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The Crystal Stopper ▾
contents
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. XIII
  14. Endnotes
English ▾

The Crystal Stopper

Maurice Leblanc, translated by Alexander Teixeira de Mattos

free · 74,625 words · 6 h 55 m audiobook, read by Cate Barratt for LibriVox

text from Standard Ebooks

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I

The Arrests

The two boats fastened to the little pier that jutted out from the garden lay rocking in its shadow. Here and there lighted windows showed through the thick mist on the margins of the lake. The Enghien Casino opposite blazed with light, though it was late in the season, the end of September. A few stars appeared through the clouds. A light breeze ruffled the surface of the water.

Arsène Lupin left the summerhouse where he was smoking a cigar and, bending forward at the end of the pier:

“Growler?” he asked. “Masher? … Are you there?”

A man rose from each of the boats, and one of them answered:

“Yes, governor.”

“Get ready. I hear the car coming with Gilbert and Vaucheray.”

He crossed the garden, walked round a house in process of construction, the scaffolding of which loomed overhead, and cautiously opened the door on the Avenue de Ceinture. He was not mistaken: a bright light flashed round the bend and a large, open motorcar drew up, whence sprang two men in greatcoats, with the collars turned up, and caps.

It was Gilbert and Vaucheray: Gilbert, a young fellow of twenty or twenty-two, with an attractive cast of features and a supple and sinewy frame; Vaucheray, older, shorter, with grizzled hair and a pale, sickly face.

“Well,” asked Lupin, “did you see him, the deputy?”

“Yes, governor,” said Gilbert, “we saw him take the 7:40 train for Paris, as we knew he would.”

“Then we are free to act?”

“Absolutely. The Villa Marie-Thérèse is ours to do as we please with.”

The chauffeur had kept his seat. Lupin gave him his orders:

“Don’t wait here. It might attract attention. Be back at half-past nine exactly, in time to load the car unless the whole business falls through.”

“Why should it fall through?” observed Gilbert.

The motor drove away; and Lupin, taking the road to the lake with his two companions, replied:

“Why? Because I didn’t prepare the plan; and, when I don’t do a thing myself, I am only half-confident.”

“Nonsense, governor! I’ve been working with you for three years now … I’m beginning to know the ropes!”

“Yes, my lad, you’re beginning,” said Lupin, “and that’s just why I’m afraid of blunders … Here, get in with me … And you, Vaucheray, take the other boat … That’s it … And now push off, boys … and make as little noise as you can.”

Growler and Masher, the two oarsmen, made straight for the opposite bank, a little to the left of the casino.

They met a boat containing a couple locked in each other’s arms, floating at random, and another in which a number of people were singing at the top of their voices. And that was all.

Lupin shifted closer to his companion and said, under his breath:

“Tell me, Gilbert, did you think of this job, or was it Vaucheray’s idea?”

“Upon my word, I couldn’t tell you: we’ve both of us been discussing it for weeks.”

“The thing is, I don’t trust Vaucheray: he’s a low ruffian when one gets to know him … I can’t make out why I don’t get rid of him …”

“Oh, governor!”

“Yes, yes, I mean what I say: he’s a dangerous fellow, to say nothing of the fact that he has some rather serious peccadilloes on his conscience.”

He sat silent for a moment and continued:

“So you’re quite sure that you saw Daubrecq the deputy?”

“Saw him with my own eyes, governor.”

“And you know that he has an appointment in Paris?”

restoring your place…

fetching the rest…

More by Maurice Leblanc

  • 813
    You get a darker, more tangled Lupin here, framed for Kesselbach’s murder and pulled into a conspiracy that reaches far beyond a clever burglary. It’s less playful than the earlier stories, with disguises and reversals piling up, but the uneasy, almost ruthless Lupin makes it fascinating.
  • Memoirs of Arsène Lupin
    You get Lupin speaking in his own polished, mischievous voice, turning thefts, disguises, and detective puzzles into little performances while Ganimard tries to keep up. The stories can feel uneven and decidedly old-fashioned, but his vanity, nerve, and pleasure in outwitting everyone make the reading pleasantly sly.
  • The Confessions of Arsène Lupin
    You’ll enjoy watching Lupin turn confession into another performance: charming, vain, generous, and never quite as trustworthy as he sounds. The stories feel like polished little puzzles, with disguises, stolen jewels, and sudden shifts in what you thought you understood, though the episodic structure can feel slightly uneven.

genres

  • Mystery

appears in

  • Arsène Lupin

—

thank you for reading

The Crystal Stopper by Maurice Leblanc, translated by Alexander Teixeira de Mattos. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Cate Barratt for LibriVox, also public domain.

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