Short Fiction

A Rocket of Iron

It was one of those misty October nightfalls of the north, when the white fog creeps up from the river, and winds itself like a corpse-sheet around the black, ant-like mass of human insignificance, a cold menace from Nature to Man, till the foreboding of that irresistible fatality which will one day lay us all beneath the ice-death sits upon your breast, and stifles you, till you start up desperately crying, “Let me out, let me out!”

For an hour I had been staring through the window at that chill steam, thickening and blurring out the lines that zigzagged through it indefinitely, pale drunken images of facts, staggering against the invulnerable vapor that walled me in—a sublimated grave marble. Were they all ghosts, those figures wandering across the white night, hardly distinguishable from the posts and pickets that wove in and out, like half-dismembered bodies writhing in pain? My own fingers were curiously numb and inert; had I, too, become a shadow?

It grew unbearable at last, the pressure of the foreboding at my heart, the sense of that on-creeping of Universal Death. I ran out of doors, impelled by the vague impulse to assert my own being, to seek relief in struggle, even though foredoomed futile—to seek warmth, fellowship, somewhere, though but with those ineffective pallors in the mist, that dissolved even while I looked at them. Once in the street, I ran on indifferently, glad to be jostled, glad of the snarling of dogs and the curses of laborers calling to one another. The penumbra of the mist, that menacing dim foreshadow, had not chilled these, then! On, on, through the alleys where human flesh was close, and when one listened one could hear breathings and many feet, drifting at last into the current that swept through the main channel of the city, and presently, whirled round in an eddy, I found myself staring through the open door of the great Iron Works. Perhaps it was the sensation of warmth that held me there first, some feeling of exhilaration and wakening defiance in the flash and swirl of the yellow flames—this, mixed with an indistinct desire to clutch at something, anything, that seemed stationary in the midst of all this that slipped and wavered and fell away. … No, I remember now: there was something before that; there was a sound—a sound that had stopped my feet in their going, and smote me with a long shudder—a sound of hammers, beating, beating, beating a terrific hail, momentarily faster and louder, and in between a panting as of some great monster catching breath beneath the driving of that iron rain. Faster, faster—clang! A long reverberant shriek! The giant had rolled and shivered in his pain. Involuntarily I was drawn down into the Valley of the Sound, words muttering themselves through my lips as I passed: “Forging, forging—what are they forging there? Frankenstein makes his Monster. How the iron screams!” But I heard it no more now; I only saw!—saw the curling yellow flames, and the red, red iron that panted, and the Masters of the Hammers. How they moved there, like demons in the abyss, their bodies swinging, their eyes tense and aglitter, their faces covered with the gloom of the torture-chamber!

Only one face I saw, young and fair—young and very fair—whereon the gloom seemed not to settle. The skin of it was white and shining there in the midst of that black haze; over the wide forehead fell tumbling waves of thick brown hair, and two great dark eyes looked steadily into the red iron, as if they saw therein something I did not see; only now and then they were lifted, and looked away upward, as if beyond the smoke-pall they beheld a vision. Once he turned so that the rose-light cast forth his profile as a silhouette; and I shivered, it was so fine and hard! Hard with the hardness of beaten iron, and fine with the fineness of a keen chisel. Had the hammers been beating on that fair young face?

A comrade called, a sudden terrified cry. There was a wild rush, a mad stampede of feet, a horrible screech of hissing metal, and a rocket of iron shot upward toward the black roof, bursting and falling in a burning shower. Three figures lay writhing along the floor, among the leaping, demoniac sparks.

The first to lift them was the Man with the white face. He had stood still in the storm, and ran forward when the others shrank back. Now he passed by me, bearing his dying burden, and I saw no quiver upon brow or chin; only, when he laid it in the ambulance, I fancied I saw upon the delicate curved lips a line of purpose deepen, and the reflection of the iron-fire glow in the strange eyes, as if for an instant the door of a hidden furnace had been opened and smouldering coals had breathed the air. And even then he looked up!

It was all over in half an hour. There would be weeping in three little homes; and one was dead, and one would die, and one would crawl, a seared human stump, to the end of his weary days. The crowd that had gathered was gone; they would not know the Stump when it begged from them with its maimed hands, six months after, on some street corner. “Fakir” they would say, and laugh. There would be an entry on the company’s books, and a brief line in the newspapers next day. But the welding of the iron would go on, and the man who gave his easy money for it would fancy he had paid for it, not seeing the stiff figures in their graves, nor the crippled beggar, nor the broken homes.

The rocket of iron is already cold; dull, inert, fireless, the black fragments lie upon the floor whereon they lately rained their red revenge. Do with them what you will, you cannot undo their work. The men are clearing way. Only he with the white face does not go back to his place. Still set and silent he takes his coat, “presses his soft hat down upon his thick, damp locks,” and goes out into the fog and night. So close he passed me, I might have touched him; but he never saw me. Perhaps he was still carrying the burden of the dying man upon his heart; perhaps some mightier burden. For one instant the shapely, boyish figure was in full light, then it vanished away in the engulfing mist—the mist which the vision of him had made me forget. For I knew I had seen a Man of Iron, into whose soul the iron had driven, whose nerves were tempered as cold steel, but behind whose still, impassive features slumbered a white-hot heart. And others should see a rocket and a ruin, and feel the Vengeance of Beaten Iron, before the mist comes and swallows all.

I had forgotten! Upon that face, that young, fair face, so smooth and fine that even the black smoke would not rest upon it, there bloomed the roses of Early Death. Hothouse flowers!

The Chain Gang

It is far, far down in the southland, and I am back again, thanks be, in the land of wind and snow, where life lives. But that was in the days when I was a wretched thing, that crept and crawled, and shrunk when the wind blew, and feared the snow. So they sent me away down there to the world of the sun, where the wind and the snow are afraid. And the sun was kind to me, and the soft air that does not move lay around me like folds of down, and the poor creeping life in me winked in the light and stared out at the wide caressing air; stared away to the north, to the land of wind and rain, where my heart was—my heart that would be at home.

Yes, there, in the tender south, my heart was bitter and bowed, for the love of the singing wind and the frost whose edge was death—bitter and bowed for the strength to bear that was gone, and the strength to love that abode. Day after day I climbed the hills with my face to the north and home. And there, on those southern heights, where the air was resin and balm, there smote on my ears the sound that all the wind of the north can never sing down again, the sound I shall hear till I stand at the door of the last silence.

Cling—clang—cling—From the Georgian hills it sounds; and the snow and the storm cannot drown it—the far-off, terrible music of the Chain Gang.

I met it there on the road, face to face, with all the light of the sun upon it. Do you know what it is? Do you know that every day men run in long procession, upon the road they build for others’ safe and easy going, bound to a chain? And that other men, with guns upon their shoulders, ride beside them—with orders to kill if the living links break? There it stretched before me, a serpent of human bodies, bound to the iron and wrapped in the merciless folds of justified cruelty.

Clank—clink—clank—There was an order given. The living chain divided; groups fell to work upon the road; and then I saw and heard a miracle.

Have you ever, out of a drowsy, lazy conviction that all knowledges, all arts, all dreams, are only patient sums of many toils of many millions dead and living, suddenly started into an uncanny consciousness that knowledges and arts and dreams are things more real than any living being ever was, which suddenly reveal themselves, unasked and unawaited, in the most obscure corners of soul-life, flashing out in prismatic glory to dazzle and shock all your security of thought, toppling it with vague questions of what is reality, that you cannot silence? When you hear that an untaught child is able, he knows not how, to do the works of the magicians of mathematics, has it never seemed to you that suddenly all books were swept away, and there before you stood a superb, sphinx-like creation, Mathematics itself, posing problems to men whose eyes are cast down, and all at once, out of whim, incorporating itself in that wide-eyed, mysterious child? Have you ever felt that all the works of the masters were swept aside in the burst of a singing voice, unconscious that it sings, and that Music itself, a master-presence, has entered the throat and sung?

No, you have never felt it? But you have never heard the Chain Gang sing!

Their faces were black and brutal and hopeless; their brows were low, their jaws were heavy, their eyes were hard; three hundred years of the scorn that brands had burned its scar upon the face and form of Ignorance—Ignorance that had sought dully, stupidly, blindly, and been answered with that pitiless brand. But wide beyond the limits of high man and his little scorn, the great, sweet old Music-Soul, the chords of the World, smote through the black man’s fibre in the days of the making of men; and it sings, it sings, with its ever-thrumming strings, through all the voices of the Chain Gang. And never one so low that it does not fill with the humming vibrancy that quivers and bursts out singing things always new and new and new.

I heard it that day.

The leader struck his pick into the earth, and for a moment whistled like some wild, free, living flute in the forest. Then his voice floated out, like a low booming wind, crying an instant, and fell; there was the measure of a grave in the fall of it. Another voice rose up, and lifted the dead note aloft, like a mourner raising his beloved with a kiss. It drifted away to the hills and the sun. Then many voices rolled forward, like a great plunging wave, in a chorus never heard before, perhaps never again; for each man sung his own song as it came, yet all blent. The words were few, simple, filled with a great plaint; the wail of the sea was in it; and no man knew what his brother would sing, yet added his own without thought, as the rhythm swept on, and no voice knew what note its fellow voice would sing, yet they fell in one another as the billow falls in the trough or rolls to the crest, one upon the other, one within the other, over, under, all in the great wave; and now one led and others followed, then it dropped back and another swelled upward, and every voice was soloist and chorister, and never one seemed conscious of itself, but only to sing out the great song.

And always, as the voices rose and sank, the axes swung and fell. And the lean white face of the man with the gun looked on with a stolid, paralyzed smile.

Oh, that wild, sombre melody, that long, appealing plaint, with its hope laid beyond death—that melody that was made only there, just now, before me, and passing away before me! If I could only seize it, hold it, stop it from passing! that all the world might hear the song of the Chain Gang! might know that here, in these red Georgian hills, convicts, black, brutal convicts, are making the music that is of no man’s compelling, that floods like the tide and ebbs away like the tide, and will not be held—and is gone, far away and forever, out into the abyss where the voices of the centuries have drifted and are lost!

Something about Jesus, and a Lamp in the darkness—a gulfing darkness. Oh, in the mass of sunshine must they still cry for light? All around the sweep and the glory of shimmering ether, sun, sun, a world of sun, and these still calling for light! Sun for the road, sun for the stones, sun for the red clay—and no light for this dark living clay? Only heat that burns and blaze that blinds, but does not lift the darkness!

“And lead me to that Lamp—”

The pathetic prayer for light went trembling away out into the luminous gulf of day, and the axes swung and fell; and the grim dry face of the man with the gun looked on with its frozen smile. “So long as they sing, they work,” said the smile, still and ironical.

“A friend to them that’s got no friend”—Man of Sorrows, lifted up upon Golgotha, in the day when the forces of the Law and the might of Social Order set you there, in the moment of your pain and desperate accusation against Heaven, when that piercing “Eloi, Eloi, lama sabachthani?” went up to a deaf sky, did you presage this desolate appeal coming to you out of the unlived depths of nineteen hundred years?

Hopeless hope, that cries to the dead! Futile pleading that the cup may pass, while still the lips drink! For, as of old, Order and the Law, in shining helmets and gleaming spears, ringed round the felon of Golgotha, so stand they still in that lean, merciless figure, with its shouldered gun and passive smile. And the moan that died within the Place of Skulls is born again in this great dark cry rising up against the sun.

If but the living might hear it, not the dead! For these are dead who walk about with vengeance and despite within their hearts, and scorn for things dark and lowly, in the odor of self-righteousness, with self-vaunting wisdom in their souls, and pride of race, and iron-shod order, and the preservation of Things that Are; walking stones are these, that cannot hear. But the living are those who seek to know, who wot not of things lowly or things high, but only of things wonderful; and who turn sorrowfully from Things that Are, hoping for Things that May Be. If these should hear the Chain Gang chorus, seize it, make all the living hear it, see it!

If, from among themselves, one man might find “the Lamp,” lift it up! Paint for all the world these Georgian hills, these red, sunburned roads, these toiling figures with their rhythmic axes, these brutal, unillumined faces, dull, groping, depth-covered—and then unloose that song upon their ears, till they feel the smitten, quivering hearts of the Sons of Music beating against their own; and under and over and around it, the chain that the dead have forged clinking between the heartbeats!

Clang—cling—clang—ng—It is sundown. They are running over the red road now. The voices are silent; only the chain clinks.

The Heart of Angiolillo

Some women are born to love stories as the sparks fly upward. You see it every time they glance at you, and you feel it every time they lay a finger on your sleeve. There was a party the other night, and a four-year old baby who couldn’t sleep for the noise crept down into the parlor half frightened to death and transfixed with wonderment at the crude performances of an obtuse visitor who was shouting out the woes of Othello. One kindly little woman took the baby in her arms and said: “What would they do to you, if you made all that noise.”—“Whip me,” whispered the child, her round black eyes half admiration and half terror, and altogether coquettish, as she hid and peered round the woman’s neck. And every man in the room forthwith fell in love with her, and wanted to smother his face in the bewitching rings of dark hair that crowned the dainty head, and carry her about on his shoulders, or get down on his hands and knees to play horse for her, or let her walk on his neck, or obliterate his dignity in any other way she might prefer. The boys tolerated their fathers with a superior “huh!” Fourteen or fifteen years from now they will be playing the humble cousin of the horse before the same little ringed-haired lady, and having sported Nick Bottom’s ears to no purpose, half a dozen or so will go off and hang themselves, or turn monk, or become “bold, bad men,” and revenge themselves on the sex. But her conquests will go on, and when those gracious rings are white as snow the children of those boys will follow in their grandfathers’ and fathers’ steps and dangle after her, and make drawings on their fly leaves of that sweet kiss-cup of a mouth of hers, and call her their elder sister, and other devotional names. And the other girls of her generation, who were not born with that marvelous entangling grace in every line and look, will dread her and spite her, and feel mean satisfaction when some poor fool does swallow laudanum on her account. Smiles of glacial virtue will creep over their faces like slippery sunshine, when one by one her devotees come trailing off to them to say that such a woman could never fill a man’s heart nor become the ornament of his hearthstone; the quiet virtues that wear, are all their desire; of course they have just been studying her character and that of the foolish men who dance her attendance, but even those are not doing it with any serious motives. And the neglected girls will serve him with homemade cake and wine which he will presently convert into agony in that pearl shell ear of hers. And all the while the baby will have done nothing but be what she was born to be through none of her own choosing, which is her lot and portion; and that is another thing the gods will have to explain when the day comes that they go on trial before men; which is the real day of judgment.

But this isn’t the baby’s story, which has yet to be made, but the story of one who somehow received a wrong portion. Some inadvertent little angel in the destiny shop took down her name when the heroine of a romance was called for, and put her where she shouldn’t have been, and then ran off to play no doubt, not stopping to look twice. For even the most insouciant angel that looked twice would have seen that Effie was no woman to play the game of hearts, and there’s only one thing more undiscerning than an angel, and that is a social reformer. Effie ran up against both.

They say she had blood in her girlhood, that it shone red and steady through that thin, pure skin of hers; but when I saw her, with her nursing baby in her arms, down in the smutching grime of London, there was only a fluctuant blush, a sort of pink ghost of blood, hovering back and forth on her face. And that was for shame of the poverty of her neat bare room. Not that she had ever known riches. She was the daughter of Scotch peasants, and had gone out to service when she was still a child; her chest was hollowed in and her back bowed with that unnatural labor. There was no gloss on the pale sandy hair, no wilding tendrils clinging round the straight smooth forehead, no light of coquetry or grace in the glimmering blue eyes, no beauty in her at all, unless it lay in the fine, hard sculptured line of her nose and mouth and chin when she turned her head sideways. You could read in that line that having spoken a word to her heart, she would not forget it nor unsay it; and if it took her down into Gethsemane, she would never cry out though by all forsaken.

And that was where it had taken her then. Some ready condemner of all that has been tried for less than a thousand years, will say it was because she had the just reward of those who, holding that love is its own sanction and that it cannot be anything but degraded by seeking permissions from social authorities, live their love lives without the consent of Church and State. But you and I know that the same dark garden has awaited the woman whose love has been blessed by both, and that many such a life lamp has flickered out in a night as profound as poverty and utter loneliness could make it. So if it was justice to Effie, what is it to that other woman? In truth, justice had nothing to do with it; she loved the wrong man, that was all; and married or unmarried, it would have been the same, for a formula doesn’t make a man, nor the lack of it unmake him. The fellow was superior in intellect. It is honesty only which can wring so much from those who knew them both, for as to any other thing she sat as high over him as the stars are. Not that he was an actively bad man; just one of those weak, uncertain, tumbling about characters, having sense enough to know it is a fine thing to stand alone, and vanity enough to want the name without the game, and cowardice enough to creep around anything stronger than itself, and hang there, and spread itself about, and say, “Lo, how straight am I!” And if the stronger thing happens to be a father or a brother or some such tolerant piece of friendly, self-sufficient energy, he amuses himself awhile, and finally gives the creeper a shake and says, “Here, now, go hang on somebody else if you can’t stand alone,” and the world says he should have done it before. But if it happens to be a mother or a sister or a wife or a sweetheart, she encourages him to think he is a wonderful person, that all she does is really his own merit, and she is proud and glad to serve him. If after a while she doesn’t exactly believe it any more, she says and does the same; and the world says she is a fool—which she is. But if, in some sudden spurt of masculine self-assertiveness, she decides to fling him off, the world says she is an unwomanly woman—which again she is; so much the better.

Effie’s creeper dabbled in literature. He wanted to be a translator and several other things. His appearance was mild and gentlemanly, even super-modest. He always spoke respectfully of Effie, and as if momentously impressed with a sense of duty towards her. They had started out to realize the free life together, and the glory of the new ideal had beckoned them forward. So no doubt he believed, for a pretender always deceives himself worse than anybody else. But still, at that particular period, he used to droop his head wearily and admit that he had made a great mistake. It was nobody’s fault but his own, but of course—Effie and he were hardly fitted for each other. She could not well enter into his hopes and ambitions, never having had the opportunity to develop when she was younger. He had hoped to stimulate her in that direction, but he feared it was too late. So he said in a delicate and gentlemanly way, as he went from one house to the other, and was invited to dinner and supper and made himself believe he was looking for work. Effie, meanwhile, was taking home boys’ caps to make, and worrying along incredibly on bread and tea, and walking the streets with the baby in her arms when she had no caps to make.

Of course when a man drinks other people’s teas a great many times, and sits in their houses, and borrows odd shillings now and then, and assumes the gentleman, he is ultimately brought to the necessity of asking someone to tea with him; so one spring night the creeper approached Effie rather dubiously with the statement that he had asked two or three acquaintances to come in the next evening, and he supposed she would need to prepare tea. The girl was just fainting from starvation then, and she asked him wearily where he thought she was to get it. He cast about a while in his pusillanimous way for things that she might do, and finally proposed that she pawn the baby’s dress—the white dress she had made from one of her own girlhood dresses, and the only thing it had to wear when she took it out for air. That was the limit, even for Effie. She said she would take anything of her own if she had it, but not the baby’s; and she turned her face to the wall and clung to the child.

When the teatime came next day she went out with the baby and walked up and down the surging London streets looking in the windows and crushing back tears. What the creeper did with his guests she never knew, for she did not return till long after dusk, when she was too weary to wander any more, and she found no one there but himself and a dark stranger, who spoke little and with an Italian accent, but who measured her with serious, intense eyes. He listened to the creeper, but he looked at her; she was quite fagged out and more bloodless than ever as she sat motionless on the edge of the bed. When he went away he lifted his hat to her with the grace of an old time courtier, and begged her pardon if he had intruded. Some days after that he came in again, and brought a toy for the baby, and asked her if he might carry the child out a little for her; it looked sickly shut up there, but he knew it must be heavy for her to carry. The creeper suddenly discovered that he could carry the baby.

All this happened in the days when a pious queen sat on the throne of Spain. With eyes turned upward in much holiness, she failed to see the things done in her prisons, or hear the groans that rose up from the “zero” chamber in the fortress of Montjuich, though all Europe heard, and even in America the echo rang. While she told her beads her minister gave the order to “torture the Anarchists”; and scarred with red-hot irons, maimed and deformed and maddened with the nameless horrors that the good devise to correct the bad, even unto this day the evidences of that infamous order live. But two men do not live—the one who gave the order, and the one who revenged it.

It happened one night, in April, that Effie and the creeper and their sometime visitor met all three in one of those long low smothering London halls where many movements have originated, which in their developed proportions have taken possession of the House of Commons, and even stirred the dust in the House of Lords. There was a crowd of excited people talking all degrees of sense and nonsense in every language of the continent. Letters smuggled from the prison had been received; new tales of torture were passing from mouth to mouth; fresh propositions to arouse a general protest from civilization were bubbling up with the anger of every indignant man and woman. Drifting to the buzzing knots Effie heard someone translating: it was the letter of the tortured Noguès, who a month later was shot beneath the fortress wall. The words smote her ears like something hot and stinging:

“You know I am one of the three accusers (the other two are Ascheri and Molas) who figure in the trial. I could not bear the atrocious tortures of so many days. On my arrest I spent eight days without food or drink, obliged to walk continually to and fro or be flogged; and as if that did not suffice, I was made to trot as though I were a horse trained at the riding school, until worn with fatigue I fell to the ground. Then the hangmen burnt my lips with red-hot irons, and when I declared myself the author of the attempt they replied, ‘You do not tell the truth. We know that the author is another one, but we want to know your accomplices. Besides you still retain six bombs, and along with little Oller you deposited two bombs in the Rue Fivaller. Who are your accomplices?’

“In spite of my desire to make an end of it I could not answer anything. Whom should I accuse since all are innocent? Finally six comrades were placed before me, whom I had to accuse, and of whom I beg pardon. Thus the declarations and the accusations that I made. … I cannot finish; the hangmen are coming.

Sick with horror Effie would have gone away, but her feet were like lead. She heard the next letter, the pathetic prayer of Sebastian Sunyer, indistinctly; the tortures had already seared her ears, but the crying for help seemed to go up over her head like great sobs; she felt herself washed round, sinking, in the desperate pain of it. The piteous reiteration, “Listen you with your honest hearts,” “you with your pure souls,” “good and right-minded people,” “good and right-feeling people,” wailed through her like the wild pleading of a child who, shrieking under the whip “Dear papa, good, sweet papa, please don’t whip me, please, please,” seeks terror-wrung flattery to escape the lash. The last cry, “Aid us in our helplessness; think of our misery,” made her quiver like a reed. She walked away and sat down in a corner alone; what could she do, what could anyone do? Miserable creature that she was herself, her own misery seemed so worthless beside that prison cry. And she thought on, “Why does he want to live at all, why does anyone want to live, why do I want to live myself?”

After a while the creeper and his friend came to her, and the latter sat down beside her, undemonstrative as usual. At the next buzz in the room they two were left alone. She looked at him once as she said, “What do you think the people will do about it?”

He glanced at the crowd with a thin smile: “Do? Talk.”

In a little time he said quietly: “It does you no good here. I will take you home and come back for David afterward.” She had no idea of contradicting him; so they went out together. At the threshold of her room he said firmly, “I will come in for a few minutes; I have to speak to you.”

She struck a light, put the baby on the bed, and looked at him questioningly. He had sat down with his back against the wall, and with rigidly folded arms stared straight ahead of him. Seeing that he did not speak, she said softly, falling into her native dialect, as all Scotch women do when they feel most: “I canna get thae poor creetyer’s cries oot o’ ma head. It’s no human.”

“No,” he said shortly, and then with a sudden look at her, “Effie, what do you think love is?”

She answered him with surprised eyes and said nothing. He went on: “You love the child, don’t you? You do for it, you serve it. That shows you love it. But do you think it’s love that makes David act as he does to you? If he loved you, would he let you work as you work? Would he live off you? Wouldn’t he wear the flesh off his fingers instead of yours? He doesn’t love you. He isn’t worth you. He isn’t a bad man, but he isn’t worth you. And you make him less worth. You ruin him, you ruin yourself, you kill the child. I can’t see it any more. I come here, and I see you weaker every time, whiter, thinner. And I know if you keep on you’ll die. I can’t see it. I want you to leave him; let me work for you. I don’t make much, but enough to let you rest. At least till you are well. I would wait till you left him of yourself, but I can’t wait when I see you dying like this. I don’t want anything of you, except to serve you, to serve the child because it’s yours. Come away, tonight. You can have my room; I’ll go somewhere else. Tomorrow I’ll find you a better place. You needn’t see him any more. I’ll tell him myself. He won’t do anything, don’t be afraid. Come.” And he stood up.

Effie had sat astonished and dumb. Now she looked up at the dark tense eyes above her, and said quietly, “I dinna understand.”

A sharp contraction went across the strong bent face: “No? You don’t understand what you are doing with yourself? You don’t understand that I love you, and I can’t see it? I don’t ask you to love me; I ask you to let me serve you. Only a little, only so much as to give you health again; is that too much? You don’t know what you are to me. Others love beauty, but I—I see in you the eternal sacrifice; your thin fingers that always work, your face—when I look at it, it’s just a white shadow; you are the child of the people, that dies without crying. Oh, let me give myself for you. And leave this man, who doesn’t care for you, doesn’t know you, thinks you beneath him, uses you. I don’t want you to be his slave any more.”

Effie clasped her hands and looked at them; then she looked at the sleeping baby, smoothed the quilt, and said quietly: “I didna take him the day to leave him the morra. It’s no my fault if ye’re daft aboot me.”

The dark face sharpened as one sees the agony in a dying man, but his voice was very gentle, speaking always in his blurred English: “No, there is no fault in you at all. Did I accuse you?”

The girl walked to the window and looked out. Some way it was a relief from the burning eyes which seemed to fill the room, no matter that she did not look at them. And staring off into the twinkling London night, she heard again the terrible sobs of Sebastian Sunyer’s letter rising up and drowning her with its misery. Without turning around she said, low and hard, “I wonder ye can thenk aboot thae things, an’ yon deils burnin’ men alive.”

The man drew his hand across his forehead. “Would you like to hear that they—one—the worst of them, was dead?”

“I thenk the worl’ wadna be muckle the waur o’t,” she answered, still looking away from him. He came up and laid his hand on her shoulder. “Will you kiss me once? I’ll never ask again.” She shook him off: “I dinna feel for’t.” “Goodbye then. I’ll go back for David.” And he returned to the hall and got the creeper and told him very honestly what had taken place; and the creeper, to his credit be it said, respected him for it, and talked a great deal about being better in future to the girl. The two men parted at the foot of the stairs, and the last words that echoed through the hallway were: “No, I am going away. But you will hear of me some day.”

Now, what went on in his heart that night no one knows; nor what indecision still kept him lingering fitfully about Effie’s street a few days more; nor when the indecision finally ceased; for no one spoke to him after that, except as casual acquaintances meet, and in a week he was gone. But what he did the whole world knows; for even the Queen of Spain came out of her prayers to hear how her torturing prime minister had been shot at Santa Agueda, by a stern-faced man, who, when the widow, grief-mad, spit in his face, quietly wiped his cheek, saying, “Madam, I have no quarrel with women.” A few weeks later they garrotted him, and he said one word before he died—one only, “Germinal.”

Over there in the long low London hall the gabbling was hushed, and someone murmured how he had sat silent in the corner that night when all were talking. The creeper passed round a book containing the history of the tortures, watching it jealously all the while, for said he, “Angiolillo gave it to me himself; he had it in his own hands.”

Effie lay beside the baby in her room, and hid her face in the pillow to keep out the stare of the burning eyes that were dead; and over and over again she repeated, “Was it my fault, was it my fault?” The hot summer air lay still and smothering, and the immense murmur of the city came muffled like thunder below the horizon. Her heart seemed beating against the walls of a padded room. And gradually, without losing consciousness, she slipped into the world of illusion; around her grew the stifling atmosphere of the torture-chamber of Montjuich, and the choked cries of men in agony. She was sure that if she looked up she should see the demoniac face of Portas, the torturer. She tried to cry, “Mercy, mercy,” but her dry lips clave. She had a whirling sensation, and the illusion changed; now there was the clank of soldiers’ arms, a moment of insufferable stillness as the garrotte shaped itself out of the shadows in her eyes, then loud and clear, breaking the sullen quiet like the sharp ringing of a storm-bringing wind, “Germinal.” She sprang up: the long vibration of the bell of St. Pancras was waving through the room; but to her it was the prolongation of the word, “Germ‑inal‑l‑l—germinal‑l‑l—” Then suddenly she threw out her arms in the darkness, and whispered hoarsely, “Ay, I’ll kiss ye the noo.”

An hour later she was back at the old question, “Was it my fault?”

Poor girl, it is all over now, and all the same to the grass that roots in her bone, whether it was her fault or not. For the end that the man who had loved her foresaw, came, though it was slow in the coming. Let the creeper get credit for all that he did. He stiffened up in a year or so, and went to Paris and got some work; and there the worn little creature went to him, and wrote to her old friends that she was better off at last. But it was too late for that thin shell of a body that had starved so much; at the first trial she broke and died. And so she sleeps and is forgotten. And the careless boy-angel who mixed all these destinies up so unobservantly has never yet whispered her name in the ear of the widowed Lady Canovas del Castillo.

Nor will the birds that fly thither carry it now; for it was not “Effie.”