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The Phoenix and the Carpet ▾
contents
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
English ▾

The Phoenix and the Carpet

E. Nesbit

free · 62,156 words · 6 h 4 m audiobook, read by Helen Taylor for LibriVox · first published 1904

text from Standard Ebooks

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To
My Dear Godson
Hubert Griffith
and his sister
Margaret

Dear Hubert, if I ever found
A wishing-carpet lying round,
I’d stand upon it, and I’d say:
“Take me to Hubert, right away!”
And then we’d travel very far
To where the magic countries are
That you and I will never see,
And choose the loveliest gifts for you, from me.

But oh! alack! and well-a-day!
No wishing-carpets come my way.
I never found a Phoenix yet,
And Psammeads are so hard to get!
So I give you nothing fine—
Only this book, your book and mine,
And hers, whose name by yours is set;
Your book, my book, the book of Margaret!

E. Nesbit

Dymchurch

September, 1904

I

The Egg

It began with the day when it was almost the Fifth of November, and a doubt arose in some breast—Robert’s, I fancy—as to the quality of the fireworks laid in for the Guy Fawkes celebration.

“They were jolly cheap,” said whoever it was, and I think it was Robert, “and suppose they didn’t go off on the night? Those Prosser kids would have something to snigger about then.”

“The ones I got are all right,” Jane said; “I know they are, because the man at the shop said they were worth thribble the money—”

“I’m sure thribble isn’t grammar,” Anthea said.

“Of course it isn’t,” said Cyril; “one word can’t be grammar all by itself, so you needn’t be so jolly clever.”

Anthea was rummaging in the corner-drawers of her mind for a very disagreeable answer, when she remembered what a wet day it was, and how the boys had been disappointed of that ride to London and back on the top of the tram, which their mother had promised them as a reward for not having once forgotten, for six whole days, to wipe their boots on the mat when they came home from school.

So Anthea only said, “Don’t be so jolly clever yourself, Squirrel. And the fireworks look all right, and you’ll have the eightpence that your tram fares didn’t cost today, to buy something more with. You ought to get a perfectly lovely Catharine wheel for eightpence.”

“I daresay,” said Cyril, coldly; “but it’s not your eightpence anyhow—”

“But look here,” said Robert, “really now, about the fireworks. We don’t want to be disgraced before those kids next door. They think because they wear red plush on Sundays no one else is any good.”

“I wouldn’t wear plush if it was ever so—unless it was black to be beheaded in, if I was Mary Queen of Scots,” said Anthea, with scorn.

Robert stuck steadily to his point. One great point about Robert is the steadiness with which he can stick.

“I think we ought to test them,” he said.

“You young duffer,” said Cyril, “fireworks are like postage-stamps. You can only use them once.”

“What do you suppose it means by ‘Carter’s tested seeds’ in the advertisement?”

There was a blank silence. Then Cyril touched his forehead with his finger and shook his head.

“A little wrong here,” he said. “I was always afraid of that with poor Robert. All that cleverness, you know, and being top in algebra so often—it’s bound to tell—”

“Dry up,” said Robert, fiercely. “Don’t you see? You can’t test seeds if you do them all. You just take a few here and there, and if those grow you can feel pretty sure the others will be—what do you call it?—Father told me—‘up to sample.’ Don’t you think we ought to sample the fireworks? Just shut our eyes and each draw one out, and then try them.”

“But it’s raining cats and dogs,” said Jane.

“And Queen Anne is dead,” rejoined Robert. No one was in a very good temper. “We needn’t go out to do them; we can just move back the table, and let them off on the old tea-tray we play toboggans with. I don’t know what you think, but I think it’s time we did something, and that would be really useful; because then we shouldn’t just hope the fireworks would make those Prossers sit up—we should know.”

“It would be something to do,” Cyril owned with languid approval.

So the table was moved back. And then the hole in the carpet, that had been near the window till the carpet was turned round, showed most awfully. But Anthea stole out on tiptoe, and got the tray when cook wasn’t looking, and brought it in and put it over the hole.

Then all the fireworks were put on the table, and each of the four children shut its eyes very tight and put out its hand and grasped something. Robert took a cracker, Cyril and Anthea had Roman candles; but Jane’s fat paw closed on the gem of the whole collection, the jack-in-the-box that had cost two shillings, and one at least of the party—I will not say which, because it was sorry afterwards—declared that Jane had done it on purpose. Nobody was pleased. For the worst of it was that these four children, with a very proper dislike of anything even faintly bordering on the sneakish, had a law, unalterable as those of the Medes and Persians, that one had to stand by the results of a toss-up, or a drawing of lots, or any other appeal to chance, however much one might happen to dislike the way things were turning out.

“I didn’t mean to,” said Jane, near tears. “I don’t care, I’ll draw another—”

“You know jolly well you can’t,” said Cyril, bitterly. “It’s settled. It’s Medium and Persian. You’ve done it, and you’ll have to stand by it—and us too, worse luck. Never mind. You’ll have your pocket-money before the Fifth. Anyway, we’ll have the jack-in-the-box last, and get the most out of it we can.”

So the cracker and the Roman candles were lighted, and they were all that could be expected for the money; but when it came to the jack-in-the-box it simply sat in the tray and laughed at them, as Cyril said. They tried to light it with paper and they tried to light it with matches; they tried to light it with Vesuvian fusees from the pocket of father’s second-best overcoat that was hanging in the hall. And then Anthea slipped away to the cupboard under the stairs where the brooms and dustpans were kept, and the rosiny firelighters that smell so nice and like the woods where pine-trees grow, and the old newspapers and the beeswax and turpentine, and the horrid stiff dark rags that are used for cleaning brass and furniture, and the paraffin for the lamps. She came back with a little pot that had once cost sevenpence-halfpenny when it was full of red-currant jelly; but the jelly had been all eaten long ago, and now Anthea had filled the jar with paraffin. She came in, and she threw the paraffin over the tray just at the moment when Cyril was trying with the twenty-third match to light the jack-in-the-box. The jack-in-the-box did not catch fire any more than usual, but the paraffin acted quite differently, and in an instant a hot flash of flame leapt up and burnt off Cyril’s eyelashes, and scorched the faces of all four before they could spring back. They backed, in four instantaneous bounds, as far as they could, which was to the wall, and the pillar of fire reached from floor to ceiling.

restoring your place…

fetching the rest…

More by E. Nesbit

  • Five Children and It
    You get mischievous wish-making from the Psammead, but the real pleasure is watching Cyril, Anthea, Robert, Jane, and the baby scramble to manage the consequences. Nesbit’s dry humor and sharp eye for children’s logic make the book feel lively and slightly unruly, though its old-fashioned attitudes can show.
  • Harding’s Luck
    Nesbit gets uncharacteristically tender here: Dickie, a lame boy from a Deptford slum, plants some odd seeds and wakes up in Jacobean England, whole and wanted. It's sadder and quieter than her usual romps, and the choice he faces at the end will stay with you.
  • The Enchanted Castle
    Nesbit lets four kids find a wishing ring that never quite does what they want, and she plays it half funny, half genuinely eerie. The scene where their homemade paper-faced audience comes to life still unsettles grown adults, in the best way, so don't assume it's only for children.

genres

  • Fantasy

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thank you for reading

The Phoenix and the Carpet by E. Nesbit. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Helen Taylor for LibriVox, also public domain.

First published in 1904.

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