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The Eclogues ▾
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  1. Pastoral I Tityrus and Meliboeus The occasion of the first Pastoral was this. When Augustus had settled himself in the Roman empire, that he might reward his veteran troops for their past service, he distributed among them all the lands that lay about Cremona and Mantua, turning out the right owners for having sided with his enemies. Virgil was a sufferer among the rest; who afterwards recovered his estate by Maecenas’s intercession, and, as an instance of his gratitude, composed the following Pastoral, where he sets out his own good fortune in the person of Tityrus, and the calamities of his Mantuan neighbours in the character of Meliboeus.
  2. Pastoral II Alexis The commentators can by no means agree on the person of Alexis, but are all of opinion that some beautiful youth is meant by him, to whom Virgil here makes love, in Corydon’s language and simplicity. His way of courtship is wholly pastoral: he complains of the boy’s coyness; recommends himself for his beauty and skill in piping; invites the youth into the country, where he promises him the diversions of the place, with a suitable present of nuts and apples. But when he finds nothing will prevail, he resolves to quit his troublesome amour, and betake himself again to his former business.
  3. Pastoral III Palaemon Menalcas. Damoetas. Palaemon Damoetas and Menalcas, after some smart strokes of country raillery, resolve to try who has the most skill at a song; and accordingly make their neighbour Palaemon judge of their performances; who, after a full hearing of both parties, declares himself unfit for the decision of so weighty a controversy, and leaves the victory undetermined.
  4. Pastoral IV Pollio The poet celebrates the birthday of Saloninus, the son of Pollio, born in the consulship of his father, after the taking of Salonae, a city in Dalmatia. Many of the verses are translated from one of the Sibyls, who prophesied of our Saviour’s birth.
  5. Pastoral V Daphnis Menalcas. Mopsus Mopsus and Menalcas, two very expert shepherds at a song, begin one, by consent, to the memory of Daphnis, who is supposed by the best critics to represent Julius Caesar. Mopsus laments his death; Menalcas proclaims his divinity; the whole eclogue consisting of an elegy and an apotheosis.
  6. Pastoral VI Silenus Two young shepherds, Chromis and Mnasylus, having been often promised a song by Silenus, chance to catch him asleep in this Pastoral; where they bind him hand and foot, and then claim his promise. Silenus, finding they would be put off no longer, begins his song, in which he describes the formation of the universe, and the original of animals, according to the Epicurean philosophy; and then runs through the most surprising transformations which have happened in Nature since her birth. This Pastoral was designed as a compliment to Syron the Epicurean, who instructed Virgil and Varus in the principles of that philosophy. Silenus acts as tutor, Chromis and Mnasylus as the two pupils.
  7. Pastoral VII Meliboeus Meliboeus. Corydon. Thyrsis Meliboeus here gives us the relation of a sharp poetical contest between Thyrsis and Corydon, at which he himself and Daphnis were present; who both declared for Corydon.
  8. Pastoral VIII Pharmaceutria This Pastoral contains the songs of Damon and Alphesiboeus. The first of them bewails the loss of his mistress, and repines at the success of his rival Mopsus. The other repeats the charms of some enchantress, who endeavoured by her spells and magic to make Daphnis in love with her.
  9. Pastoral IX Lycidas and Moeris When Virgil, by the favour of Augustus, had recovered his patrimony near Mantua, and went in hope to take possession, he was in danger to be slain by Arius the centurion, to whom those lands were assigned by the emperor, in reward of his service against Brutus and Cassius. This Pastoral therefore is filled with complaints of his hard usage; and the persons introduced are the bailiff of Virgil, Moeris, and his friend Lycidas.
  10. Pastoral X Gallus Gallus, a great patron of Virgil, and an excellent poet, was very deeply in love with one Citheris, whom he calls Lycoris, and who had forsaken him for the company of a soldier. The poet therefore supposes his friend Gallus retired, in his height of melancholy, into the solitudes of Arcadia (the celebrated scene of pastorals), where he represents him in a very languishing condition, with all the rural deities about him, pitying his hard usage, and condoling his misfortune.
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The Eclogues

Virgil, translated by John Dryden

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Pastoral I

Tityrus and Meliboeus

The occasion of the first Pastoral was this. When Augustus had settled himself in the Roman empire, that he might reward his veteran troops for their past service, he distributed among them all the lands that lay about Cremona and Mantua, turning out the right owners for having sided with his enemies. Virgil was a sufferer among the rest; who afterwards recovered his estate by Maecenas’s intercession, and, as an instance of his gratitude, composed the following Pastoral, where he sets out his own good fortune in the person of Tityrus, and the calamities of his Mantuan neighbours in the character of Meliboeus.

Meliboeus

Beneath the shade which beechen boughs diffuse,
You, Tityrus, entertain your sylvan muse.
Round the wide world in banishment we roam,
Forced from our pleasing fields and native home;
While, stretched at ease, you sing your happy loves,
And Amaryllis fills the shady groves.

Tityrus

These blessings, friend, a deity bestowed:
For never can I deem him less than god.
The tender firstlings of my woolly breed
Shall on his holy altar often bleed.
He gave my kine to graze the flowery plain,
And to my pipe renewed the rural strain.

Meliboeus

I envy not your fortune, but admire,
That, while the raging sword and wasteful fire
Destroy the wretched neighbourhood around,
No hostile arms approach your happy ground.
Far different is my fate: my feeble goats
With pains I drive from their forsaken cotes.
And this, you see, I scarcely drag along,
Who, yeaning, on the rocks has left her young;
The hope and promise of my failing fold.
My loss, by dire portents, the gods foretold;
For, had I not been blind, I might have seen:—
Yon riven oak, the fairest of the green,
And the hoarse raven, on the blasted bough,
By croaking from the left, presaged the coming blow.
But tell me, Tityrus, what heavenly power
Preserved your fortunes in that fatal hour?

Tityrus

Fool that I was, I thought imperial Rome
Like Mantua, where on market-days we come,
And thither drive our tender lambs from home.
So kids and whelps their sires and dams express,
And so the great I measured by the less.
But country towns, compared with her, appear
Like shrubs, when lofty cypresses are near.

Meliboeus

What great occasion called you hence to Rome?

Tityrus

Freedom, which came at length, though slow to come.
Nor did my search of liberty begin,
Till my black hairs were changed upon my chin;
Nor Amaryllis would vouchsafe a look,
Till Galatea’s meaner bonds I broke.
Till then a helpless, hopeless, homely swain,
I sought not freedom, nor aspired to gain:
Though many a victim from my folds was bought,
And many a cheese to country markets brought,
Yet all the little that I got, I spent,
And still returned as empty as I went.

Meliboeus

We stood amazed to see your mistress mourn,
Unknowing that she pined for your return:
We wondered why she kept her fruit so long,
For whom so late the ungathered apples hung.
But now the wonder ceases, since I see
She kept them only, Tityrus, for thee.
For thee the bubbling springs appeared to mourn,
And whispering pines made vows for thy return.

Tityrus

What should I do?—While here I was enchained,
No glimpse of godlike liberty remained:
Nor could I hope, in any place but there
To find a god so present to my prayer.
There first the youth of heavenly birth I viewed,
For whom our monthly victims are renewed.
He heard my vows, and graciously decreed
My grounds to be restored, my former flocks to feed.

Meliboeus

O fortunate old man! whose farm remains—
For you sufficient—and requites your pains;
Though rushes overspread the neighbouring plains,
Though here the marshy grounds approach your fields,
And there the soil a stony harvest yields.
Your teeming ewes shall no strange meadows try,
Nor fear a rot from tainted company.
Behold! yon bordering fence of sallow-trees
Is fraught with flowers; the flowers are fraught with bees:
The busy bees, with a soft murmuring strain,
Invite to gentle sleep the labouring swain.
While from the neighbouring rock, with rural songs,
The pruner’s voice the pleasing dream prolongs,
Stock-doves and turtles tell their amorous pain,
And, from the lofty elms, of love complain.

Tityrus

The inhabitants of seas and skies shall change,
And fish on shore, and stags in air, shall range,
The banished Parthian dwell on Arar’s brink,
And the blue German shall the Tigris drink,
Ere I, forsaking gratitude and truth,
Forget the figure of that godlike youth.

Meliboeus

But we must beg our bread in climes unknown,
Beneath the scorching or the freezing zone:
And some to far Oaxis shall be sold,
Or try the Libyan heat, or Scythian cold;
The rest among the Britons be confined:
A race of men from all the world disjoined.
O! must the wretched exiles ever mourn,
Nor, after length of rolling years, return?
Are we condemned by fate’s unjust decree,
No more our houses and our homes to see?
Or shall we mount again the rural throne,
And rule the country kingdoms, once our own?
Did we for these barbarians plant and sow?
On these, on these, our happy fields bestow?
Good heaven! what dire effects from civil discord flow!
Now let me graff my pears, and prune the vine;
The fruit is theirs, the labour only, mine.
Farewell, my pastures, my paternal stock,
My fruitful fields, and my more fruitful flock!
No more, my goats, shall I behold you climb
The steepy cliffs, or crop the flowery thyme!
No more, extended in the grot below,
Shall see you browsing on the mountain’s brow
The prickly shrubs, and after on the bare,
Lean down the deep abyss, and hang in air!
No more my sheep shall sip the morning dew;
No more my song shall please the rural crew:
Adieu, my tuneful pipe! and all the world, adieu!

Tityrus

This night, at least, with me forget your care;
Chestnuts, and curds, and cream, shall be your fare;
The carpet-ground shall be with leaves o’erspread;
And boughs shall weave a covering for your head.
For, see, yon sunny hill the shade extends;
And curling smoke from cottages ascends.

Pastoral II

Alexis

The commentators can by no means agree on the person of Alexis, but are all of opinion that some beautiful youth is meant by him, to whom Virgil here makes love, in Corydon’s language and simplicity. His way of courtship is wholly pastoral: he complains of the boy’s coyness; recommends himself for his beauty and skill in piping; invites the youth into the country, where he promises him the diversions of the place, with a suitable present of nuts and apples. But when he finds nothing will prevail, he resolves to quit his troublesome amour, and betake himself again to his former business.

Young Corydon, the unhappy shepherd swain,
The fair Alexis loved, but loved in vain;
And underneath the beechen shade, alone,
Thus to the woods and mountains made his moan:
Is this, unkind Alexis, my reward?
And must I die unpitied, and unheard?
Now the green lizard in the grove is laid;
The sheep enjoy the coolness of the shade:
And Thestylis wild thyme and garlic beats,
For harvest hinds, o’erspent with toil and heats;
While in the scorching sun I trace in vain
Thy flying footsteps o’er the burning plain.
The creaking locusts with my voice conspire,
They fried with heat, and I with fierce desire.
How much more easy was it to sustain
Proud Amaryllis, and her haughty reign;
The scorns of young Menalcas, once my care,
Though he was black, and thou art heavenly fair!
Trust not too much to that enchanting face:
Beauty’s a charm; but soon the charm will pass.
White lilies lie neglected on the plain,
While dusky hyacinths for use remain.
My passion is thy scorn; nor wilt thou know
What wealth I have, what gifts I can bestow;
What stores my dairies and my folds contain—
A thousand lambs that wander on the plain,
New milk that, all the winter, never fails,
And, all the summer, overflows the pails.
Amphion sung not sweeter to his herd,
When summoned stones the Theban turrets reared.
Nor am I so deformed; for late I stood
Upon the margin of the briny flood:
The winds were still; and, if the glass be true,
With Daphnis I may vie, though judged by you.
O leave the noisy town: O come and see
Our country cots, and live content with me!
To wound the flying deer, and from their cotes
With me to drive a-field the browsing goats;
To pipe and sing, and in our country strain,
To copy, or perhaps contend with Pan.
Pan taught to join with wax unequal reeds;
Pan loves the shepherds, and their flocks he feeds.
Nor scorn the pipe: Amyntas, to be taught,
With all his kisses would my skill have bought.
Of seven smooth joints a mellow pipe I have,
Which with his dying breath Damoetas gave,
And said, “This, Corydon, I leave to thee;
For only thou deserv’st it after me.”
His eyes Amyntas durst not upward lift;
For much he grudged the praise, but more the gift.
Besides, two kids, that in the valley strayed,
I found by chance, and to my fold conveyed;
They drain two bagging udders every day;
And these shall be companions of thy play;
Both flecked with white, the true Arcadian strain,
Which Thestylis had often begged in vain:
And she shall have them, if again she sues,
Since you the giver and the gift refuse.
Come to my longing arms, my lovely care!
And take the presents which the nymphs prepare.
White lilies in full canisters they bring,
With all the glories of the purple spring.
The daughters of the flood have searched the mead
For violets pale, and cropped the poppy’s head,
The short narcissus and fair daffodil,
Pansies to please the sight, and cassia sweet to smell:
And set soft hyacinths with iron-blue,
To shade marsh marigolds of shining hue;
Some bound in order, others loosely strewed,
To dress thy bower, and trim thy new abode.
Myself will search our planted grounds at home,
For downy peaches and the glossy plum:
And thrash the chestnuts in the neighbouring grove,
Such as my Amaryllis used to love.
The laurel and the myrtle sweets agree;
And both in nosegays shall be bound for thee.
Ah, Corydon! ah, poor unhappy swain!
Alexis will thy homely gifts disdain;
Nor, shouldst thou offer all thy little store,
Will rich Iolas yield, but offer more.
What have I done, to name that wealthy swain!
So powerful are his presents, mine so mean!
The boar amidst my crystal streams I bring:
And southern winds to blast my flowery spring.
Ah, cruel creature! whom dost thou despise?
The gods, to live in woods, have left the skies:
And godlike Paris, in the Idaean grove,
To Priam’s wealth preferred Oenone’s love.
In cities, which she built, let Pallas reign;
Towers are for gods, but forests for the swain.
The greedy lioness the wolf pursues,
The wolf the kid, the wanton kid the browse;
Alexis thou art chased by Corydon:
All follow several games, and each his own.
See, from afar the fields no longer smoke;
The sweating steers, unharnassed from the yoke,
Bring, as in triumph, back the crooked plough;
The shadows lengthen as the sun goes low;
Cool breezes now the raging heats remove;
Ah! cruel heaven, that made no cure for love!
I wish for balmy sleep, but wish in vain:
Love has no bounds in pleasure, or in pain.
What frenzy, shepherd, has thy soul possessed?
Thy vineyard lies half-pruned, and half-undressed.
Quench, Corydon, thy long-unanswered fire,
Mind what the common wants of life require:
On willow twigs employ thy weaving care;
And find an easier love, though not so fair.

Pastoral III

Palaemon

Menalcas. Damoetas. Palaemon

Damoetas and Menalcas, after some smart strokes of country raillery, resolve to try who has the most skill at a song; and accordingly make their neighbour Palaemon judge of their performances; who, after a full hearing of both parties, declares himself unfit for the decision of so weighty a controversy, and leaves the victory undetermined.

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The Eclogues by Virgil, translated by John Dryden. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

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