tale.fyi

These Old Shades ▾
contents
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. XIII
  14. XIV
  15. XV
  16. XVI
  17. XVII
  18. XVIII
  19. XIX
  20. XX
  21. XXI
  22. XXII
  23. XXIII
  24. XXIV
  25. XXV
  26. XXVI
  27. XXVII
  28. XXVIII
  29. XXIX
  30. XXX
  31. XXXI
  32. XXXII
English ▾

These Old Shades

Georgette Heyer

free · 104,697 words · ~7 h read · first published 1926

text from Standard Ebooks

scroll plz ↓continue ↓

(start over)

… This Age I grant (and grant with pride)
Is varied, rich, eventful:
But if you touch its weaker side,
Deplorably resentful:

Belaud it, and it takes your praise
With air of calm conviction:
Condemn it, and at once you raise
A storm of contradiction.

Whereas with these old shades of mine,
Their ways and dress delight me;
And should I trip by word or line,
They cannot well indict me. …

Austin Dodson, Epilogue to Eighteenth-Century Vignettes

I

His Grace of Avon Buys a Soul

A gentleman was strolling down a side street in Paris, on his way back from the house of one Madame de Verchoureux. He walked mincingly, for the red heels of his shoes were very high. A long purple cloak, rose-lined, hung from his shoulders and was allowed to fall carelessly back from his dress, revealing a full-skirted coat of purple satin, heavily laced with gold; a waistcoat of flowered silk; faultless small clothes; and a lavish sprinkling of jewels on his cravat and breast. A three-cornered hat, point-edged, was set upon his powdered wig, and in his hand he carried a long beribboned cane. It was little enough protection against footpads, and although a light dress sword hung at the gentleman’s side its hilt was lost in the folds of his cloak, not quickly to be found. At this late hour, and in this deserted street, it was the height of foolhardiness to walk unattended and flaunting jewels, but the gentleman seemed unaware of his recklessness. He proceeded languidly on his way, glancing neither to left nor to right, apparently heedless of possible danger.

But as he walked down the street, idly twirling his cane, a body hurled itself upon him, shot like a cannonball from a dark alley that yawned to the right of the magnificent gentleman. The figure clutched at the elegant cloak, cried out in a startled voice, and tried to regain his balance.

His Grace of Avon swirled about, gripping his assailant’s wrists and bearing them downwards with a merciless strength belied by his foppish appearance. His victim gave a whimper of pain and sank quivering to his knees.

“M’sieur! Ah, let me go! I did not mean—I did not know—I would not—Ah, m’sieur, let me go!”

His Grace bent over the boy, standing a little to one side so that the light of an adjacent street lamp fell on that white agonized countenance. Great violet-blue eyes gazed wildly up at him, terror in their depths.

“Surely you are a little young for this game?” drawled the Duke. “Or did you think to take me unawares?”

The boy flushed, and his eyes grew dark with indignation.

“I did not seek to rob you! Indeed, indeed I did not! I—I was running away! I—oh, m’sieur, let me go!”

“In good time, my child. From what were you running, may I ask? From another victim?”

“No! Oh, please let me go! You—you do not understand! He will have started in pursuit! Ah, please, please, milor’!”

The Duke’s curious, heavy-lidded eyes never wavered from the boy’s face. They had widened suddenly, and become intent.

“And who, child, is ‘he’?”

“My—my brother. Oh, please—”

Round the corner of the alley came a man, full-tilt. At sight of Avon he checked. The boy shuddered, and now clung to Avon’s arm.

“Ah!” exploded the newcomer. “Now, by God, if the whelp has sought to rob you, milor’, he shall pay for it! You scoundrel! Ungrateful brat! You shall be sorry, I promise you! Milor’, a thousand apologies! The lad is my young brother. I was beating him for his laziness when he slipped from me—”

The Duke raised a scented handkerchief to his thin nostrils.

“Keep your distance, fellow,” he said haughtily. “Doubtless beating is good for the young.”

The boy shrank closer to him. He made no attempt to escape, but his hands twitched convulsively. Once again the Duke’s strange eyes ran over him, resting for a moment on the copper-red curls that were cut short and ruffled into wild disorder.

“As I remarked, beating is good for the young. Your brother, you said?” He glanced now at the swarthy, coarse-featured young man.

“Yes, noble sir, my brother. I have cared for him since our parents died, and he repays me with ingratitude. He is a curse, noble sir, a curse!”

The Duke seemed to reflect.

“How old is he, fellow?”

“He is nineteen, milor’.”

The Duke surveyed the boy.

“Nineteen. Is he not a little small for his age?”

“Why, milor’, if—if he is it is no fault of mine! I—I have fed him well. I pray you, do not heed what he says! He is a viper, a wildcat, a veritable curse!”

“I will relieve you of the curse,” said his Grace calmly.

The man stared, uncomprehending.

restoring your place…

fetching the rest…

More by Georgette Heyer

  • Beauvallet
    Nicholas Beauvallet captures a Spanish galleon, falls for a prisoner, and cheerfully promises to walk into Spain itself to marry her, and the fun is watching him keep that absurd vow. Pure swagger and duels, with a lot of God's-death Elizabethan talk, so come in the mood for froth.
  • Simon the Coldheart
    Early Heyer, medieval not Regency, and she writes it in deliberate thee-and-thou prose that takes a chapter to settle into. But watching stern, ambitious Simon claw up from bastard page to lord, then meet his match besieging Lady Margaret, is sturdy old-fashioned fun.
  • The Black Moth
    Heyer wrote this at nineteen and it shows in the best way: a disgraced earl playing highwayman to shield his brother, a genuinely silky villain in the Duke of Andover, swordfights, abductions, the lot. Sillier than her later books, but cheerfully so.

genres

  • Historical fiction
  • Romance

appears in

  • Love Stories

—

thank you for reading

These Old Shades by Georgette Heyer. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

First published in 1926.

tale.fyi