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Poetry ▾
contents
  1. The Night of Taras
  2. Topolia
  3. Hamaleia4
  4. Khustina
  5. Naimechka
  6. Caucasus8
  7. To the Circassians
  8. To the Rich and Great
  9. To the Master
  10. Again Addressing the Circassians
  11. To Jacques de Balmont
  12. To the Dead9
  13. Lyric10
  14. A Poem of Exile
  15. Memories of an Exile
  16. Hymn of Exile
  17. On the Eleventh Psalm
  18. Prayer
  19. Prayer
  20. Prayer
  21. Prayer
  22. Mighty Wind
  23. Hymn of the Nuns11
  24. To the Goddess of Fame
  25. Iconoclasm
  26. My Testament
  27. The Water Fairy
  28. Lyric12
  29. The Reaper13
  30. Lyric15
  31. A Dream16
  32. Kalina
  33. The Monk18
  34. Drowsy the Waves
  35. See Fires Ablaze
  36. To the Makers of Sentimental Idyls
  37. The Bondwoman’s Dream
  38. Winter19
  39. Endnotes
English ▾

Poetry

Taras Shevchenko, translated by Alexander Jardine Hunter, Ethel Voynich, Paul Selver, Florence Randal Livesay

free · 15,169 words · ~1 h read · first published 2003

text from Standard Ebooks

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The Night of Taras

By the road the Kobzar sat
And on his kobza played.
Around him youths and maidens
Like poppy flowers arrayed.

So the Kobzar played and sang
Of many an old old story;
Of wars with Russian, Pole and Tartar
And the ancient Cossack glory.

He sang of the wars of Taras brave,
Of battle fought in the morning early,
Of the fallen Cossack’s grass-grown grave
Till smiles and tears did mingle fairly.


“Once on a time the Hetmans ruled,
It comes not back again;
In olden days we masters were
This never comes again.
These glories of old Cossack lore
Shall be forgotten nevermore.

Ukraine, Ukraine!
Mother mine. Mother mine!
When I remember thee
How mournful should I be.

What has come of our Cossacks bold
With coats of velvet red?
What of freedom by fate foretold,
And banners the Hetmans led?

Whither is it gone?
In flames it went:
O’er hills and tombs,
The floods were sent.
The hills are wrapt
in silence grim,
On boundless sea
waves ever play;
The tombs gleam forth
with sadness dim;
O’er all the land
the foe holds sway.

Play on, oh sea,
Hills silent be:
Dance, mighty wind,
O’er all the land.
Weep, Cossack youth,
Your fate withstand.

Now who shall our adviser be?
Then out spake Naleweiko,
A Cossack bold was he,
After him Paulioha
Like falcon swift did flee.

Out spake Taras Traselo
With bitter words and true,
“That they trampled on Ukraina
For sure the Poles shall rue.”
Out spake Taras Traselo,
Out spake the eagle grey.
Rescue for the faith he wrought,
Well indeed the Poles he taught.
“Let’s make an end of our woe.
An end come now to your woe,
Arise, my gentle comrades, all
Upon the Poles with blows we’ll fall.”

Three days of war
did the land deliver.
From the Delta’s shore
to Trubail’s river.
The fields are covered
with dead, in course,
But weary now
is the Cossack force.

Now the dirty Polish ruler
Was feeling very jolly,
Gathered all his lords together,
For a time of feast and folly.
Taras did his Cossacks gather
To have a little talk together.

“Captains and comrades,
My children and brothers,
What are we now to do?
Our hated foes are feasting,
I want advice from you.”

“Let them feast away,
It’s fine for their health.

When the sun descends,
Old night her counsel lends;
The Cossacks’ll catch them,
and all of their wealth.”

The sun reclined beyond the hill
The stars shone out in silence still,
Around the Poles the Cossack host
Was gathering like a cloud;
So soon the moon stood in the sky
When roared the cannon loud.

Woke up the Polish lordlings,
To run they found no place.
Woke up the Polish lordlings,
The foe they could not face.
The sun beheld the Polish lordlings,
In heaps all o’er the place.
With red serpent on the water,
River Alta brings the word—
That black vultures after slaughter
May feast on many a Polish lord.

And now the vultures hasten
The mighty dead to waken.
Together the Cossacks gather
Praise to God to offer.

While black vultures scream,
O’er the corpses fight.
Then the Cossacks sing
A hymn to the night;
That night of famous story
Full of blood and glory.
That night that put the Poles to sleep
The while on them their foes did creep.

Beyond the stream
in open field
A burial mound
gleams darkly:
Where the Cossack blood was shed
There grows the grass full greenly.

On the tomb a raven sits:
With hunger sore he’s screaming.
Waiting near a Cossack weeps:
Of days of old he’s dreaming.

The Kobzar ceased in sadness
His hands would no longer play:
Around him youths and maidens
Were wiping the tears away.
By the path the Kobzar makes his way,
To get rid of his grief he starts to play.
And now the youngsters are dancing gay,
And then he opes his lips to say:

“Skip off, my children,
To some nice warm corner,
Of griefs enough;
I’ll no longer be mourner.

To the bar I’ll go
and find my good wife
And there we’ll have
the time of our life.
For so we’ll drink away our woes
And make no end of fun of our foes.”

Topolia

The Poplar

The wind blows through the oaks in the wood,
It dances through the fields.
Beside the high-road it uproots Topolia,
And fells her to the ground.

Why has she a slim, tall trunk?
Why are her broad leaves green?
The field around is blue,
And wide as the sea. …
When the Tchumak passes
He looks and bows his head.

Tchabàn, the shepherd, in the dawn,
His pipe plays on the hill;
He looks around.
Sorrow is in his heart—no shrub is near—
Only a poplar lone,
Lone as an orphan stands,
Fades in an alien land.

Who nurtured this slender and yielding body
To languish on the steppes?
Wait, maidens, I will tell ye!
Listen:

With a Cossack
A maiden fell in love,
Loved him, but held him not.
He departed and perished.

If she had known
That he would leave her
She would not have loved him:

If she had known
That he would die
She would not have let him go:

If she had known,
She would not have gone for water late at even,
She would not have lingered
With her sweetheart
Under the willow tree
If she had known! …

But it is dangerous
To know the future—
What misfortune will meet us,
Maidens, seek not to know,
Ask not of your fate.
The heart knows whom to love.
Let it wither, little by little,
Until it is buried,
Because
Not for long are the bright eyes
Of the black-browed girl.

Girls, O Girls!
Not for long the rosy cheeks!
Only till noon—
Then they will fade, will shrivel,
The black brows will grow pale. …
Girls! Love ye or like as your heart says.

The nightingale is trilling
In the wood, on the cranberry.
Walking in the meadow
The Cossack sings—

He sings until Tchornobriva1
Comes out of the hut,
And he asks her:
“Did your mother hurt you?”
Close together they stand, they embrace,
The nightingale sings,
And, hearing it, they depart,
Joyful at heart.
Nobody sees them, none will ask her,
“Where wast thou, what didst thou do?”
She herself knows. She loved,
But her heart was sad with foreboding,
All unspoken, untold. …
Abandoned,
Day and night she called,
Cooing like a mournful dove,
But no one heard.

The nightingale does not sing
In the wood over the water:
The black-browed girl sang of old
Under a willow tree—
Now she does not sing.
As an orphan, she hates the white world.
Without her sweetheart,
Like an alien, her mother,
Like a stranger, her father.
Without her sweetheart
The sun shines
As an enemy loves.
Without her lover
All is—a grave.
And her heart beats on.
One year passed, and another,
The Cossack did not return.


“I will not marry him, Mother!
I do not wish to ‘live like a lady,’
Lower me in a grave with those Towels!2
Better to lie in a coffin than to see his face.”


“O fortune-teller, how long will I live in this world
Without my sweetheart?
Granny-Pigeon,
My Heart, Nenka, tell me the truth,
Is my lover alive and in health?
Does he love me,
Or forget and abandon me?
Tell me, where is my lover?
Art thou ready to fly to the end of the world,
Granny-Pigeon?
Tell, if thou knowest,
For my Mother marries me to an old, rich man. …
But, O Grey One,
Never will my heart cease loving that other!
I would drown myself
But so I might lose my soul.
O my ‘Ptashka!’3
Do something—let me not go home.
It is hard, hard for me—
There, at home, the Old One waits
With the marriage brokers.
Tell me my fortune.”

“So be it, Daughter. Tarry a while,
But do my will. Long ago I, too,
Was a marriageable maiden—
I know that woe, but it has passed,
And I have learned to help.
I knew thy fortune, my dear daughter,
Two years ago. Then I prepared for thee
That zilie on the shelf.
Now take the magic herb,
And to the clear spring go.
Ere cock-crow wash thy face,
Then drink this draught. Sorrow shall pass.
Run to the grave, nor look thou back—
Some one behind may cry, but give no heed.
Run to that spot where once thou saidst farewell;
Stay there until the moon
Is crescent in mid-sky,
Then drink again.
If he come not,
Then drink once more.
After the first draught thou wilt look
The maid thou wast:
After the second, a horse will stamp its foot.
If then thy Cossack lives
Be sure he’ll come;
But after the third draught,
O daughter mine,
Ask not what shall befall!
But hearken!
Cross not thyself
Else naught of this will be.
Now go! And look upon
Thy beauty of last year!”


“To go or not to go?
No, I will not go home!”
She went and bathed herself,
And drank the zilie wine,
And she was changed;
Second and third time drank,
And drowsiness was hers.
She sang on the wide steppes:
“Float, float, O Swan,
Upon the bluish sea!
Grow tall, Topolia,
Reach higher, higher!
Slender and tall, aspire
Up to the clouds.
Ask God: Will waiting then
At all avail?
Waiting for him, my mate?

“Grow, grow tall!
Look out o’er the blue sea.
Good luck and bad luck lie
On either side.
And there, somewhere,
My lover roams the fields.
I weep, my years pass by
Waiting for him.
Say to him, O my heart, Topolia!
That people laugh at me.
Tell him that I shall die
If he do not come soon.
Mother herself
Wishes to bury me. …
Look far, Topolia, and, if he is not,
Weep with the dew at sundown,
Though none may know—
Taller and taller grow,
Higher and higher.
Float, float, O Swan,
Upon the bluish sea.”

Such a song Tchornobriva
Sang on the steppes.
O Zilie Miracle!—she is Topolia!
She did not return home;
She did not wait for him.
There slim and tall
She beckons to the clouds.
The wind blows through the oaks in the wood,
It dances through the fields.
Beside the high road it uproots Topolia,
And fells her to the ground.

restoring your place…

fetching the rest…

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thank you for reading

Poetry by Taras Shevchenko, translated by Alexander Jardine Hunter, Ethel Voynich, Paul Selver, Florence Randal Livesay. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

First published in 2003.

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