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Women in Love ▾
contents
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. XIII
  14. XIV
  15. XV
  16. XVI
  17. XVII
  18. XVIII
  19. XIX
  20. XX
  21. XXI
  22. XXII
  23. XXIII
  24. XXIV
  25. XXV
  26. XXVI
  27. XXVII
  28. XXVIII
  29. XXIX
  30. XXX
  31. XXXI
English ▾

Women in Love

D. H. Lawrence

free · 182,149 words · 25 h 19 m audiobook, read by Ruth Golding for LibriVox · first published 1920

text from Standard Ebooks

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I

Sisters

Ursula and Gudrun Brangwen sat one morning in the window-bay of their father’s house in Beldover, working and talking. Ursula was stitching a piece of brightly-coloured embroidery, and Gudrun was drawing upon a board which she held on her knee. They were mostly silent, talking as their thoughts strayed through their minds.

“Ursula,” said Gudrun, “don’t you really want to get married?” Ursula laid her embroidery in her lap and looked up. Her face was calm and considerate.

“I don’t know,” she replied. “It depends how you mean.”

Gudrun was slightly taken aback. She watched her sister for some moments.

“Well,” she said, ironically, “it usually means one thing! But don’t you think anyhow, you’d be—” she darkened slightly—“in a better position than you are in now.”

A shadow came over Ursula’s face.

“I might,” she said. “But I’m not sure.”

Again Gudrun paused, slightly irritated. She wanted to be quite definite.

“You don’t think one needs the experience of having been married?” she asked.

“Do you think it need be an experience?” replied Ursula.

“Bound to be, in some way or other,” said Gudrun, coolly. “Possibly undesirable, but bound to be an experience of some sort.”

“Not really,” said Ursula. “More likely to be the end of experience.”

Gudrun sat very still, to attend to this.

“Of course,” she said, “there’s that to consider.” This brought the conversation to a close. Gudrun, almost angrily, took up her rubber and began to rub out part of her drawing. Ursula stitched absorbedly.

“You wouldn’t consider a good offer?” asked Gudrun.

“I think I’ve rejected several,” said Ursula.

“Really!” Gudrun flushed dark—“But anything really worth while? Have you really?”

“A thousand a year, and an awfully nice man. I liked him awfully,” said Ursula.

“Really! But weren’t you fearfully tempted?”

“In the abstract but not in the concrete,” said Ursula. “When it comes to the point, one isn’t even tempted—oh, if I were tempted, I’d marry like a shot. I’m only tempted not to.” The faces of both sisters suddenly lit up with amusement.

“Isn’t it an amazing thing,” cried Gudrun, “how strong the temptation is, not to!” They both laughed, looking at each other. In their hearts they were frightened.

There was a long pause, whilst Ursula stitched and Gudrun went on with her sketch. The sisters were women, Ursula twenty-six, and Gudrun twenty-five. But both had the remote, virgin look of modern girls, sisters of Artemis rather than of Hebe. Gudrun was very beautiful, passive, soft-skinned, soft-limbed. She wore a dress of dark-blue silky stuff, with ruches of blue and green linen lace in the neck and sleeves; and she had emerald-green stockings. Her look of confidence and diffidence contrasted with Ursula’s sensitive expectancy. The provincial people, intimidated by Gudrun’s perfect sangfroid and exclusive bareness of manner, said of her: “She is a smart woman.” She had just come back from London, where she had spent several years, working at an art-school, as a student, and living a studio life.

“I was hoping now for a man to come along,” Gudrun said, suddenly catching her underlip between her teeth, and making a strange grimace, half sly smiling, half anguish. Ursula was afraid.

“So you have come home, expecting him here?” she laughed.

“Oh my dear,” cried Gudrun, strident, “I wouldn’t go out of my way to look for him. But if there did happen to come along a highly attractive individual of sufficient means—well—” she tailed off ironically. Then she looked searchingly at Ursula, as if to probe her. “Don’t you find yourself getting bored?” she asked of her sister. “Don’t you find, that things fail to materialize? Nothing materializes! Everything withers in the bud.”

“What withers in the bud?” asked Ursula.

“Oh, everything—oneself—things in general.” There was a pause, whilst each sister vaguely considered her fate.

“It does frighten one,” said Ursula, and again there was a pause. “But do you hope to get anywhere by just marrying?”

“It seems to be the inevitable next step,” said Gudrun. Ursula pondered this, with a little bitterness. She was a class mistress herself, in Willey Green Grammar School, as she had been for some years.

“I know,” she said, “it seems like that when one thinks in the abstract. But really imagine it: imagine any man one knows, imagine him coming home to one every evening, and saying ‘Hello,’ and giving one a kiss—”

There was a blank pause.

restoring your place…

fetching the rest…

More by D. H. Lawrence

  • Lady Chatterley’s Lover
    Forget the scandal, it's really about Connie coming back to life in that gamekeeper's hut while Clifford talks coal profits up at the house. Lawrence preaches a bit, he can't help it, but the tenderness is real and it lands if you let it.
  • Sons and Lovers
    You'll recognize things you've never said out loud, especially in Paul Morel's tangled love for his mother, which warps every romance he tries to have. It's intense and sometimes claustrophobic, set among Nottinghamshire coal pits, and if messy family feeling exhausts you, maybe skip it.
  • The Lost Girl
    Alvina Houghton chucking respectable spinsterhood in a dying Midlands shop town to follow Ciccio, a broke Italian vaudeville performer, into the bare Abruzzi mountains, that's the whole strange pull of it. Start it for the small-town comedy, stay for how unsettling the ending feels.

genres

  • Psychological
  • Romance

appears in

  • Modern Library's 100 Best Novels
  • The BBC's 100 Greatest British Novels

—

thank you for reading

Women in Love by D. H. Lawrence. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Ruth Golding for LibriVox, also public domain.

First published in 1920.

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