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The Magic City ▾
contents
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. Endnotes
English ▾

The Magic City

E. Nesbit

free · 59,078 words · 7 h 37 m audiobook, read by Ruth Golding for LibriVox · first published 1910

text from Standard Ebooks

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To
Barbara, Maurice,
and
Stephen Chant
This Book Is Dedicated
by
E. Nesbit

Well Hall,
Eltham, Kent, 1910.

I

The Beginning

Philip Haldane and his sister lived in a little red-roofed house in a little red-roofed town. They had a little garden and a little balcony, and a little stable with a little pony in it—and a little cart for the pony to draw; a little canary hung in a little cage in the little bow-window, and the neat little servant kept everything as bright and clean as a little new pin.

Philip had no one but his sister, and she had no one but Philip. Their parents were dead, and Helen, who was twenty years older than Philip and was really his half-sister, was all the mother he had ever known. And he had never envied other boys their mothers, because Helen was so kind and clever and dear. She gave up almost all her time to him; she taught him all the lessons he learned; she played with him, inventing the most wonderful new games and adventures. So that every morning when Philip woke he knew that he was waking to a new day of joyous and interesting happenings. And this went on till Philip was ten years old, and he had no least shadow of a doubt that it would go on forever. The beginning of the change came one day when he and Helen had gone for a picnic to the wood where the waterfall was, and as they were driving back behind the stout old pony, who was so good and quiet that Philip was allowed to drive it. They were coming up the last lane before the turning where their house was, and Helen said:

“Tomorrow we’ll weed the aster bed and have tea in the garden.”

“Jolly,” said Philip, and they turned the corner and came in sight of their white little garden gate. And a man was coming out of it—a man who was not one of the friends they both knew. He turned and came to meet them. Helen put her hand on the reins—a thing which she had always taught Philip was never done—and the pony stopped. The man, who was, as Philip put it to himself, “tall and tweedy,” came across in front of the pony’s nose and stood close by the wheel on the side where Helen sat. She shook hands with him, and said, “How do you do?” in quite the usual way. But after that they whispered. Whispered! And Philip knew how rude it is to whisper, because Helen had often told him this. He heard one or two words, “at last,” and “over now,” and “this evening, then.”

After that Helen said, “This is my brother Philip,” and the man shook hands with him—across Helen, another thing which Philip knew was not manners, and said, “I hope we shall be the best of friends.” Pip said, “How do you do?” because that is the polite thing to say. But inside himself he said, “I don’t want to be friends with you.”

Then the man took off his hat and walked away, and Philip and his sister went home. She seemed different, somehow, and he was sent to bed a little earlier than usual, but he could not go to sleep for a long time, because he heard the front-door bell ring and afterwards a man’s voice and Helen’s going on and on in the little drawing-room under the room which was his bedroom. He went to sleep at last, and when he woke up in the morning it was raining, and the sky was grey and miserable. He lost his collar-stud, he tore one of his stockings as he pulled it on, he pinched his finger in the door, and he dropped his tooth-mug, with water in it too, and the mug was broken and the water went into his boots. There are mornings, you know, when things happen like that. This was one of them.

Then he went down to breakfast, which tasted not quite so nice as usual. He was late, of course. The bacon fat was growing grey with waiting for him, as Helen said, in the cheerful voice that had always said all the things he liked best to hear. But Philip didn’t smile. It did not seem the sort of morning for smiling, and the grey rain beat against the window.

After breakfast Helen said, “Tea in the garden is indefinitely postponed, and it’s too wet for lessons.”

That was one of her charming ideas—that wet days should not be made worse by lessons.

“What shall we do?” she said; “shall we talk about the island? Shall I make another map of it? And put in all the gardens and fountains and swings?”

The island was a favourite play. Somewhere in the warm seas where palm trees are, and rainbow-coloured sands, the island was said to be—their own island, beautified by their fancy with everything they liked and wanted, and Philip was never tired of talking about it. There were times when he almost believed that the island was real. He was king of the island and Helen was queen, and no one else was to be allowed on it. Only these two.

But this morning even the thought of the island failed to charm. Philip straggled away to the window and looked out dismally at the soaked lawn and the dripping laburnum trees, and the row of raindrops hanging fat and full on the iron gate.

“What is it, Pippin?” Helen asked. “Don’t tell me you’re going to have horrid measles, or red-hot scarlet fever, or noisy whooping-cough.”

She came across and laid her hand on his forehead.

“Why, you’re quite hot, boy of my heart. Tell sister, what is it?”

“You tell me,” said Philip slowly.

“Tell you what, Pip?”

“You think you ought to bear it alone, like in books, and be noble and all that. But you must tell me; you promised you’d never have any secrets from me, Helen, you know you did.”

Helen put her arm round him and said nothing. And from her silence Pip drew the most desperate and harrowing conclusions. The silence lasted. The rain gurgled in the water-pipe and dripped on the ivy. The canary in the green cage that hung in the window put its head on one side and tweaked a seed husk out into Philip’s face, then twittered defiantly. But his sister said nothing.

“Don’t,” said Philip suddenly, “don’t break it to me; tell me straight out.”

“Tell you what?” she said again.

“What is it?” he said. “I know how these unforetold misfortunes happen. Someone always comes—and then it’s broken to the family.”

“What is?” she asked.

“The misfortune,” said Philip breathlessly. “Oh, Helen, I’m not a baby. Do tell me! Have we lost our money in a burst bank? Or is the landlord going to put bailiffs into our furniture? Or are we going to be falsely accused about forgery, or being burglars?”

All the books Philip had ever read worked together in his mind to produce these melancholy suggestions. Helen laughed, and instantly felt a stiffening withdrawal of her brother from her arm.

“No, no, my Pippin, dear,” she made haste to say. “Nothing horrid like that has happened.”

“Then what is it?” he asked, with a growing impatience that felt like a wolf gnawing inside him.

“I didn’t want to tell you all in a hurry like this,” she said anxiously; “but don’t you worry, my boy of boys. It’s something that makes me very happy. I hope it will you, too.”

He swung round in the circling of her arm and looked at her with sudden ecstasy.

restoring your place…

fetching the rest…

More by E. Nesbit

  • Five Children and It
    You get mischievous wish-making from the Psammead, but the real pleasure is watching Cyril, Anthea, Robert, Jane, and the baby scramble to manage the consequences. Nesbit’s dry humor and sharp eye for children’s logic make the book feel lively and slightly unruly, though its old-fashioned attitudes can show.
  • Harding’s Luck
    Nesbit gets uncharacteristically tender here: Dickie, a lame boy from a Deptford slum, plants some odd seeds and wakes up in Jacobean England, whole and wanted. It's sadder and quieter than her usual romps, and the choice he faces at the end will stay with you.
  • The Enchanted Castle
    Nesbit lets four kids find a wishing ring that never quite does what they want, and she plays it half funny, half genuinely eerie. The scene where their homemade paper-faced audience comes to life still unsettles grown adults, in the best way, so don't assume it's only for children.

genres

  • Fantasy

—

thank you for reading

The Magic City by E. Nesbit. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Ruth Golding for LibriVox, also public domain.

First published in 1910.

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