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Tess of the d’Urbervilles ▾
contents
  1. Explanatory Note to the First Edition
  2. Phase the First
  3. I
  4. II
  5. III
  6. IV
  7. V
  8. VI
  9. VII
  10. VIII
  11. IX
  12. X
  13. XI
  14. Phase the Second
  15. XII
  16. XIII
  17. XIV
  18. XV
  19. Phase the Third
  20. XVI
  21. XVII
  22. XVIII
  23. XIX
  24. XX
  25. XXI
  26. XXII
  27. XXIII
  28. XXIV
  29. Phase the Fourth
  30. XXV
  31. XXVI
  32. XXVII
  33. XXVIII
  34. XXIX
  35. XXX
  36. XXXI
  37. XXXII
  38. XXXIII
  39. XXXIV
  40. Phase the Fifth
  41. XXXV
  42. XXXVI
  43. XXXVII
  44. XXXVIII
  45. XXXIX
  46. XL
  47. XLI
  48. XLII
  49. XLIII
  50. XLIV
  51. Phase the Sixth
  52. XLV
  53. XLVI
  54. XLVII
  55. XLVIII
  56. XLIX
  57. L
  58. LI
  59. LII
  60. Phase the Seventh
  61. LIII
  62. LIV
  63. LV
  64. LVI
  65. LVII
  66. LVIII
  67. LIX
English ▾

Tess of the d’Urbervilles

Thomas Hardy

free · 150,085 words · 17 h 52 m audiobook, read by Adrian Praetzellis for LibriVox · first published 1891

text from Standard Ebooks

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Explanatory Note to the First Edition

The main portion of the following story appeared—with slight modifications—in The Graphic newspaper; other chapters, more especially addressed to adult readers, in the Fortnightly Review and the National Observer, as episodic sketches. My thanks are tendered to the editors and proprietors of those periodicals for enabling me now to piece the trunk and limbs of the novel together, and print it complete, as originally written two years ago.

I will just add that the story is sent out in all sincerity of purpose, as an attempt to give artistic form to a true sequence of things; and in respect of the book’s opinions and sentiments, I would ask any too genteel reader, who cannot endure to have said what everybody nowadays thinks and feels, to remember a well-worn sentence of St. Jerome’s: If an offence come out of the truth, better is it that the offence come than that the truth be concealed.

T. H.
November 1891.

Poor wounded name!
My bosom as a bed
Shall lodge thee.

Shakespeare

Phase the First

The Maiden

I

On an evening in the latter part of May a middle-aged man was walking homeward from Shaston to the village of Marlott, in the adjoining Vale of Blakemore, or Blackmoor. The pair of legs that carried him were rickety, and there was a bias in his gait which inclined him somewhat to the left of a straight line. He occasionally gave a smart nod, as if in confirmation of some opinion, though he was not thinking of anything in particular. An empty egg-basket was slung upon his arm, the nap of his hat was ruffled, a patch being quite worn away at its brim where his thumb came in taking it off. Presently he was met by an elderly parson astride on a gray mare, who, as he rode, hummed a wandering tune.

“Good night t’ee,” said the man with the basket.

“Good night, Sir John,” said the parson.

The pedestrian, after another pace or two, halted, and turned round.

“Now, sir, begging your pardon; we met last market-day on this road about this time, and I said ‘Good night,’ and you made reply ‘Good night, Sir John,’ as now.”

“I did,” said the parson.

“And once before that—near a month ago.”

“I may have.”

“Then what might your meaning be in calling me ‘Sir John’ these different times, when I be plain Jack Durbeyfield, the haggler?”

The parson rode a step or two nearer.

“It was only my whim,” he said; and, after a moment’s hesitation: “It was on account of a discovery I made some little time ago, whilst I was hunting up pedigrees for the new county history. I am Parson Tringham, the antiquary, of Stagfoot Lane. Don’t you really know, Durbeyfield, that you are the lineal representative of the ancient and knightly family of the d’Urbervilles, who derive their descent from Sir Pagan d’Urberville, that renowned knight who came from Normandy with William the Conqueror, as appears by Battle Abbey Roll?”

“Never heard it before, sir!”

“Well it’s true. Throw up your chin a moment, so that I may catch the profile of your face better. Yes, that’s the d’Urberville nose and chin—a little debased. Your ancestor was one of the twelve knights who assisted the Lord of Estremavilla in Normandy in his conquest of Glamorganshire. Branches of your family held manors over all this part of England; their names appear in the Pipe Rolls in the time of King Stephen. In the reign of King John one of them was rich enough to give a manor to the Knights Hospitallers; and in Edward the Second’s time your forefather Brian was summoned to Westminster to attend the great Council there. You declined a little in Oliver Cromwell’s time, but to no serious extent, and in Charles the Second’s reign you were made Knights of the Royal Oak for your loyalty. Aye, there have been generations of Sir Johns among you, and if knighthood were hereditary, like a baronetcy, as it practically was in old times, when men were knighted from father to son, you would be Sir John now.”

“Ye don’t say so!”

“In short,” concluded the parson, decisively smacking his leg with his switch, “there’s hardly such another family in England.”

“Daze my eyes, and isn’t there?” said Durbeyfield. “And here have I been knocking about, year after year, from pillar to post, as if I was no more than the commonest feller in the parish … And how long hev this news about me been knowed, Pa’son Tringham?”

The clergyman explained that, as far as he was aware, it had quite died out of knowledge, and could hardly be said to be known at all. His own investigations had begun on a day in the preceding spring when, having been engaged in tracing the vicissitudes of the d’Urberville family, he had observed Durbeyfield’s name on his wagon, and had thereupon been led to make inquiries about his father and grandfather till he had no doubt on the subject.

“At first I resolved not to disturb you with such a useless piece of information,” said he. “However, our impulses are too strong for our judgement sometimes. I thought you might perhaps know something of it all the while.”

“Well, I have heard once or twice, ’tis true, that my family had seen better days afore they came to Blackmoor. But I took no notice o’t, thinking it to mean that we had once kept two horses where we now keep only one. I’ve got a wold silver spoon, and a wold graven seal at home, too; but, Lord, what’s a spoon and seal? … And to think that I and these noble d’Urbervilles were one flesh all the time. ’Twas said that my gr’t-granfer had secrets, and didn’t care to talk of where he came from … And where do we raise our smoke, now, parson, if I may make so bold; I mean, where do we d’Urbervilles live?”

“You don’t live anywhere. You are extinct—as a county family.”

“That’s bad.”

“Yes—what the mendacious family chronicles call extinct in the male line—that is, gone down—gone under.”

“Then where do we lie?”

“At Kingsbere-sub-Greenhill: rows and rows of you in your vaults, with your effigies under Purbeck-marble canopies.”

“And where be our family mansions and estates?”

“You haven’t any.”

“Oh? No lands neither?”

restoring your place…

fetching the rest…

More by Thomas Hardy

  • A Pair of Blue Eyes
    Early Hardy, before he got so heavy, though the sadness is already creeping in at the edges. You get Elfride torn between two very different men, the Cornish cliffs (including the scene that supposedly gave us the word cliffhanger), and an ending that plays fair but still stings.
  • Far from the Madding Crowd
    You get Bathsheba Everdene, proud, impulsive, and fiercely determined to run her own life, alongside Gabriel Oak’s steady, unsentimental devotion. The rural setting feels vivid, but Hardy lets the weather, accidents, and bad judgment turn romance into something painful and morally complicated.
  • Jude the Obscure
    Fair warning, this one hurts: Jude the stonemason teaching himself Greek at night, aching toward a university that will never let him in, and Sue Bridehead, restless and contradictory and painfully real. Read it when you can handle Hardy at his darkest and most tender.

genres

  • Romance

appears in

  • The BBC's 100 Greatest British Novels

—

thank you for reading

Tess of the d’Urbervilles by Thomas Hardy. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Adrian Praetzellis for LibriVox, also public domain.

First published in 1891.

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