tale.fyi

The Quest of the Silver Fleece ▾
contents
  1. Note
  2. I
  3. II
  4. III
  5. IV
  6. V
  7. VI
  8. VII
  9. VIII
  10. IX
  11. X
  12. XI
  13. XII
  14. XIII
  15. XIV
  16. XV
  17. XVI
  18. XVII
  19. XVIII
  20. XIX
  21. XX
  22. XXI
  23. XXII
  24. XXIII
  25. XXIV
  26. XXV
  27. XXVI
  28. XXVII
  29. XXVIII
  30. XXIX
  31. XXX
  32. XXXI
  33. XXXII
  34. XXXIII
  35. XXXIV
  36. XXXV
  37. XXXVI
  38. XXXVII
  39. XXXVIII
English ▾

The Quest of the Silver Fleece

W. E. B. Du Bois

free · 109,383 words · 12 h 15 m audiobook, read by Richard Kilmer and AJai Hilton for LibriVox

text from Standard Ebooks

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To one
whose name may not be written but to whose tireless faith the shaping of these cruder thoughts to forms more fitly perfect is doubtless due, this finished work is herewith dedicated

Note

He who would tell a tale must look toward three ideals: to tell it well, to tell it beautifully, and to tell the truth.

The first is the Gift of God, the second is the Vision of Genius, but the third is the Reward of Honesty.

In The Quest of the Silver Fleece there is little, I ween, divine or ingenious; but, at least, I have been honest. In no fact or picture have I consciously set down aught the counterpart of which I have not seen or known; and whatever the finished picture may lack of completeness, this lack is due now to the storyteller, now to the artist, but never to the herald of the Truth.

The Author.
New York City,
August 15, 1911.

I

Dreams

Night fell. The red waters of the swamp grew sinister and sullen. The tall pines lost their slimness and stood in wide blurred blotches all across the way, and a great shadowy bird arose, wheeled and melted, murmuring, into the black-green sky.

The boy wearily dropped his heavy bundle and stood still, listening as the voice of crickets split the shadows and made the silence audible. A tear wandered down his brown cheek. They were at supper now, he whispered—the father and old mother, away back yonder beyond the night. They were far away; they would never be as near as once they had been, for he had stepped into the world. And the cat and Old Billy—ah, but the world was a lonely thing, so wide and tall and empty! And so bare, so bitter bare! Somehow he had never dreamed of the world as lonely before; he had fared forth to beckoning hands and luring, and to the eager hum of human voices, as of some great, swelling music.

Yet now he was alone; the empty night was closing all about him here in a strange land, and he was afraid. The bundle with his earthly treasure had hung heavy and heavier on his shoulder; his little horde of money was tightly wadded in his sock, and the school lay hidden somewhere far away in the shadows. He wondered how far it was; he looked and harkened, starting at his own heartbeats, and fearing more and more the long dark fingers of the night.

Then of a sudden up from the darkness came music. It was human music, but of a wildness and a weirdness that startled the boy as it fluttered and danced across the dull red waters of the swamp. He hesitated, then impelled by some strange power, left the highway and slipped into the forest of the swamp, shrinking, yet following the song hungrily and half forgetting his fear. A harsher, shriller note struck in as of many and ruder voices; but above it flew the first sweet music, birdlike, abandoned, and the boy crept closer.

The cabin crouched ragged and black at the edge of black waters. An old chimney leaned drunkenly against it, raging with fire and smoke, while through the chinks winked red gleams of warmth and wild cheer. With a revel of shouting and noise, the music suddenly ceased. Hoarse staccato cries and peals of laughter shook the old hut, and as the boy stood there peering through the black trees, abruptly the door flew open and a flood of light illumined the wood.

Amid this mighty halo, as on clouds of flame, a girl was dancing. She was black, and lithe, and tall, and willowy. Her garments twined and flew around the delicate moulding of her dark, young, half-naked limbs. A heavy mass of hair clung motionless to her wide forehead. Her arms twirled and flickered, and body and soul seemed quivering and whirring in the poetry of her motion.

As she danced she sang. He heard her voice as before, fluttering like a bird’s in the full sweetness of her utter music. It was no tune nor melody, it was just formless, boundless music. The boy forgot himself and all the world besides. All his darkness was sudden light; dazzled he crept forward, bewildered, fascinated, until with one last wild whirl the elf-girl paused. The crimson light fell full upon the warm and velvet bronze of her face—her midnight eyes were aglow, her full purple lips apart, her half hid bosom panting, and all the music dead. Involuntarily the boy gave a gasping cry and awoke to swamp and night and fire, while a white face, drawn, red-eyed, peered outward from some hidden throng within the cabin.

“Who’s that?” a harsh voice cried.

“Where?” “Who is it?” and pale crowding faces blurred the light.

The boy wheeled blindly and fled in terror stumbling through the swamp, hearing strange sounds and feeling stealthy creeping hands and arms and whispering voices. On he toiled in mad haste, struggling toward the road and losing it until finally beneath the shadows of a mighty oak he sank exhausted. There he lay a while trembling and at last drifted into dreamless sleep.

It was morning when he awoke and threw a startled glance upward to the twisted branches of the oak that bent above, sifting down sunshine on his brown face and close curled hair. Slowly he remembered the loneliness, the fear and wild running through the dark. He laughed in the bold courage of day and stretched himself.

Then suddenly he bethought him again of that vision of the night—the waving arms and flying limbs of the girl, and her great black eyes looking into the night and calling him. He could hear her now, and hear that wondrous savage music. Had it been real? Had he dreamed? Or had it been some witch-vision of the night, come to tempt and lure him to his undoing? Where was that black and flaming cabin? Where was the girl—the soul that had called him? She must have been real; she had to live and dance and sing; he must again look into the mystery of her great eyes. And he sat up in sudden determination, and, lo! gazed straight into the very eyes of his dreaming.

She sat not four feet from him, leaning against the great tree, her eyes now languorously abstracted, now alert and quizzical with mischief. She seemed but half-clothed, and her warm, dark flesh peeped furtively through the rent gown; her thick, crisp hair was frowsy and rumpled, and the long curves of her bare young arms gleamed in the morning sunshine, glowing with vigor and life. A little mocking smile came and sat upon her lips.

“What you run for?” she asked, with dancing mischief in her eyes.

“Because—” he hesitated, and his cheeks grew hot.

“I knows,” she said, with impish glee, laughing low music.

“Why?” he challenged, sturdily.

“You was afeared.”

He bridled. “Well, I reckon you’d be afeared if you was caught out in the black dark all alone.”

“Pooh!” she scoffed and hugged her knees. “Pooh! I’ve stayed out all alone heaps o’ nights.”

He looked at her with a curious awe.

“I don’t believe you,” he asserted; but she tossed her head and her eyes grew scornful.

“Who’s afeared of the dark? I love night.” Her eyes grew soft.

He watched her silently, till, waking from her daydream, she abruptly asked:

“Where you from?”

“Georgia.”

restoring your place…

fetching the rest…

More by W. E. B. Du Bois

  • Dark Princess
    Half political manifesto, half swooning romance, and Du Bois doesn't apologize for either. You follow Matthew Towns from a Berlin café where he meets an Indian princess into Pullman cars and Chicago machine politics, and the earnestness is the point.
  • Darkwater non-fiction
    You move from the sharp, unsettling essay “The Souls of White Folk” to the speculative story “The Comet,” with poems and autobiography in between. It can feel uneven and fiercely argued, but you come away seeing race, empire, and gender through a mind that refuses easy comfort.
  • The Souls of Black Folk non-fiction
    Du Bois writes like a scholar who refuses to hide his heart, and the chapter on his infant son's death will stop you cold. Some essays are dense with history and argument, but his idea of living behind the Veil stays with you for years.

genres

  • Psychological
  • Romance

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thank you for reading

The Quest of the Silver Fleece by W. E. B. Du Bois. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Richard Kilmer (1942-2022) and AJai Hilton for LibriVox, also public domain.

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