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The Monk ▾
contents
  1. Preface Imitation of Horace Ep. 20.—B. 1.
  2. Advertisement
  3. I —Lord Angelo is precise; Stands at a guard with envy; scarce confesses That his blood flows, or that his appetite Is more to bread than stone. Measure for Measure
  4. II Forse se tu gustassi una sol volta La millesima parte delle gioje, Che gusta un cor amato riamando, Diresti ripentita sospirando, Perduto e tutto il tempo Che in amar non si sponde. Hadst thou but tasted once the thousandth part Of joys, which bless the loved and loving heart, Your words repentant and your sighs would prove, Lost is the time which is not passed in love. Tasso
  5. III —These are the villains Whom all the travellers do fear so much. —Some of them are gentlemen Such as the fury of ungoverned youth Thrust from the company of awful men. Two Gentleman of Verona
  6. IV Avaunt! and quit my sight! Let the earth hide thee! Thy bones are marrowless, thy blood is cold! Thou hast no speculation in those eyes Which thou dost glare with! Hence, horrible shadow! Unreal mockery hence! Macbeth Continuation of the history of Don Raymond.
  7. V O You! whom vanity’s light bark conveys On fame’s mad voyage by the wind of praise, With what a shifting gale your course you ply, Forever sunk too low, or borne too high! Who pants for glory finds but short repose, A breath revives him, and a breath o’er-throws. Pope
  8. VI While in each other’s arms entranced they lay, They blessed the night, and cursed the coming day. Lee
  9. VII —Ah! how dark These long-extended realms and rueful wastes; Where nought but silence reigns, and night, dark night, Dark as was chaos ere the infant sun Was rolled together, or had tried its beams Athwart the gloom profound! The sickly taper By glimmering through thy low-browed misty vaults, Furred round with mouldy damps, and ropy slime, Lets fall a supernumerary horror, And only serves to make Thy night more irksome! Blair
  10. VIII The crickets sing, and man’s o’er-laboured sense Repairs itself by rest: our Tarquin thus Did softly press the rushes, ere he wakened The chastity he wounded—Cytherea, How bravely thou becom’st thy bed! Fresh lily! And whiter than the sheets! Cymbeline
  11. IX Tell us, ye dead, will none of you in pity To those you left behind disclose the secret? O! That some courteous ghost would blab it out, What ’tis you are, and we must shortly be. I’ve heard that souls departed have sometimes Forewarned men of their deaths: ’Twas kindly done To knock, and give the alarm. Blair
  12. X Oh! could I worship aught beneath the skies That earth hath seen or fancy could devise, Thine altar, sacred liberty, should stand, Built by no mercenary vulgar hand, With fragrant turf, and flowers as wild and fair, As ever dressed a bank, or scented summer air. Cowper
  13. XI Great heaven! How frail thy creature man is made! How by himself insensibly betrayed! In our own strength unhappily secure, Too little cautious of the adverse power, On pleasure’s flowery brink we idly stray, Masters as yet of our returning way: Till the strong gusts of raging passion rise, Till the dire tempest mingles earth and skies, And swift into the boundless ocean borne, Our foolish confidence too late we mourn: Round our devoted heads the billows beat, And from our troubled view the lessening lands retreat. Prior
  14. XII —He was a fell despightful fiend: Hell holds none worse in baleful bower below: By pride, and wit, and rage, and rancor keened; Of man alike, if good or bad the foe. Thomson
  15. Endnotes
English ▾

The Monk

M. G. Lewis

free · 137,162 words · 14 h 57 m audiobook, read by volunteers for LibriVox · first published 1796

text from Standard Ebooks

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Somnia, terrores magicos, miracula, sagas,
Nocturnos lemures, portentaque.

Dreams, magic terrors, spells of mighty power,
witches, and ghosts who rove at midnight hour.

Horace

Preface

Imitation of Horace
Ep. 20.—B. 1.

Methinks, oh! vain ill-judging book,
I see thee cast a wishful look,
Where reputations won and lost are
In famous row called Paternoster.
Incensed to find your precious olio
Buried in unexplored portfolio,
You scorn the prudent lock and key,
And pant well bound and gilt to see
Your volume in the window set
Of Stockdale, Hookham, or Debrett.

Go then, and pass that dangerous bourn
Whence never book can back return:
And when you find, condemned, despised,
Neglected, blamed, and criticised,
Abuse from all who read you fall,
(If haply you be read at all)
Sorely will you your folly sigh at,
And wish for me, and home, and quiet.

Assuming now a conjuror’s office, I
Thus on your future fortune prophesy:—
Soon as your novelty is o’er,
And you are young and new no more,
In some dark dirty corner thrown,
Mouldy with damps, with cobwebs strown,
Your leaves shall be the bookworm’s prey;
Or sent to chandler-shop away,
And doomed to suffer public scandal,
Shall line the trunk, or wrap the candle!

But should you meet with approbation,
And someone find an inclination
To ask, by natural transition
Respecting me and my condition;
That I am one, the enquirer teach,
Nor very poor, nor very rich;
Of passions strong, of hasty nature,
Of graceless form and dwarfish stature;
By few approved, and few approving;
Extreme in hating and in loving;

Abhorring all whom I dislike,
Adoring who my fancy strike;
In forming judgements never long,
And for the most part judging wrong;
In friendship firm, but still believing
Others are treacherous and deceiving,
And thinking in the present aera
That friendship is a pure chimaera:
More passionate no creature living,
Proud, obstinate, and unforgiving,
But yet for those who kindness show,
Ready through fire and smoke to go.

Again, should it be asked your page,
“Pray, what may be the author’s age?”
Your faults, no doubt, will make it clear,
I scarce have seen my twentieth year,
Which passed, kind reader, on my word,
While England’s throne held George the Third.

Now then your venturous course pursue:
Go, my delight! Dear book, adieu!

M. G. L.

Hague, Oct. 28, 1794.

Advertisement

The first idea of this Romance was suggested by the story of the Santon Barsisa, related in The Guardian.—The Bleeding Nun is a tradition still credited in many parts of Germany; and I have been told that the ruins of the castle of Lauenstein, which she is supposed to haunt, may yet be seen upon the borders of Thuringia.—The Water-King, from the third to the twelfth stanza, is the fragment of an original Danish ballad—and Belerma and Durandarte is translated from some stanzas to be found in a collection of old Spanish poetry, which contains also the popular song of Gayferos and Melesindra, mentioned in Don Quixote.—I have now made a full avowal of all the plagiarisms of which I am aware myself; but I doubt not, many more may be found, of which I am at present totally unconscious.

I

—Lord Angelo is precise;
Stands at a guard with envy; scarce confesses
That his blood flows, or that his appetite
Is more to bread than stone.

Measure for Measure

Scarcely had the abbey bell tolled for five minutes, and already was the church of the Capuchins thronged with auditors. Do not encourage the idea that the crowd was assembled either from motives of piety or thirst of information. But very few were influenced by those reasons; and in a city where superstition reigns with such despotic sway as in Madrid, to seek for true devotion would be a fruitless attempt. The audience now assembled in the Capuchin church was collected by various causes, but all of them were foreign to the ostensible motive. The women came to show themselves, the men to see the women: some were attracted by curiosity to hear an orator so celebrated; some came because they had no better means of employing their time till the play began; some, from being assured that it would be impossible to find places in the church; and one half of Madrid was brought thither by expecting to meet the other half. The only persons truly anxious to hear the preacher were a few antiquated devotees, and half a dozen rival orators, determined to find fault with and ridicule the discourse. As to the remainder of the audience, the sermon might have been omitted altogether, certainly without their being disappointed, and very probably without their perceiving the omission.

Whatever was the occasion, it is at least certain that the Capuchin church had never witnessed a more numerous assembly. Every corner was filled, every seat was occupied. The very statues which ornamented the long aisles were pressed into the service. Boys suspended themselves upon the wings of cherubims; St. Francis and St. Mark bore each a spectator on his shoulders; and St. Agatha found herself under the necessity of carrying double. The consequence was, that in spite of all their hurry and expedition, our two newcomers, on entering the church, looked round in vain for places.

However, the old woman continued to move forwards. In vain were exclamations of displeasure vented against her from all sides: in vain was she addressed with—“I assure you, señora, there are no places here.”—“I beg, señora, that you will not crowd me so intolerably!”—“Señora, you cannot pass this way. Bless me! How can people be so troublesome!”—The old woman was obstinate, and on she went. By dint of perseverance and two brawny arms she made a passage through the crowd, and managed to bustle herself into the very body of the church, at no great distance from the pulpit. Her companion had followed her with timidity and in silence, profiting by the exertions of her conductress.

“Holy Virgin!” exclaimed the old woman in a tone of disappointment, while she threw a glance of enquiry round her; “Holy Virgin! What heat! What a crowd! I wonder what can be the meaning of all this. I believe we must return: there is no such thing as a seat to be had, and nobody seems kind enough to accommodate us with theirs.”

This broad hint attracted the notice of two cavaliers, who occupied stools on the right hand, and were leaning their backs against the seventh column from the pulpit. Both were young, and richly habited. Hearing this appeal to their politeness pronounced in a female voice, they interrupted their conversation to look at the speaker. She had thrown up her veil in order to take a clearer look round the cathedral. Her hair was red, and she squinted. The cavaliers turned round, and renewed their conversation.

“By all means,” replied the old woman’s companion; “by all means, Leonella, let us return home immediately; the heat is excessive, and I am terrified at such a crowd.”

These words were pronounced in a tone of unexampled sweetness. The cavaliers again broke off their discourse, but for this time they were not contented with looking up: both started involuntarily from their seats, and turned themselves towards the speaker.

The voice came from a female, the delicacy and elegance of whose figure inspired the youths with the most lively curiosity to view the face to which it belonged. This satisfaction was denied them. Her features were hidden by a thick veil; but struggling through the crowd had deranged it sufficiently to discover a neck which for symmetry and beauty might have vied with the Medicean Venus. It was of the most dazzling whiteness, and received additional charms from being shaded by the tresses of her long fair hair, which descended in ringlets to her waist. Her figure was rather below than above the middle size: it was light and airy as that of an hamadryad. Her bosom was carefully veiled. Her dress was white; it was fastened by a blue sash, and just permitted to peep out from under it a little foot of the most delicate proportions. A chaplet of large grains hung upon her arm, and her face was covered with a veil of thick black gauze. Such was the female, to whom the youngest of the cavaliers now offered his seat, while the other thought it necessary to pay the same attention to her companion.

The old lady with many expressions of gratitude, but without much difficulty, accepted the offer, and seated herself: the young one followed her example, but made no other compliment than a simple and graceful reverence. Don Lorenzo (such was the cavalier’s name, whose seat she had accepted) placed himself near her; but first he whispered a few words in his friend’s ear, who immediately took the hint, and endeavoured to draw off the old woman’s attention from her lovely charge.

“You are doubtless lately arrived at Madrid,” said Lorenzo to his fair neighbour; “It is impossible that such charms should have long remained unobserved; and had not this been your first public appearance, the envy of the women and adoration of the men would have rendered you already sufficiently remarkable.”

He paused, in expectation of an answer. As his speech did not absolutely require one, the lady did not open her lips: after a few moments he resumed his discourse:

“Am I wrong in supposing you to be a stranger to Madrid?”

The lady hesitated; and at last, in so low a voice as to be scarcely intelligible, she made shift to answer—“No, señor.”

“Do you intend making a stay of any length?”

“Yes, señor.”

“I should esteem myself fortunate, were it in my power to contribute to making your abode agreeable. I am well known at Madrid, and my family has some interest at court. If I can be of any service, you cannot honour or oblige me more than by permitting me to be of use to you.”—“Surely,” said he to himself, “She cannot answer that by a monosyllable; now she must say something to me.”

Lorenzo was deceived, for the lady answered only by a bow.

By this time he had discovered that his neighbour was not very conversible; but whether her silence proceeded from pride, discretion, timidity, or idiotism, he was still unable to decide.

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genres

  • Horror
  • Gothic

appears in

  • Gothic Monsters

—

thank you for reading

The Monk by M. G. Lewis. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Shreya Sethi, Inkell, Sonia, BrentPatrick, Katina Papadakis, and Victoria Quint for LibriVox, also public domain.

First published in 1796.

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