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The Frogs ▾
contents
  1. Translations By E D A Morshead E H Plumptre Gilbert Murray And B B Rogers
  2. With Introductions And Notes VOLUME 8
  3. INTRODUCTORY NOTE
  4. THE FROGS OF ARISTOPHANES
English ▾

The Frogs

Aristophanes

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Translations By

E D A Morshead
E H Plumptre
Gilbert Murray
And
B B Rogers

With Introductions And Notes

VOLUME 8






CONTENTS

INTRODUCTORY NOTE

DRAMATIS PERSONÆ








INTRODUCTORY NOTE

Aristophanes, the greatest of comic writers in Greek and in the opinion of many, in any language, is the only one of the Attic comedians any of whose works has survived in complete form He was born in Athens about the middle of the fifth century B C, and had his first comedy produced when he was so young that his name was withheld on account of his youth. He is credited with over forty plays, eleven of which survive, along with the names and fragments of some twenty-six others. His satire deal with political, religious, and literary topics, and with all its humor and fancy is evidently the outcome of profound conviction and a genuine patriotism. The Attic comedy was produced at the festivals of Dionysus, which were marked by great license, and to this, rather than to the individual taste of the poet, must be ascribed the undoubted coarseness of many of the jests. Aristophanes seems, indeed, to have been regarded by his contemporaries as a man of noble character. He died shortly after the production of his "Plutus," in 388 B. C.

"The Frogs" was produced the year after the death of Euripides, and laments the decay of Greek tragedy which Aristophanes attributed to that writer. It is an admirable example of the brilliance of his style, and of that mingling of wit and poetry with rollicking humor and keen satirical point which is his chief characteristic. Here, as elsewhere, he stands for tradition against innovation of all kinds, whether in politics, religion, or art. The hostility to Euripides displayed here and in several other plays, like his attacks on Socrates, is a result of this attitude of conservatism. The present play is notable also as a piece of elaborate if not over-serious literary criticism from the pen of a great poet.






THE FROGS OF ARISTOPHANES








DRAMATIS PERSONÆ

THE GOD DIONYSUS

XANTHIAS, his slave

AESCHYLUS

EURIPIDES

HERACLES

PLUTO

CHARON AEACUS, house porter to Pluto

A CORPSE

A MAIDSERVANT OF PERSEPHONE

A LANDLADY IN HADES

PLATHANE, her servant

A CHORUS OF FROGS

A CHORUS OF INITIATED PERSONS

Attendants at a Funeral;

Women worshipping Iacchus;

Servants of Pluto, &c.






restoring your place…

fetching the rest…

More by Aristophanes

  • Lysistrata
    You get a bawdy, unruly comedy where Lysistrata organizes Athenian women to withhold sex until the men stop the war. The jokes are blunt and the choral shouting feels theatrical, but beneath it is a surprisingly sharp fantasy of ordinary people forcing peace into the room.
  • Peace
    You follow Trygaeus, an Athenian who rides a giant dung beetle into heaven to bring Peace back from a pit where War has buried her. It’s earthy, ridiculous, and politically sharp, especially when farmers celebrate the return of ordinary work, though its broad jokes can feel very much of its time.
  • The Acharnians
    You get Aristophanes at his most gloriously unreasonable: Dikaiopolis argues for peace while the chorus of charcoal burners fumes, and the play ricochets between filthy jokes, theatrical parody, and a surprisingly serious case against war. It’s rough, loud, and smarter than its slapstick first suggests.

appears in

  • Great Books of the Western World

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The Frogs by Aristophanes. The text is in the US public domain, digitized by Project Gutenberg’s volunteers and served from our own copy.

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