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Anna Karenina ▾
contents
  1. Part I
  2. I
  3. II
  4. III
  5. IV
  6. V
  7. VI
  8. VII
  9. VIII
  10. IX
  11. X
  12. XI
  13. XII
  14. XIII
  15. XIV
  16. XV
  17. XVI
  18. XVII
  19. XVIII
  20. XIX
  21. XX
  22. XXI
  23. XXII
  24. XXIII
  25. XXIV
  26. XXV
  27. XXVI
  28. XXVII
  29. XXVIII
  30. XXIX
  31. XXX
  32. XXXI
  33. XXXII
  34. XXXIII
  35. XXXIV
  36. Part II
  37. I
  38. II
  39. III
  40. IV
  41. V
  42. VI
  43. VII
  44. VIII
  45. IX
  46. X
  47. XI
  48. XII
  49. XIII
  50. XIV
  51. XV
  52. XVI
  53. XVII
  54. XVIII
  55. XIX
  56. XX
  57. XXI
  58. XXII
  59. XXIII
  60. XXIV
  61. XXV
  62. XXVI
  63. XXVII
  64. XXVIII
  65. XXIX
  66. XXX
  67. XXXI
  68. XXXII
  69. XXXIII
  70. XXXIV
  71. XXXV
  72. Part III
  73. I
  74. II
  75. III
  76. IV
  77. V
  78. VI
  79. VII
  80. VIII
  81. IX
  82. X
  83. XI
  84. XII
  85. XIII
  86. XIV
  87. XV
  88. XVI
  89. XVII
  90. XVIII
  91. XIX
  92. XX
  93. XXI
  94. XXII
  95. XXIII
  96. XXIV
  97. XXV
  98. XXVI
  99. XXVII
  100. XXVIII
  101. XXIX
  102. XXX
  103. XXXI
  104. XXXII
  105. Part IV
  106. I
  107. II
  108. III
  109. IV
  110. V
  111. VI
  112. VII
  113. VIII
  114. IX
  115. X
  116. XI
  117. XII
  118. XIII
  119. XIV
  120. XV
  121. XVI
  122. XVII
  123. XVIII
  124. XIX
  125. XX
  126. XXI
  127. XXII
  128. XXIII
  129. Part V
  130. I
  131. II
  132. III
  133. IV
  134. V
  135. VI
  136. VII
  137. VIII
  138. IX
  139. X
  140. XI
  141. XII
  142. XIII
  143. XIV
  144. XV
  145. XVI
  146. XVII
  147. XVIII
  148. XIX
  149. XX
  150. XXI
  151. XXII
  152. XXIII
  153. XXIV
  154. XXV
  155. XXVI
  156. XXVII
  157. XXVIII
  158. XXIX
  159. XXX
  160. XXXI
  161. XXXII
  162. XXXIII
  163. Part VI
  164. I
  165. II
  166. III
  167. IV
  168. V
  169. VI
  170. VII
  171. VIII
  172. IX
  173. X
  174. XI
  175. XII
  176. XIII
  177. XIV
  178. XV
  179. XVI
  180. XVII
  181. XVIII
  182. XIX
  183. XX
  184. XXI
  185. XXII
  186. XXIII
  187. XXIV
  188. XXV
  189. XXVI
  190. XXVII
  191. XXVIII
  192. XXIX
  193. XXX
  194. XXXI
  195. XXXII
  196. Part VII
  197. I
  198. II
  199. III
  200. IV
  201. V
  202. VI
  203. VII
  204. VIII
  205. IX
  206. X
  207. XI
  208. XII
  209. XIII
  210. XIV
  211. XV
  212. XVI
  213. XVII
  214. XVIII
  215. XIX
  216. XX
  217. XXI
  218. XXII
  219. XXIII
  220. XXIV
  221. XXV
  222. XXVI
  223. XXVII
  224. XXVIII
  225. XXIX
  226. XXX
  227. XXXI
  228. Part VIII
  229. I
  230. II
  231. III
  232. IV
  233. V
  234. VI
  235. VII
  236. VIII
  237. IX
  238. X
  239. XI
  240. XII
  241. XIII
  242. XIV
  243. XV
  244. XVI
  245. XVII
  246. XVIII
  247. XIX
English ▾

Anna Karenina

Leo Tolstoy, translated by Constance Garnett

free · 351,506 words · 38 h 31 m audiobook, read by volunteers for LibriVox · first published 1877

text from Standard Ebooks

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Part I

I

Happy families are all alike; every unhappy family is unhappy in its own way.

Everything was in confusion in the Oblonskys’ house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. This position of affairs had now lasted three days, and not only the husband and wife themselves, but all the members of their family and household, were painfully conscious of it. Every person in the house felt that there was no sense in their living together, and that the stray people brought together by chance in any inn had more in common with one another than they, the members of the family and household of the Oblonskys. The wife did not leave her own room, the husband had not been at home for three days. The children ran wild all over the house; the English governess quarreled with the housekeeper, and wrote to a friend asking her to look out for a new situation for her; the man-cook had walked off the day before just at dinner time; the kitchen-maid, and the coachman had given warning.

Three days after the quarrel, Prince Stepan Arkadyevitch Oblonsky—Stiva, as he was called in the fashionable world—woke up at his usual hour, that is, at eight o’clock in the morning, not in his wife’s bedroom, but on the leather-covered sofa in his study. He turned over his stout, well-cared-for person on the springy sofa, as though he would sink into a long sleep again; he vigorously embraced the pillow on the other side and buried his face in it; but all at once he jumped up, sat up on the sofa, and opened his eyes.

“Yes, yes, how was it now?” he thought, going over his dream. “Now, how was it? To be sure! Alabin was giving a dinner at Darmstadt; no, not Darmstadt, but something American. Yes, but then, Darmstadt was in America. Yes, Alabin was giving a dinner on glass tables, and the tables sang, Il mio tesoro—not Il mio tesoro though, but something better, and there were some sort of little decanters on the table, and they were women, too,” he remembered.

Stepan Arkadyevitch’s eyes twinkled gaily, and he pondered with a smile. “Yes, it was nice, very nice. There was a great deal more that was delightful, only there’s no putting it into words, or even expressing it in one’s thoughts awake.” And noticing a gleam of light peeping in beside one of the serge curtains, he cheerfully dropped his feet over the edge of the sofa, and felt about with them for his slippers, a present on his last birthday, worked for him by his wife on gold-colored morocco. And, as he had done every day for the last nine years, he stretched out his hand, without getting up, towards the place where his dressing-gown always hung in his bedroom. And thereupon he suddenly remembered that he was not sleeping in his wife’s room, but in his study, and why: the smile vanished from his face, he knitted his brows.

“Ah, ah, ah! Oo! …” he muttered, recalling everything that had happened. And again every detail of his quarrel with his wife was present to his imagination, all the hopelessness of his position, and worst of all, his own fault.

“Yes, she won’t forgive me, and she can’t forgive me. And the most awful thing about it is that it’s all my fault—all my fault, though I’m not to blame. That’s the point of the whole situation,” he reflected. “Oh, oh, oh!” he kept repeating in despair, as he remembered the acutely painful sensations caused him by this quarrel.

Most unpleasant of all was the first minute when, on coming, happy and good-humored, from the theater, with a huge pear in his hand for his wife, he had not found his wife in the drawing-room, to his surprise had not found her in the study either, and saw her at last in her bedroom with the unlucky letter that revealed everything in her hand.

She, his Dolly, forever fussing and worrying over household details, and limited in her ideas, as he considered, was sitting perfectly still with the letter in her hand, looking at him with an expression of horror, despair, and indignation.

“What’s this? this?” she asked, pointing to the letter.

And at this recollection, Stepan Arkadyevitch, as is so often the case, was not so much annoyed at the fact itself as at the way in which he had met his wife’s words.

There happened to him at that instant what does happen to people when they are unexpectedly caught in something very disgraceful. He did not succeed in adapting his face to the position in which he was placed towards his wife by the discovery of his fault. Instead of being hurt, denying, defending himself, begging forgiveness, instead of remaining indifferent even—anything would have been better than what he did do—his face utterly involuntarily (reflex spinal action, reflected Stepan Arkadyevitch, who was fond of physiology)—utterly involuntarily assumed its habitual, good-humored, and therefore idiotic smile.

This idiotic smile he could not forgive himself. Catching sight of that smile, Dolly shuddered as though at physical pain, broke out with her characteristic heat into a flood of cruel words, and rushed out of the room. Since then she had refused to see her husband.

“It’s that idiotic smile that’s to blame for it all,” thought Stepan Arkadyevitch.

“But what’s to be done? What’s to be done?” he said to himself in despair, and found no answer.

II

Stepan Arkadyevitch was a truthful man in his relations with himself. He was incapable of deceiving himself and persuading himself that he repented of his conduct. He could not at this date repent of the fact that he, a handsome, susceptible man of thirty-four, was not in love with his wife, the mother of five living and two dead children, and only a year younger than himself. All he repented of was that he had not succeeded better in hiding it from his wife. But he felt all the difficulty of his position and was sorry for his wife, his children, and himself. Possibly he might have managed to conceal his sins better from his wife if he had anticipated that the knowledge of them would have had such an effect on her. He had never clearly thought out the subject, but he had vaguely conceived that his wife must long ago have suspected him of being unfaithful to her, and shut her eyes to the fact. He had even supposed that she, a worn-out woman no longer young or good-looking, and in no way remarkable or interesting, merely a good mother, ought from a sense of fairness to take an indulgent view. It had turned out quite the other way.

“Oh, it’s awful! oh dear, oh dear! awful!” Stepan Arkadyevitch kept repeating to himself, and he could think of nothing to be done. “And how well things were going up till now! how well we got on! She was contented and happy in her children; I never interfered with her in anything; I let her manage the children and the house just as she liked. It’s true it’s bad her having been a governess in our house. That’s bad! There’s something common, vulgar, in flirting with one’s governess. But what a governess!” (He vividly recalled the roguish black eyes of Mlle. Roland and her smile.) “But after all, while she was in the house, I kept myself in hand. And the worst of it all is that she’s already … it seems as if ill-luck would have it so! Oh, oh! But what, what is to be done?”

There was no solution, but that universal solution which life gives to all questions, even the most complex and insoluble. That answer is: one must live in the needs of the day—that is, forget oneself. To forget himself in sleep was impossible now, at least till nighttime; he could not go back now to the music sung by the decanter-women; so he must forget himself in the dream of daily life.

“Then we shall see,” Stepan Arkadyevitch said to himself, and getting up he put on a gray dressing-gown lined with blue silk, tied the tassels in a knot, and, drawing a deep breath of air into his broad, bare chest, he walked to the window with his usual confident step, turning out his feet that carried his full frame so easily. He pulled up the blind and rang the bell loudly. It was at once answered by the appearance of an old friend, his valet, Matvey, carrying his clothes, his boots, and a telegram. Matvey was followed by the barber with all the necessaries for shaving.

“Are there any papers from the office?” asked Stepan Arkadyevitch, taking the telegram and seating himself at the looking-glass.

“On the table,” replied Matvey, glancing with inquiring sympathy at his master; and, after a short pause, he added with a sly smile, “They’ve sent from the carriage-jobbers.”

Stepan Arkadyevitch made no reply, he merely glanced at Matvey in the looking-glass. In the glance, in which their eyes met in the looking-glass, it was clear that they understood one another. Stepan Arkadyevitch’s eyes asked: “Why do you tell me that? don’t you know?”

Matvey put his hands in his jacket pockets, thrust out one leg, and gazed silently, good-humoredly, with a faint smile, at his master.

“I told them to come on Sunday, and till then not to trouble you or themselves for nothing,” he said. He had obviously prepared the sentence beforehand.

Stepan Arkadyevitch saw Matvey wanted to make a joke and attract attention to himself. Tearing open the telegram, he read it through, guessing at the words, misspelt as they always are in telegrams, and his face brightened.

“Matvey, my sister Anna Arkadyevna will be here tomorrow,” he said, checking for a minute the sleek, plump hand of the barber, cutting a pink path through his long, curly whiskers.

“Thank God!” said Matvey, showing by this response that he, like his master, realized the significance of this arrival—that is, that Anna Arkadyevna, the sister he was so fond of, might bring about a reconciliation between husband and wife.

“Alone, or with her husband?” inquired Matvey.

Stepan Arkadyevitch could not answer, as the barber was at work on his upper lip, and he raised one finger. Matvey nodded at the looking-glass.

“Alone. Is the room to be got ready upstairs?”

“Inform Darya Alexandrovna: where she orders.”

“Darya Alexandrovna?” Matvey repeated, as though in doubt.

restoring your place…

fetching the rest…

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genres

  • Romance

appears in

  • Russian Masters
  • The Guardian's 100 Greatest Novels (2003)
  • The Long Conversation: A 9–12 Reading List
  • Tolstoy Essentials

—

thank you for reading

Anna Karenina by Leo Tolstoy, translated by Constance Garnett. The text is in the US public domain, from the Standard Ebooks edition. Served from our own copy; read on their site for the full edition with images and typography.

Narrated by Kirsten Ferreri, willem, Laurie Anne Walden, Bruce Pirie, Liz Devens, Sarah Jane Zwier, Bellona Times, J Polin, Sesame, Annise, Martina Hutchins, Lynne Carroll, David Cole, Natalie Sullivan, Tom Lennon, Phil Griffiths, Patti Cunningham, Don Stirno, Jill, Amanda, MaryAnn, Anthony, LilianaVale, oneiros81, and Roseanne Schmidt for LibriVox, also public domain.

First published in 1877.

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