near it.

Act I

Scene I

The Duke’s palace.

	Enter Duke, Curio, and other Lords; Musicians attending.
Duke	If music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so die. That strain again! it had a dying fall: O, it came o’er my ear like the sweet sound, That breathes upon a bank of violets, Stealing and giving odour! Enough; no more: ’Tis not so sweet now as it was before. O spirit of love! how quick and fresh art thou, That, notwithstanding thy capacity Receiveth as the sea, nought enters there, Of what validity and pitch soe’er, But falls into abatement and low price, Even in a minute: so full of shapes is fancy That it alone is high fantastical.
Curio	Will you go hunt, my lord?
Duke	What, Curio?
Curio	The hart.
Duke	Why, so I do, the noblest that I have: O, when mine eyes did see Olivia first, Methought she purged the air of pestilence! That instant was I turn’d into a hart; And my desires, like fell and cruel hounds, E’er since pursue me.
	Enter Valentine.
	How now! what news from her?
Valentine	So please my lord, I might not be admitted; But from her handmaid do return this answer: The element itself, till seven years’ heat, Shall not behold her face at ample view; But, like a cloistress, she will veiled walk And water once a day her chamber round With eye-offending brine: all this to season A brother’s dead love, which she would keep fresh And lasting in her sad remembrance.
Duke	O, she that hath a heart of that fine frame To pay this debt of love but to a brother, How will she love, when the rich golden shaft Hath kill’d the flock of all affections else That live in her; when liver, brain and heart, These sovereign thrones, are all supplied, and fill’d Her sweet perfections with one self king! Away before me to sweet beds of flowers: Love-thoughts lie rich when canopied with bowers. Exeunt.

Scene II

The sea-coast.

	Enter Viola, a Captain, and Sailors.
Viola	What country, friends, is this?
Captain	This is Illyria, lady.
Viola	And what should I do in Illyria? My brother he is in Elysium. Perchance he is not drown’d: what think you, sailors?
Captain	It is perchance that you yourself were saved.
Viola	O my poor brother! and so perchance may he be.
Captain	True, madam: and, to comfort you with chance, Assure yourself, after our ship did split, When you and those poor number saved with you Hung on our driving boat, I saw your brother, Most provident in peril, bind himself, Courage and hope both teaching him the practice, To a strong mast that lived upon the sea; Where, like Arion on the dolphin’s back, I saw him hold acquaintance with the waves So long as I could see.
Viola	For saying so, there’s gold: Mine own escape unfoldeth to my hope, Whereto thy speech serves for authority, The like of him. Know’st thou this country?
Captain	Ay, madam, well; for I was bred and born Not three hours’ travel from this very place.
Viola	Who governs here?
Captain	A noble duke, in nature as in name.
Viola	What is his name?
Captain	Orsino.
Viola	Orsino! I have heard my father name him: He was a bachelor then.
Captain	And so is now, or was so very late; For but a month ago I went from hence, And then ’twas fresh in murmur—as, you know, What great ones do the less will prattle of— That he did seek the love of fair Olivia.
Viola	What’s she?
Captain	A virtuous maid, the daughter of a count That died some twelvemonth since, then leaving her In the protection of his son, her brother, Who shortly also died: for whose dear love, They say, she hath abjured the company And sight of men.
Viola	O that I served that lady And might not be delivered to the world, Till I had made mine own occasion mellow, What my estate is!
Captain	That were hard to compass; Because she will admit no kind of suit, No, not the duke’s.
Viola	There is a fair behavior in thee, captain; And though that nature with a beauteous wall Doth oft close in pollution, yet of thee I will believe thou hast a mind that suits With this thy fair and outward character. I prithee, and I’ll pay thee bounteously, Conceal me what I am, and be my aid For such disguise as haply shall become The form of my intent. I’ll serve this duke: Thou shall present me as an eunuch to him: It may be worth thy pains; for I can sing And speak to him in many sorts of music That will allow me very worth his service. What else may hap to time I will commit; Only shape thou thy silence to my wit.
Captain	Be you his eunuch, and your mute I’ll be: When my tongue blabs, then let mine eyes not see.
Viola	I thank thee: lead me on. Exeunt.

Scene III

Olivia’s house.

	Enter Sir Toby Belch* and Maria.*
Sir Toby	What a plague means my niece, to take the death of her brother thus? I am sure care’s an enemy to life.
Maria	By my troth, Sir Toby, you must come in earlier o’ nights: your cousin, my lady, takes great exceptions to your ill hours.
Sir Toby	Why, let her except, before excepted.
Maria	Ay, but you must confine yourself within the modest limits of order.
Sir Toby	Confine! I’ll confine myself no finer than I am: these clothes are good enough to drink in; and so be these boots too: an they be not, let them hang themselves in their own straps.
Maria	That quaffing and drinking will undo you: I heard my lady talk of it yesterday; and of a foolish knight that you brought in one night here to be her wooer.
Sir Toby	Who, Sir Andrew Aguecheek?
Maria	Ay, he.
Sir Toby	He’s as tall a man as any’s in Illyria.
Maria	What’s that to the purpose?
Sir Toby	Why, he has three thousand ducats a year.
Maria	Ay, but he’ll have but a year in all these ducats: he’s a very fool and a prodigal.
Sir Toby	Fie, that you’ll say so! he plays o’ the viol-de-gamboys, and speaks three or four languages word for word without book, and hath all the good gifts of nature.
Maria	He hath indeed, almost natural: for besides that he’s a fool, he’s a great quarreller; and but that he hath the gift of a coward to allay the gust he hath in quarrelling, ’tis thought among the prudent he would quickly have the gift of a grave.
Sir Toby	By this hand, they are scoundrels and substractors that say so of him. Who are they?
Maria	They that add, moreover, he’s drunk nightly in your company.
Sir Toby	With drinking healths to my niece: I’ll drink to her as long as there is a passage in my throat and drink in Illyria: he’s a coward and a coystrill that will not drink to my niece till his brains turn o’ the toe like a parish-top. What, wench! Castiliano vulgo! for here comes Sir Andrew Agueface.
	Enter Sir Andrew Aguecheek.
Sir Andrew	Sir Toby Belch! how now, Sir Toby Belch!
Sir Toby	Sweet Sir Andrew!
Sir Andrew	Bless you, fair shrew.
Maria	And you too, sir.
Sir Toby	Accost, Sir Andrew, accost.
Sir Andrew	What’s that?
Sir Toby	My niece’s chambermaid.
Sir Andrew	Good Mistress Accost, I desire better acquaintance.
Maria	My name is Mary, sir.
Sir Andrew	Good Mistress Mary Accost—
Sir Toby	You mistake, knight: “accost” is front her, board her, woo her, assail her.
Sir Andrew	By my troth, I would not undertake her in this company. Is that the meaning of “accost”?
Maria	Fare you well, gentlemen.
Sir Toby	An thou let part so, Sir Andrew, would thou mightst never draw sword again.
Sir Andrew	An you part so, mistress, I would I might never draw sword again. Fair lady, do you think you have fools in hand?
Maria	Sir, I have not you by the hand.
Sir Andrew	Marry, but you shall have; and here’s my hand.
Maria	Now, sir, “thought is free:” I pray you, bring your hand to the buttery-bar and let it drink.
Sir Andrew	Wherefore, sweet-heart? what’s your metaphor?
Maria	It’s dry, sir.
Sir Andrew	Why, I think so: I am not such an ass but I can keep my hand dry. But what’s your jest?
Maria	A dry jest, sir.
Sir Andrew	Are you full of them?
Maria	Ay, sir, I have them at my fingers’ ends: marry, now I let go your hand, I am barren. Exit.
Sir Toby	O knight, thou lackest a cup of canary: when did I see thee so put down?
Sir Andrew	Never in your life, I think; unless you see canary put me down. Methinks sometimes I have no more wit than a Christian or an ordinary man has: but I am a great eater of beef and I believe that does harm to my wit.
Sir Toby	No question.
Sir Andrew	An I thought that, I’ld forswear it. I’ll ride home to-morrow, Sir Toby.
Sir Toby	Pourquoi, my dear knight?
Sir Andrew	What is “pourquoi”? do or not do? I would I had bestowed that time in the tongues that I have in fencing, dancing and bear-baiting: O, had I but followed the arts!
Sir Toby	Then hadst thou had an excellent head of hair.
Sir Andrew	Why, would that have mended my hair?
Sir Toby	Past question; for thou seest it will not curl by nature.
Sir Andrew	But it becomes me well enough, does’t not?
Sir Toby	Excellent; it hangs like flax on a distaff; and I hope to see a housewife take thee between her legs and spin it off.
Sir Andrew	Faith, I’ll home to-morrow, Sir Toby: your niece will not be seen; or if she be, it’s four to one she’ll none of me: the count himself here hard by woos her.
Sir Toby	She’ll none o’ the count: she’ll not match above her degree, neither in estate, years, nor wit; I have heard her swear’t. Tut, there’s life in’t, man.
Sir Andrew	I’ll stay a month longer. I am a fellow o’ the strangest mind i’ the world; I delight in masques and revels sometimes altogether.
Sir Toby	Art thou good at these kickshawses, knight?
Sir Andrew	As any man in Illyria, whatsoever he be, under the degree of my betters; and yet I will not compare with an old man.
Sir Toby	What is thy excellence in a galliard, knight?
Sir Andrew	Faith, I can cut a caper.
Sir Toby	And I can cut the mutton to’t.
Sir Andrew	And I think I have the back-trick simply as strong as any man in Illyria.
Sir Toby	Wherefore are these things hid? wherefore have these gifts a curtain before ’em? are they like to take dust, like Mistress Mall’s picture? why dost thou not go to church in a galliard and come home in a coranto? My very walk should be a jig; I would not so much as make water but in a sink-a-pace. What dost thou mean? Is it a world to hide virtues in? I did think, by the excellent constitution of thy leg, it was formed under the star of a galliard.
Sir Andrew	Ay, ’tis strong, and it does indifferent well in a flame-coloured stock. Shall we set about some revels?
Sir Toby	What shall we do else? were we not born under Taurus?
Sir Andrew	Taurus! That’s sides and heart.
Sir Toby	No, sir; it is legs and thighs. Let me see the caper; ha! higher: ha, ha! excellent! Exeunt.

Scene IV

The Duke’s palace.

	Enter Valentine* and Viola in man’s attire.*
Valentine	If the duke continue these favours towards you, Cesario, you are like to be much advanced: he hath known you but three days, and already you are no stranger.
Viola	You either fear his humour or my negligence, that you call in question the continuance of his love: is he inconstant, sir, in his favours?
Valentine	No, believe me.
Viola	I thank you. Here comes the count.
	Enter Duke, Curio, and Attendants.
Duke	Who saw Cesario, ho?
Viola	On your attendance, my lord; here.
Duke	Stand you a while aloof, Cesario, Thou know’st no less but all; I have unclasp’d To thee the book even of my secret soul: Therefore, good youth, address thy gait unto her; Be not denied access, stand at her doors, And tell them, there thy fixed foot shall grow Till thou have audience.
Viola	Sure, my noble lord, If she be so abandon’d to her sorrow As it is spoke, she never will admit me.
Duke	Be clamorous and leap all civil bounds Rather than make unprofited return.
Viola	Say I do speak with her, my lord, what then?
Duke	O, then unfold the passion of my love, Surprise her with discourse of my dear faith: It shall become thee well to act my woes; She will attend it better in thy youth Than in a nuncio’s of more grave aspect.
Viola	I think not so, my lord.
Duke	Dear lad, believe it; For they shall yet belie thy happy years, That say thou art a man: Diana’s lip Is not more smooth and rubious; thy small pipe Is as the maiden’s organ, shrill and sound, And all is semblative a woman’s part. I know thy constellation is right apt For this affair. Some four or five attend him; All, if you will; for I myself am best When least in company. Prosper well in this, And thou shalt live as freely as thy lord, To call his fortunes thine.
Viola	I’ll do my best To woo your lady: aside yet, a barful strife! Whoe’er I woo, myself would be his wife. Exeunt.

Scene V

Olivia’s house.

	Enter Maria* and Clown.*
Maria	Nay, either tell me where thou hast been, or I will not open my lips so wide as a bristle may enter in way of thy excuse: my lady will hang thee for thy absence.
Clown	Let her hang me: he that is well hanged in this world needs to fear no colours.
Maria	Make that good.
Clown	He shall see none to fear.
Maria	A good lenten answer: I can tell thee where that saying was born, of “I fear no colours.”
Clown	Where, good Mistress Mary?
Maria	In the wars; and that may you be bold to say in your foolery.
Clown	Well, God give them wisdom that have it; and those that are fools, let them use their talents.
Maria	Yet you will be hanged for being so long absent; or, to be turned away, is not that as good as a hanging to you?
Clown	Many a good hanging prevents a bad marriage; and, for turning away, let summer bear it out.
Maria	You are resolute, then?
Clown	Not so, neither; but I am resolved on two points.
Maria	That if one break, the other will hold; or, if both break, your gaskins fall.
Clown	Apt, in good faith; very apt. Well, go thy way; if Sir Toby would leave drinking, thou wert as witty a piece of Eve’s flesh as any in Illyria.
Maria	Peace, you rogue, no more o’ that. Here comes my lady: make your excuse wisely, you were best. Exit.
Clown	Wit, an’t be thy will, put me into good fooling! Those wits, that think they have thee, do very oft prove fools; and I, that am sure I lack thee, may pass for a wise man: for what says Quinapalus? “Better a witty fool, than a foolish wit.”
	Enter Lady Olivia* with Malvolio.*
	God bless thee, lady!
Olivia	Take the fool away.
Clown	Do you not hear, fellows? Take away the lady.
Olivia	Go to, you’re a dry fool; I’ll no more of you: besides, you grow dishonest.
Clown	Two faults, madonna, that drink and good counsel will amend: for give the dry fool drink, then is the fool not dry: bid the dishonest man mend himself; if he mend, he is no longer dishonest; if he cannot, let the botcher mend him. Any thing that’s mended is but patched: virtue that transgresses is but patched with sin; and sin that amends is but patched with virtue. If that this simple syllogism will serve, so; if it will not, what remedy? As there is no true cuckold but calamity, so beauty’s a flower. The lady bade take away the fool; therefore, I say again, take her away.
Olivia	Sir, I bade them take away you.
Clown	Misprision in the highest degree! Lady, cucullus non facit monachum; that’s as much to say as I wear not motley in my brain. Good madonna, give me leave to prove you a fool.
Olivia	Can you do it?
Clown	Dexterously, good madonna.
Olivia	Make your proof.
Clown	I must catechize you for it, madonna: good my mouse of virtue, answer me.
Olivia	Well, sir, for want of other idleness, I’ll bide your proof.
Clown	Good madonna, why mournest thou?
Olivia	Good fool, for my brother’s death.
Clown	I think his soul is in hell, madonna.
Olivia	I know his soul is in heaven, fool.
Clown	The more fool, madonna, to mourn for your brother’s soul being in heaven. Take away the fool, gentlemen.
Olivia	What think you of this fool, Malvolio? doth he not mend?
Malvolio	Yes, and shall do till the pangs of death shake him: infirmity, that decays the wise, doth ever make the better fool.
Clown	God send you, sir, a speedy infirmity, for the better increasing your folly! Sir Toby will be sworn that I am no fox; but he will not pass his word for two pence that you are no fool.
Olivia	How say you to that, Malvolio?
Malvolio	I marvel your ladyship takes delight in such a barren rascal: I saw him put down the other day with an ordinary fool that has no more brain than a stone. Look you now, he’s out of his guard already; unless you laugh and minister occasion to him, he is gagged. I protest, I take these wise men, that crow so at these set kind of fools, no better than the fools’ zanies.
Olivia	O, you are sick of self-love, Malvolio, and taste with a distempered appetite. To be generous, guiltless and of free disposition, is to take those things for bird-bolts that you deem cannon-bullets: there is no slander in an allowed fool, though he do nothing but rail; nor no railing in a known discreet man, though he do nothing but reprove.
Clown	Now Mercury endue thee with leasing, for thou speakest well of fools!
	Reenter Maria.
Maria	Madam, there is at the gate a young gentleman much desires to speak with you.
Olivia	From the Count Orsino, is it?
Maria	I know not, madam: ’tis a fair young man, and well attended.
Olivia	Who of my people hold him in delay?
Maria	Sir Toby, madam, your kinsman.
Olivia	Fetch him off, I pray you; he speaks nothing but madman: fie on him! Exit Maria. Go you, Malvolio: if it be a suit from the count, I am sick, or not at home; what you will, to dismiss it. Exit Malvolio. Now you see, sir, how your fooling grows old, and people dislike it.
Clown	Thou hast spoke for us, madonna, as if thy eldest son should be a fool; whose skull Jove cram with brains! for—here he comes—one of thy kin has a most weak pia mater.
	Enter Sir Toby.
Olivia	By mine honour, half drunk. What is he at the gate, cousin?
Sir Toby	A gentleman.
Olivia	A gentleman! what gentleman?
Sir Toby	’Tis a gentle man here—a plague o’ these pickle-herring! How now, sot!
Clown	Good Sir Toby!
Olivia	Cousin, cousin, how have you come so early by this lethargy?
Sir Toby	Lechery! I defy lechery. There’s one at the gate.
Olivia	Ay, marry, what is he?
Sir Toby	Let him be the devil, an he will, I care not: give me faith, say I. Well, it’s all one. Exit.
Olivia	What’s a drunken man like, fool?
Clown	Like a drowned man, a fool and a mad man: one draught above heat makes him a fool; the second mads him; and a third drowns him.
Olivia	Go thou and seek the crowner, and let him sit o’ my coz; for he’s in the third degree of drink, he’s drowned: go, look after him.
Clown	He is but mad yet, madonna; and the fool shall look to the madman. Exit.
	Reenter Malvolio.
Malvolio	Madam, yond young fellow swears he will speak with you. I told him you were sick; he takes on him to understand so much, and therefore comes to speak with you. I told him you were asleep; he seems to have a foreknowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? he’s fortified against any denial.
Olivia	Tell him he shall not speak with me.
Malvolio	Has been told so; and he says, he’ll stand at your door like a sheriff’s post, and be the supporter to a bench, but he’ll speak with you.
Olivia	What kind o’ man is he?
Malvolio	Why, of mankind.
Olivia	What manner of man?
Malvolio	Of very ill manner; he’ll speak with you, will you or no.
Olivia	Of what personage and years is he?
Malvolio	Not yet old enough for a man, nor young enough for a boy; as a squash is before ’tis a peascod, or a codling when ’tis almost an apple: ’tis with him in standing water, between boy and man. He is very well-favoured and he speaks very shrewishly; one would think his mother’s milk were scarce out of him.
Olivia	Let him approach: call in my gentlewoman.
Malvolio	Gentlewoman, my lady calls. Exit.
	Reenter Maria.
Olivia	Give me my veil: come, throw it o’er my face. We’ll once more hear Orsino’s embassy.
	Enter Viola, and Attendants.
Viola	The honourable lady of the house, which is she?
Olivia	Speak to me; I shall answer for her. Your will?
Viola	Most radiant, exquisite and unmatchable beauty—I pray you, tell me if this be the lady of the house, for I never saw her: I would be loath to cast away my speech, for besides that it is excellently well penned, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible, even to the least sinister usage.
Olivia	Whence came you, sir?
Viola	I can say little more than I have studied, and that question’s out of my part. Good gentle one, give me modest assurance if you be the lady of the house, that I may proceed in my speech.
Olivia	Are you a comedian?
Viola	No, my profound heart: and yet, by the very fangs of malice I swear, I am not that I play. Are you the lady of the house?
Olivia	If I do not usurp myself, I am.
Viola	Most certain, if you are she, you do usurp yourself; for what is yours to bestow is not yours to reserve. But this is from my commission: I will on with my speech in your praise, and then show you the heart of my message.
Olivia	Come to what is important in’t: I forgive you the praise.
Viola	Alas, I took great pains to study it, and ’tis poetical.
Olivia	It is the more like to be feigned: I pray you, keep it in. I heard you were saucy at my gates, and allowed your approach rather to wonder at you than to hear you. If you be not mad, be gone; if you have reason, be brief: ’tis not that time of moon with me to make one in so skipping a dialogue.
Maria	Will you hoist sail, sir? here lies your way.
Viola	No, good swabber; I am to hull here a little longer. Some mollification for your giant, sweet lady. Tell me your mind: I am a messenger.
Olivia	Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office.
Viola	It alone concerns your ear. I bring no overture of war, no taxation of homage: I hold the olive in my hand; my words are as full of peace as matter.
Olivia	Yet you began rudely. What are you? what would you?
Viola	The rudeness that hath appeared in me have I learned from my entertainment. What I am, and what I would, are as secret as maidenhead; to your ears, divinity, to any other’s, profanation.
Olivia	Give us the place alone: we will hear this divinity. Exeunt Maria* and Attendants.* Now, sir, what is your text?
Viola	Most sweet lady—
Olivia	A comfortable doctrine, and much may be said of it. Where lies your text?
Viola	In Orsino’s bosom.
Olivia	In his bosom! In what chapter of his bosom?
Viola	To answer by the method, in the first of his heart.
Olivia	O, I have read it: it is heresy. Have you no more to say?
Viola	Good madam, let me see your face.
Olivia	Have you any commission from your lord to negotiate with my face? You are now out of your text: but we will draw the curtain and show you the picture. Look you, sir, such a one I was this present: is’t not well done? Unveiling.
Viola	Excellently done, if God did all.
Olivia	’Tis in grain, sir; ’twill endure wind and weather.
Viola	’Tis beauty truly blent, whose red and white Nature’s own sweet and cunning hand laid on: Lady, you are the cruell’st she alive, If you will lead these graces to the grave And leave the world no copy.
Olivia	O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty: it shall be inventoried, and every particle and utensil labelled to my will: as, item, two lips, indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?
Viola	I see you what you are, you are too proud; But, if you were the devil, you are fair. My lord and master loves you: O, such love Could be but recompensed, though you were crown’d The nonpareil of beauty!
Olivia	How does he love me?
Viola	With adorations, fertile tears, With groans that thunder love, with sighs of fire.
Olivia	Your lord does know my mind; I cannot love him: Yet I suppose him virtuous, know him noble, Of great estate, of fresh and stainless youth; In voices well divulged, free, learn’d and valiant; And in dimension and the shape of nature A gracious person: but yet I cannot love him; He might have took his answer long ago.
Viola	If I did love you in my master’s flame, With such a suffering, such a deadly life, In your denial I would find no sense; I would not understand it.
Olivia	Why, what would you?
Viola	Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night; Halloo your name to the reverberate hills And make the babbling gossip of the air Cry out “Olivia!” O, You should not rest Between the elements of air and earth, But you should pity me!
Olivia	You might do much. What is your parentage?
Viola	Above my fortunes, yet my state is well: I am a gentleman.
Olivia	Get you to your lord; I cannot love him: let him send no more; Unless, perchance, you come to me again, To tell me how he takes it. Fare you well: I thank you for your pains: spend this for me.
Viola	I am no fee’d post, lady; keep your purse: My master, not myself, lacks recompense. Love make his heart of flint that you shall love; And let your fervour, like my master’s, be Placed in contempt! Farewell, fair cruelty. Exit.
Olivia	“What is your parentage?” “Above my fortunes, yet my state is well: I am a gentleman.” I’ll be sworn thou art; Thy tongue, thy face, thy limbs, actions and spirit, Do give thee five-fold blazon: not too fast: soft, soft! Unless the master were the man. How now! Even so quickly may one catch the plague? Methinks I feel this youth’s perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be. What ho, Malvolio!
	Reenter Malvolio.
Malvolio	Here, madam, at your service.
Olivia	Run after that same peevish messenger, The county’s man: he left this ring behind him, Would I or not: tell him I’ll none of it. Desire him not to flatter with his lord, Nor hold him up with hopes; I am not for him: If that the youth will come this way to-morrow, I’ll give him reasons for’t: hie thee, Malvolio.
Malvolio	Madam, I will. Exit.
Olivia	I do I know not what, and fear to find Mine eye too great a flatterer for my mind. Fate, show thy force: ourselves we do not owe; What is decreed must be, and be this so. Exit.