tale.fyi

The Emerald City of Oz ▾
contents
  1. Author's Note
  2. 1. How the Nome King Became Angry
  3. 2. How Uncle Henry Got Into Trouble
  4. 3. How Ozma Granted Dorothy's Request
  5. 4. How The Nome King Planned Revenge
  6. 5. How Dorothy Became a Princess
  7. 6. How Guph Visited the Whimsies
  8. 7. How Aunt Em Conquered the Lion
  9. 8. How the Grand Gallipoot Joined The Nomes
  10. 9. How the Wogglebug Taught Athletics
  11. 10. How the Cuttenclips Lived
  12. TAKE THIS ROAD TO THE CUTTENCLIPS
  13. 11. How the General Met the First and Foremost
  14. 12. How they Matched the Fuddles
  15. 13. How the General Talked to the King
  16. 14. How the Wizard Practiced Sorcery
  17. 15. How Dorothy Happened to Get Lost
  18. 16. How Dorothy Visited Utensia
  19. 17. How They Came to Bunbury
  20. 18. How Ozma Looked into the Magic Picture
  21. 19. How Bunnybury Welcomed the Strangers
  22. 20. How Dorothy Lunched With a King
  23. 21. How the King Changed His Mind
  24. 22. How the Wizard Found Dorothy
  25. 23. How They Encountered the Flutterbudgets
  26. 24. How the Tin Woodman Told the Sad News
  27. 25. How the Scarecrow Displayed His Wisdom
  28. 26. How Ozma Refused to Fight for Her Kingdom
  29. 27. How the Fierce Warriors Invaded Oz
  30. 28. How They Drank at the Forbidden Fountain
  31. 29. How Glinda Worked a Magic Spell
  32. 30. How the Story of Oz Came to an End
English ▾

The Emerald City of Oz

L. Frank Baum

free · 53,494 words · 5 h 56 m audiobook, read by Phil Chenevert for LibriVox

text from Project Gutenberg

scroll plz ↓continue ↓

(start over)

Author of The Road to Oz,
Dorothy and The Wizard in Oz,
The Land of Oz, etc.



Author's Note

Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself "an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requestsed to weave into the thread of my stories.

These ideas are often clever. They are also logical and interesting. So I have used them whenever I could find an opportunity, and it is but just that I acknowledge my indebtedness to my little friends.

My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring and genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize that I try to please them. The result is very satisfactory to the publishers, to me, and (I am quite sure) to the children.

I hope, my dears, it will be a long time before we are obliged to dissolve partnership.


L. FRANK BAUM.
Coronado, 1910




1. How the Nome King Became Angry

The Nome King was in an angry mood, and at such times he was very disagreeable. Every one kept away from him, even his Chief Steward Kaliko.

Therefore the King stormed and raved all by himself, walking up and down in his jewel-studded cavern and getting angrier all the time. Then he remembered that it was no fun being angry unless he had some one to frighten and make miserable, and he rushed to his big gong and made it clatter as loud as he could.

In came the Chief Steward, trying not to show the Nome King how frightened he was.

"Send the Chief Counselor here!" shouted the angry monarch.

Kaliko ran out as fast as his spindle legs could carry his fat, round body, and soon the Chief Counselor entered the cavern. The King scowled and said to him:

"I'm in great trouble over the loss of my Magic Belt. Every little while I want to do something magical, and find I can't because the Belt is gone. That makes me angry, and when I'm angry I can't have a good time. Now, what do you advise?"

"Some people," said the Chief Counselor, "enjoy getting angry."

"But not all the time," declared the King. "To be angry once in a while is really good fun, because it makes others so miserable. But to be angry morning, noon and night, as I am, grows monotonous and prevents my gaining any other pleasure in life. Now what do you advise?"

"Why, if you are angry because you want to do magical things and can't, and if you don't want to get angry at all, my advice is not to want to do magical things."

Hearing this, the King glared at his Counselor with a furious expression and tugged at his own long white whiskers until he pulled them so hard that he yelled with pain.

"You are a fool!" he exclaimed.

"I share that honor with your Majesty," said the Chief Counselor.

The King roared with rage and stamped his foot.

"Ho, there, my guards!" he cried. "Ho" is a royal way of saying, "Come here." So, when the guards had hoed, the King said to them:

"Take this Chief Counselor and throw him away."

Then the guards took the Chief Counselor, and bound him with chains to prevent his struggling, and threw him away. And the King paced up and down his cavern more angry than before.

Finally he rushed to his big gong and made it clatter like a fire alarm. Kaliko appeared again, trembling and white with fear.

"Fetch my pipe!" yelled the King.

"Your pipe is already here, your Majesty," replied Kaliko.

"Then get my tobacco!" roared the King.

"The tobacco is in your pipe, your Majesty," returned the Steward.

"Then bring a live coal from the furnace!" commanded the King.

"The tobacco is lighted, and your Majesty is already smoking your pipe," answered the Steward.

"Why, so I am!" said the King, who had forgotten this fact; "but you are very rude to remind me of it."

"I am a lowborn, miserable villain," declared the Chief Steward, humbly.

The Nome King could think of nothing to say next, so he puffed away at his pipe and paced up and down the room. Finally, he remembered how angry he was, and cried out:

"What do you mean, Kaliko, by being so contented when your monarch is unhappy?"

restoring your place…

fetching the rest…

More by L. Frank Baum

  • Dorothy and the Wizard in Oz
    You get Dorothy at her most resourceful here, stranded after a California earthquake and making her way through bizarre underground countries with the Wizard, who is brave in bursts but still a nervous showman. It’s a stranger, more episodic Oz book, best if you enjoy Baum’s odd landscapes more than a tightly shaped adventure.
  • Glinda of Oz
    You get Dorothy and Ozma traveling with Glinda into the strange country of the Flatheads, where Baum’s imagination turns geography into play. It’s a gentle, episodic late Oz book, more curious than suspenseful, and especially good when you want the familiar characters in a slightly dreamier, less polished adventure.
  • Oz Stories
    Baum's short Oz pieces, chiefly the Little Wizard Stories: quick episodes that put Dorothy, the Scarecrow, and company through one neat scrape apiece. Written for younger readers than the novels; small servings with the original voice intact.

appears in

  • The Oz Books

—

thank you for reading

The Emerald City of Oz by L. Frank Baum. The text is in the US public domain, digitized by Project Gutenberg’s volunteers and served from our own copy.

Narrated by Phil Chenevert for LibriVox, also public domain.

tale.fyi