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The Elusive Pimpernel ▾
contents
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. XIII
  14. XIV
  15. XV
  16. XVI
  17. XVII
  18. XVIII
  19. XIX
  20. XX
  21. XXI
  22. XXII
  23. XXIII
  24. XXIV
  25. XXV
  26. XXVI
  27. XXVII
  28. XXVIII
  29. XXIX
  30. XXX
  31. XXXI
  32. XXXII
  33. XXXIII
  34. XXXIV
  35. XXXV
English ▾

The Elusive Pimpernel

Baroness Orczy

free · 84,377 words · 7 h 30 m audiobook, read by Karen Savage for LibriVox · first published 1908

text from Standard Ebooks

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To my old and valued Friend,
David Murray, R.A.

I

Paris: 1793

There was not even a reaction.

On! ever on! in that wild, surging torrent; sowing the wind of anarchy, of terrorism, of lust of blood and hate, and reaping a hurricane of destruction and of horror.

On! ever on! France, with Paris and all her children still rushes blindly, madly on; defies the powerful coalition—Austria, England, Spain, Prussia, all joined together to stem the flow of carnage—defies the Universe and defies God!

Paris this September 1793!—or shall we call it Vendemiaire, Year I of the Republic?—call it what we will! Paris! a city of bloodshed, of humanity in its lowest, most degraded aspect. France herself a gigantic self-devouring monster, her fairest cities destroyed, Lyons razed to the ground, Toulon, Marseilles, masses of blackened ruins, her bravest sons turned to lustful brutes or to abject cowards seeking safety at the cost of any humiliation.

That is thy reward, oh mighty, holy Revolution! apotheosis of equality and fraternity! grand rival of decadent Christianity.

Five weeks now since Marat, the bloodthirsty Friend of the People, succumbed beneath the sheath-knife of a virgin patriot, a month since his murderess walked proudly, even enthusiastically, to the guillotine! There has been no reaction—only a great sigh! … Not of content or satisfied lust, but a sigh such as the man-eating tiger might heave after his first taste of long-coveted blood.

A sigh for more!

A king on the scaffold; a queen degraded and abased, awaiting death, which lingers on the threshold of her infamous prison; eight hundred scions of ancient houses that have made the history of France; brave generals, Custine, Blanchelande, Houchard, Beauharnais; worthy patriots, noble-hearted women, misguided enthusiasts, all by the score and by the hundred, up the few wooden steps which lead to the guillotine.

An achievement of truth!

And still that sigh for more!

But for the moment—a few seconds only—Paris looked round her mighty self, and thought things over!

The man-eating tiger for the space of a sigh licked his powerful jaws and pondered!

Something new!—something wonderful!

We have had a new Constitution, a new Justice, new Laws, a new Almanac!

What next?

Why, obviously!—How comes it that great, intellectual, aesthetic Paris never thought of such a wonderful thing before?

A new religion!

Christianity is old and obsolete, priests are aristocrats, wealthy oppressors of the People, the Church but another form of wanton tyranny.

Let us by all means have a new religion.

Already something has been done to destroy the old! To destroy! always to destroy! Churches have been ransacked, altars spoliated, tombs desecrated, priests and curates murdered; but that is not enough.

There must be a new religion; and to attain that there must be a new God.

“Man is a born idol-worshipper.”

Very well then! let the People have a new religion and a new God.

Stay!—Not a God this time!—for God means Majesty, Power, Kingship! everything in fact which the mighty hand of the people of France has struggled and fought to destroy.

Not a God, but a goddess.

A goddess! an idol! a toy! since even the man-eating tiger must play sometimes.

Paris wanted a new religion, and a new toy, and grave men, ardent patriots, mad enthusiasts, sat in the Assembly of the Convention and seriously discussed the means of providing her with both these things which she asked for.

Chaumette, I think it was, who first solved the difficulty—Procureur Chaumette, head of the Paris Municipality, he who had ordered that the cart which bore the dethroned queen to the squalid prison of the Conciergerie should be led slowly past her own late palace of the Tuileries, and should be stopped there just long enough for her to see and to feel in one grand mental vision all that she had been when she dwelt there, and all that she now was by the will of the People.

Chaumette, as you see, was refined, artistic—the torture of the fallen Queen’s heart meant more to him than a blow of the guillotine on her neck.

No wonder, therefore, that it was Procureur Chaumette who first discovered exactly what type of new religion Paris wanted just now.

restoring your place…

fetching the rest…

More by Baroness Orczy

  • El Dorado
    You get the Scarlet Pimpernel in Revolutionary Paris, working through danger with that wonderfully ridiculous public mask of Sir Percy Blakeney and much sharper courage underneath. It’s melodramatic and politically shadowed rather than subtle, but the disguises, narrow escapes, and doomed atmosphere make it satisfying if you like your adventure theatrical.
  • I Will Repay
    Juliette swears on her father's deathbed to destroy the man who killed her brother, then makes the mistake of falling in love with him, and Orczy wrings every drop from that bind. Full-tilt Revolution melodrama, less Pimpernel than you'd expect, but the guilt is genuinely tense.
  • Lord Tony’s Wife
    If you liked the Scarlet Pimpernel, this one takes you to Nantes during the Terror, where Carrier's drownings make the stakes genuinely grim, and Percy stays offstage longer than you'd want. The revenge plot against Yvonne is pure melodrama, but it's melodrama done with real conviction.

genres

  • Historical fiction
  • Adventure

appears in

  • The Scarlet Pimpernel

—

thank you for reading

The Elusive Pimpernel by Baroness Orczy. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Karen Savage for LibriVox, also public domain.

First published in 1908.

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